Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

‘A natural ambition enough,’ said Eugene, coolly. ‘Far be it from me to say otherwise. The sister who is something too much upon your lips, perhaps—is so very different from all the associations to which she had been used, and from all the low obscure people about her, that it is a very natural ambition.’

‘Do you throw my obscurity in my teeth, Mr Wrayburn?’

‘That can hardly be, for I know nothing concerning it, Schoolmaster, and seek to know nothing.’

‘You reproach me with my origin,’ said Bradley Headstone; ‘you cast insinuations at my bringing-up. But I tell you, sir, I have worked my way onward, out of both and in spite of both, and have a right to be considered a better man than you, with better reasons for being proud.’

‘How I can reproach you with what is not within my knowledge, or how I can cast stones that were never in my hand, is a problem for the ingenuity of a schoolmaster to prove,’ returned Eugene. ‘Is that all?’

‘No, sir. If you suppose that boy—’

‘Who really will be tired of waiting,’ said Eugene, politely.

‘If you suppose that boy to be friendless, Mr Wrayburn, you deceive yourself. I am his friend, and you shall find me so.’

‘And you will find him on the stairs,’ remarked Eugene.

‘You may have promised yourself, sir, that you could do what you chose here, because you had to deal with a mere boy, inexperienced, friendless, and unassisted. But I give you warning that this mean calculation is wrong. You have to do with a man also. You have to do with me. I will support him, and, if need be, require reparation for him. My hand and heart are in this cause, and are open to him.’

‘And—quite a coincidence—the door is open,’ remarked Eugene.

‘I scorn your shifty evasions, and I scorn you,’ said the schoolmaster. ‘In the meanness of your nature you revile me with the meanness of my birth. I hold you in contempt for it. But if you don’t profit by this visit, and act accordingly, you will find me as bitterly in earnest against you as I could be if I deemed you worth a second thought on my own account.’

With a consciously bad grace and stiff manner, as Wrayburn looked so easily and calmly on, he went out with these words, and the heavy door closed like a furnace-door upon his red and white heats of rage.

‘A curious monomaniac,’ said Eugene. ‘The man seems to believe that everybody was acquainted with his mother!’

Mortimer Lightwood being still at the window, to which he had in delicacy withdrawn, Eugene called to him, and he fell to slowly pacing the room.

‘My dear fellow,’ said Eugene, as he lighted another cigar, ‘I fear my unexpected visitors have been troublesome. If as a set-off (excuse the legal phrase from a barrister-at-law) you would like to ask Tippins to tea, I pledge myself to make love to her.’

‘Eugene, Eugene, Eugene,’ replied Mortimer, still pacing the room, ‘I am sorry for this. And to think that I have been so blind!’

‘How blind, dear boy?’ inquired his unmoved friend.

‘What were your words that night at the river-side public-house?’ said Lightwood, stopping. ‘What was it that you asked me? Did I feel like a dark combination of traitor and pickpocket when I thought of that girl?’

‘I seem to remember the expression,’ said Eugene.

‘How do you feel when you think of her just now?’

His friend made no direct reply, but observed, after a few whiffs of his cigar, ‘Don’t mistake the situation. There is no better girl in all this London than Lizzie Hexam. There is no better among my people at home; no better among your people.’

‘Granted. What follows?’

‘There,’ said Eugene, looking after him dubiously as he paced away to the other end of the room, ‘you put me again upon guessing the riddle that I have given up.’

‘Eugene, do you design to capture and desert this girl?’

‘My dear fellow, no.’

‘Do you design to marry her?’

‘My dear fellow, no.’

‘Do you design to pursue her?’

‘My dear fellow, I don’t design anything. I have no design whatever. I am incapable of designs. If I conceived a design, I should speedily abandon it, exhausted by the operation.’

‘Oh Eugene, Eugene!’

‘My dear Mortimer, not that tone of melancholy reproach, I entreat. What can I do more than tell you all I know, and acknowledge my ignorance of all I don’t know! How does that little old song go, which, under pretence of being cheerful, is by far the most lugubrious I ever heard in my life?

“Away with melancholy,

Nor doleful changes ring

On life and human folly,

But merrily merrily sing

Fal la!”

Don’t let us sing Fal la, my dear Mortimer (which is comparatively unmeaning), but let us sing that we give up guessing the riddle altogether.’

‘Are you in communication with this girl, Eugene, and is what these people say true?’

‘I concede both admissions to my honourable and learned friend.’

‘Then what is to come of it? What are you doing? Where are you going?’

‘My dear Mortimer, one would think the schoolmaster had left behind him a catechizing infection. You are ruffled by the want of another cigar. Take one of these, I entreat. Light it at mine, which is in perfect order. So! Now do me the justice to observe that I am doing all I can towards self-improvement, and that you have a light thrown on those household implements which, when you only saw them as in a glass darkly, you were hastily—I must say hastily—inclined to depreciate. Sensible of my deficiencies, I have surrounded myself with moral influences expressly meant to promote the formation of the domestic virtues. To those influences, and to the improving society of my friend from boyhood, commend me with your best wishes.’

‘Ah, Eugene!’ said Lightwood, affectionately, now standing near him, so that they both stood in one little cloud of smoke; ‘I would that you answered my three questions! What is to come of it? What are you doing? Where are you going?’

‘And my dear Mortimer,’ returned Eugene, lightly fanning away the smoke with his hand for the better exposition of his frankness of face and manner, ‘believe me, I would answer them instantly if I could. But to enable me to do so, I must first have found out the troublesome conundrum long abandoned. Here it is. Eugene Wrayburn.’ Tapping his forehead and breast. ‘Riddle-me, riddle-me-ree, perhaps you can’t tell me what this may be?—No, upon my life I can’t. I give it up!’

Table of Contents

The arrangement between Mr Boffin and his literary man, Mr Silas Wegg, so far altered with the altered habits of Mr Boffin’s life, as that the Roman Empire usually declined in the morning and in the eminently aristocratic family mansion, rather than in the evening, as of yore, and in Boffin’s Bower. There were occasions, however, when Mr Boffin, seeking a brief refuge from the blandishments of fashion, would present himself at the Bower after dark, to anticipate the next sallying forth of Wegg, and would there, on the old settle, pursue the downward fortunes of those enervated and corrupted masters of the world who were by this time on their last legs. If Wegg had been worse paid for his office, or better qualified to discharge it, he would have considered these visits complimentary and agreeable; but, holding the position of a handsomely-remunerated humbug, he resented them. This was quite according to rule, for the incompetent servant, by whomsoever employed, is always against his employer. Even those born governors, noble and right honourable creatures, who have been the most imbecile in high places, have uniformly shown themselves the most opposed (sometimes in belying distrust, sometimes in vapid insolence) to their employer. What is in such wise true of the public master and servant, is equally true of the private master and servant all the world over.