Michel Chevalier - Luxury Brand Management in Digital and Sustainable Times

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Learn about the luxury brand industry from the inside out with this masterful and insightful resource The newly revised Fourth Edition of
delivers a timely re-examination of what constitutes the contemporary luxury brand landscape and the current trends that shape the sector. Distinguished experts and authors Michel Chevalier and Gerald Mazzalovo provide readers with a comprehensive treatment of the macro- and micro-economic aspects of management, communication, distribution, logistics, and creation in the luxury industry.
Readers will learn about the growing importance of authenticity and sustainability in the management of fashion, perfume, cosmetics, spirits, hotels and hospitality, jewelry, and other luxury brands, as well as the strategic issues facing the companies featured in the book. The new edition offers:
A new chapter on the “Luxury of Tomorrow,” with a particular focus on authenticity and durable development A completely revised chapter on “Communication in Digital Times,” which takes into account the digital dimension of brand identity and its implications on customer engagement activities and where the concept of Customer Journey is introduced as a key marketing tool A rewritten chapter on “Luxury Clients” that considers the geographical changes in luxury consumption Considerations on the emerging notion of “New Luxury” Major updates to the data and industry figures contained within the book and a new section dedicated to the hospitality industry New semiotic analytical tools developed from the authors’ contemporary brand management experiences Perfect for MA and MBA students, Luxury Brand Management also belongs on the bookshelves of marketing, branding, and advertising professionals who hope to increase their understanding of the major trends and drivers of success in this sector.

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The company name was changed to Kering in 2013. Table 2.10summarizes the existing sales and operating profit data.

Gucci and Saint Laurent have outstanding performances for the past five years. The case of Bottega Veneta is quite interesting: it was at the same sales level as Saint Laurent in 2005 but grew extremely fast until 2013 when Saint Laurent was doing very poorly. Then Saint Laurent woke up and did extremely well, and Bottega Veneta was stuck with decreasing volume and profitability. It may have woken up now, but we still have to wait to find out.

Table 2.10 Kering Historical Sales and Results (€ million)

Source: PPR annual reports.

Sales Operating Profit
2019 2015 2010 2005 2019 2009 2008
Gucci 9,628 3,898 2,266 1,807 3926 618 625
Saint Laurent 2,049 974 237 162 552 –10 0
Bottega Veneta 1,168 1,286 402 160 207 92 101
All others Unallocated 2,537 1,707 484 907 306 (213) –75 5
Total 15,383 7,865 3,389 3,036 4,778 625 731

Richemont.The Compagnie Financière Richemont, based in Geneva, with sales of €13.9 billion was, for many years, the second major operator in the luxury fashion, jewelry, and watch businesses. But probably because of difficulties in the sales of watches, and little involvement in the fashion business, it has developed slower than its competitors in the past 5 years (see Table 2.11). In 2019, it integrated and consolidated the two online distribution systems: NAP (Net à Porter.com) and Y (now called YNAP).

The company's results by product lines are given in Table 2.12.

Table 2.11 Richemont Historical Sales and Profit (€ million)

Source: Richemont annual reports.

Sales Operating Profit Net Profit
2019 2018 2017 2015 2013 13,989 10,979 10,647 10,410 10,150 1,943 1,844 1,764 1,339 2,426 2,787 1,221 1,210 2,387 2,005

Table 2.12 Richemont Performance by Product Lines, 2005–2019 (€ million)

Source: Richemont annual reports.

Sales Operating Profit
2019 2015 2010 2005 2019
Jewelry houses 7,083 5,168 2,688 844 2,229
Specialty watches 2,980 3,325 1,437 1,750 378
Online distribution 2,105 N.A. (100)
Writing instruments 551 297
Leather and accessories 584 780
Other businesses 1,881 (264)
Unallocated 46
Total 13,989 10,410 5,176 3,671 1,943

*Starting in 2010, leather and accessories and other businesses have been merged.

In 2019, the jewelry houses (Cartier and Van Cleef & Arpels) represented 51% of sales and 115% of operating profit, with Cartier probably being the biggest contributor, but the growth performances of Van Cleef & Arpels have certainly been extraordinary in the past 10 or 12 years. Specialty watches (which include Vacheron Constantin, Baume & Mercier, Jaeger-LeCoultre, Lange und Söhne, Officine Panerai, IWC, and Piaget) also performed quite well.

The performance of Montblanc (with Montegrappa first included in the figures then sold out) was certainly quite impressive as well. The only bad news was in the leather-goods category (which now only includes Dunhill), which has probably been losing money. Now that this category is merged with other businesses, it will be more difficult to follow.

Richemont is both a jeweler and a watchmaker. It has two star brands in Cartier and Van Cleef & Arpels. It has a very strong portfolio of watch brands, and after a few difficult years could bounce back and develop. This is what is peculiar in the luxury business.

Can the Single-Brand Company Survive?

The answer to this question is quite simple. Yes, it does make sense to be a pure player in this industry, to have only one brand and to manage it as well as possible. Armani, Hermès, Chanel, and Prada are prime examples of what can be achieved.

In multibrand portfolios with a number of star brands, management must decide where to invest, and those brands deemed to be of lower priority have a difficult time. On the other hand, brands with high potential but that are struggling cannot invest as much as they would need, because they have to balance out the losses of the smaller brands.

Clearly, large and diversified groups are not necessarily more profitable than individual brands (such as Chanel or Hermès, for example). It is true that groups provide an opportunity for small brands to find cash to finance their growth. The idea is that the new brands will one day provide future growth and profit to the company as a whole. This may well prove to be true for some but by no means all.

To sum up our findings in this chapter: the luxury business is a different business from non-luxury sectors and follows different rules. Timing, financial constraints, and the effects of size are clearly different. The keys to success are different, and even though the multibrand groups are powerful, it is possible to remain small, independent, profitable, and growing as a single-brand company.

In the next chapter, we will analyze each of the major sectors in the luxury field.

Note

1 1 Calculated as follows: The company difference between operational profit and net profit is 8% on sales. For perfumes, sales are €6,835 million and the operational profit is €683 million. If we subtract from the latter amount the average difference between operational profit and net profit (683 – 546), that gives us the net profit for the perfume and cosmetic division: €337 million.

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