GEORGE SHAW - Collected Works

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This Collected Works contains:
An Unsocial Socialist
Androcles and the Lion
Annajanska, the Bolshevik Empress
Arms and the Man
Augustus Does His Bit: A True-to-Life Farce
Back to Methuselah: A Metabiological Pentateuch
Caesar and Cleopatra
Candida
Candida: Ein Mysterium in drei Akten
Captain Brassbound's Conversion
Cashel Byron's Profession
Fanny's First Play
Getting Married
Great Catherine (Whom Glory Still Adores)
Heartbreak House
How He Lied to Her Husband
John Bull's Other Island
Major Barbara
Man and Superman: A Comedy and a Philosophy
Maxims for Revolutionists
Misalliance
Mrs. Warren's Profession
O'Flaherty V.C.: A Recruiting Pamphlet
On the Prospects of Christianity / Bernard Shaw's Preface to Androcles and the Lion
Overruled
Preface to Major Barbara: First Aid to Critics
Press Cuttings
Pygmalion
Revolutionist's Handbook and Pocket Companion
The Admirable Bashville; Or, Constancy Unrewarded / Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize Fighting
The Dark Lady of the Sonnets
The Devil's Disciple
The Doctor's Dilemma
The Doctor's Dilemma: Preface on Doctors
The Impossibilities of Anarchism
The Inca of Perusalem: An Almost Historical Comedietta
The Irrational Knot / Being the Second Novel of His Nonage
The Man of Destiny
The Miraculous Revenge
The Perfect Wagnerite: A Commentary on the Niblung's Ring
The Philanderer
The Shewing-up of Blanco Posnet
Treatise on Parents and Children
You Never Can Tell
George Bernard Shaw was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902) and Pygmalion (1912). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

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Well, Miss McCarthy and Mr Ricketts justified themselves easily in the glamor of the footlights, to the strains of Tchaikovsky's 1812. I fear I did not. I have received only one compliment on my share; and that was from a friend who said, "It is the only one of your works that is not too long." So I have made it a page or two longer, according to my own precept: EMBRACE YOUR REPROACHES: THEY ARE OFTEN GLORIES IN DISGUISE.

Annajanska was first performed at the Coliseum Theatre in London on the 21st January, 1918, with Lillah McCarthy as the Grand Duchess, Henry Miller as Schneidekind, and Randle Ayrton as General Strammfest.

ANNAJANSKA, THE BOLSHEVIK EMPRESS

The General's office in a military station on the east front in Beotia. An office table with a telephone, writing materials, official papers, etc., is set across the room. At the end of the table, a comfortable chair for the General. Behind the chair, a window. Facing it at the other end of the table, a plain wooden bench. At the side of the table, with its back to the door, a common chair, with a typewriter before it. Beside the door, which is opposite the end of the bench, a rack for caps and coats. There is nobody in the room.

General Strammfest enters, followed by Lieutenant Schneidekind. They hang up their cloaks and caps. Schneidekind takes a little longer than Strammfest, who comes to the table.

STRAMMFEST. Schneidekind.

SCHNEIDEKIND. Yes, sir.

STRAMMFEST. Have you sent my report yet to the government? [He sits down.]

SCHNEIDEKIND [coming to the table]. Not yet, sir. Which government do you wish it sent to? [He sits down.]

STRAMMFEST. That depends. What's the latest? Which of them do you think is most likely to be in power tomorrow morning?

SCHNEIDEKIND. Well, the provisional government was going strong yesterday. But today they say that the Prime Minister has shot himself, and that the extreme left fellow has shot all the others.

STRAMMFEST. Yes: that's all very well; but these fellows always shoot themselves with blank cartridge.

SCHNEIDEKIND. Still, even the blank cartridge means backing down. I should send the report to the Maximilianists.

STRAMMFEST. They're no stronger than the Oppidoshavians; and in my own opinion the Moderate Red Revolutionaries are as likely to come out on top as either of them.

SCHNEIDEKIND. I can easily put a few carbon sheets in the typewriter and send a copy each to the lot.

STRAMMFEST. Waste of paper. You might as well send reports to an infant school. [He throws his head on the table with a groan.]

SCHNEIDEKIND. Tired out, Sir?

STRAMMFEST. O Schneidekind, Schneidekind, how can you bear to live?

SCHNEIDEKIND. At my age, sir, I ask myself how can I bear to die?

STRAMMFEST. You are young, young and heartless. You are excited by the revolution: you are attached to abstract things like liberty. But my family has served the Panjandrums of Beotia faithfully for seven centuries. The Panjandrums have kept our place for us at their courts, honored us, promoted us, shed their glory on us, made us what we are. When I hear you young men declaring that you are fighting for civilization, for democracy, for the overthrow of militarism, I ask myself how can a man shed his blood for empty words used by vulgar tradesmen and common laborers: mere wind and stink. [He rises, exalted by his theme.] A king is a splendid reality, a man raised above us like a god. You can see him; you can kiss his hand; you can be cheered by his smile and terrified by his frown. I would have died for my Panjandrum as my father died for his father. Your toiling millions were only too honored to receive the toes of our boots in the proper spot for them when they displeased their betters. And now what is left in life for me? [He relapses into his chair discouraged.] My Panjandrum is deposed and transported to herd with convicts. The army, his pride and glory, is paraded to hear seditious speeches from penniless rebels, with the colonel actually forced to take the chair and introduce the speaker. I myself am made Commander-in-Chief by my own solicitor: a Jew, Schneidekind! a Hebrew Jew! It seems only yesterday that these things would have been the ravings of a madman: today they are the commonplaces of the gutter press. I live now for three objects only: to defeat the enemy, to restore the Panjandrum, and to hang my solicitor.

SCHNEIDEKIND. Be careful, sir: these are dangerous views to utter nowadays. What if I were to betray you?

STRAMMFEST. What!

SCHNEIDEKIND. I won't, of course: my own father goes on just like that; but suppose I did?

STRAMMFEST [chuckling]. I should accuse you of treason to the Revolution, my lad; and they would immediately shoot you, unless you cried and asked to see your mother before you died, when they would probably change their minds and make you a brigadier. Enough. [He rises and expands his chest.] I feel the better for letting myself go. To business. [He takes up a telegram: opens it: and is thunderstruck by its contents.] Great heaven! [He collapses into his chair.] This is the worst blow of all.

SCHNEIDEKIND. What has happened? Are we beaten?

STRAMMFEST. Man, do you think that a mere defeat could strike me down as this news does: I, who have been defeated thirteen times since the war began? O, my master, my master, my Panjandrum! [he is convulsed with sobs.]

SCHNEIDEKIND. They have killed him?

STRAMMFEST. A dagger has been struck through his heart—

SCHNEIDEKIND. Good God!

STRAMMFEST. —and through mine, through mine.

SCHNEIDEKIND [relieved]. Oh, a metaphorical dagger! I thought you meant a real one. What has happened?

STRAMMFEST. His daughter the Grand Duchess Annajanska, she whom the Panjandrina loved beyond all her other children, has—has— [he cannot finish.]

SCHNEIDEKIND. Committed suicide?

STRAMMFEST. No. Better if she had. Oh, far far better.

SCHNEIDEKIND [in hushed tones]. Left the Church?

STRAMMFEST [shocked]. Certainly not. Do not blaspheme, young man.

SCHNEIDEKIND. Asked for the vote?

STRAMMFEST. I would have given it to her with both hands to save her from this.

SCHNEIDEKIND. Save her from what? Dash it, sir, out with it.

STRAMMFEST. She has joined the Revolution.

SCHNEIDEKIND. But so have you, sir. We've all joined the Revolution. She doesn't mean it any more than we do.

STRAMMFEST. Heaven grant you may be right! But that is not the worst. She had eloped with a young officer. Eloped, Schneidekind, eloped!

SCHNEIDEKIND [not particularly impressed]. Yes, Sir.

STRAMMFEST. Annajanska, the beautiful, the innocent, my master's daughter! [He buries his face in his hands.]

The telephone rings.

SCHNEIDEKIND [taking the receiver]. Yes: G.H.Q. Yes... Don't bawl: I'm not a general. Who is it speaking?... Why didn't you say so? don't you know your duty? Next time you will lose your stripe... Oh, they've made you a colonel, have they? Well, they've made me a field-marshal: now what have you to say?... Look here: what did you ring up for? I can't spend the day here listening to your cheek... What! the Grand Duchess [Strammfest starts.] Where did you catch her?

STRAMMFEST [snatching the telephone and listening for the answer]. Speak louder, will you: I am a General I know that, you dolt. Have you captured the officer that was with her?... Damnation! You shall answer for this: you let him go: he bribed you. You must have seen him: the fellow is in the full dress court uniform of the Panderobajensky Hussars. I give you twelve hours to catch him or... what's that you say about the devil? Are you swearing at me, you... Thousand thunders! [To Schneidekind.] The swine says that the Grand Duchess is a devil incarnate. [Into the telephone.] Filthy traitor: is that the way you dare speak of the daughter of our anointed Panjandrum? I'll—

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