Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

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Our Mutual Friend – explores the conflict between doing what society expects of a person and the idea of being true to oneself
The Pickwick Papers – To extend his researches into the quaint and curious phenomena of life, Samuel Pickwick suggests that he and three other «Pickwickians» should make journeys to places remote from London and report on their findings to the other members.
Oliver Twist is an orphan who starts his life in a workhouse and is then sold into apprenticeship with an undertaker. He escapes from there and travels to London, where he meets the Artful Dodger, a member of a gang of juvenile pickpockets led by the elderly criminal, Fagin…
A Christmas Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation after visitations by the ghost of his former business partner and the Ghosts of Christmas Past, Present and Yet to Come.
David Copperfield is a fatherless boy who is sent to lodge with his housekeeper's family after his mother remarries, but when his mother dies he decides to run away…
Hard Times is set in the fictional city of Coketown and it is centered around utilitarian and industrial influences on Victorian society.
A Tale of Two Cities depicts the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the revolution, and many unflattering social parallels with life in London during the same period.
Great Expectations depicts the personal growth and development of an orphan nicknamed Pip in Kent and London in the early to mid-19th century.
Bleak House – legal thriller based on true events.
Little Dorrit – criticize the institution of debtors' prisons, the shortcomings of both government and society.
COLLECTED LETTERS
THE LIFE OF CHARLES DICKENS by John Forster

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Charles Dickens

Charles Dickens' Most Influential Works (Illustrated)

Oliver Twist, The Pickwick Papers, Great Expectations, A Tale of Two Cities, David Copperfield

Published by

Books Advanced Digital Solutions HighQuality eBook Formatting - фото 1

Books

- Advanced Digital Solutions & High-Quality eBook Formatting -

musaicumbooks@okpublishing.info

2017 OK Publishing

ISBN 978-80-272-2508-8

Table of Contents

GREAT EXPECTATIONS GREAT EXPECTATIONS Table of Contents

OUR MUTUAL FRIEND OUR MUTUAL FRIEND Table of Contents

DAVID COPPERFIELD

THE PICKWICK PAPERS

OLIVER TWIST

A CHRISTMAS CAROL

HARD TIMES

A TALE OF TWO CITIES

LITTLE DORRIT

BLEAK HOUSE

COLLECTED LETTERS

THE LIFE OF CHARLES DICKENS by John Forster

GREAT EXPECTATIONS

Table of Contents Table of Contents GREAT EXPECTATIONS GREAT EXPECTATIONS Table of Contents OUR MUTUAL FRIEND OUR MUTUAL FRIEND Table of Contents DAVID COPPERFIELD THE PICKWICK PAPERS OLIVER TWIST A CHRISTMAS CAROL HARD TIMES A TALE OF TWO CITIES LITTLE DORRIT BLEAK HOUSE COLLECTED LETTERS THE LIFE OF CHARLES DICKENS by John Forster

Table of Contents Table of Contents GREAT EXPECTATIONS GREAT EXPECTATIONS Table of Contents OUR MUTUAL FRIEND OUR MUTUAL FRIEND Table of Contents DAVID COPPERFIELD THE PICKWICK PAPERS OLIVER TWIST A CHRISTMAS CAROL HARD TIMES A TALE OF TWO CITIES LITTLE DORRIT BLEAK HOUSE COLLECTED LETTERS THE LIFE OF CHARLES DICKENS by John Forster

Chapter I

Chapter II

Chapter III

Chapter IV

Chapter V

Chapter VI

Chapter VII

Chapter VIII

Chapter IX

Chapter X

Chapter XI

Chapter XII

Chapter XIII

Chapter XIV

Chapter XV

Chapter XVI

Chapter XVII

Chapter XVIII

Chapter XIX

Chapter XX

Chapter XXI

Chapter XXII

Chapter XXIII

Chapter XXIV

Chapter XXV

Chapter XXVI

Chapter XXVII

Chapter XXVIII

Chapter XXIX

Chapter XXX

Chapter XXXI

Chapter XXXII

Chapter XXXIII

Chapter XXXIV

Chapter XXXV

Chapter XXXVI

Chapter XXXVII

Chapter XXXVIII

Chapter XXXIX

Chapter XL

Chapter XLI

Chapter XLII

Chapter XLIII

Chapter XLIV

Chapter XLV

Chapter XLVI

Chapter XLVII

Chapter XLVIII

Chapter XLIX

Chapter L

Chapter LI

Chapter LII

Chapter LIII

Chapter LIV

Chapter LV

Chapter LVI

Chapter LVII

Chapter LVIII

Chapter LIX. The Original Ending

Chapter LIX. The Revised Ending

Chapter I

Table of Contents

My father’s family name being Pirrip, and my Christian name Philip, my infant tongue could make of both names nothing longer or more explicit than Pip. So, I called myself Pip, and came to be called Pip.

I give Pirrip as my father’s family name, on the authority of his tombstone and my sister, — Mrs. Joe Gargery, who married the blacksmith. As I never saw my father or my mother, and never saw any likeness of either of them (for their days were long before the days of photographs), my first fancies regarding what they were like were unreasonably derived from their tombstones. The shape of the letters on my father’s, gave me an odd idea that he was a square, stout, dark man, with curly black hair. From the character and turn of the inscription, “Also Georgiana Wife of the Above,” I drew a childish conclusion that my mother was freckled and sickly. To five little stone lozenges, each about a foot and a half long, which were arranged in a neat row beside their grave, and were sacred to the memory of five little brothers of mine, — who gave up trying to get a living, exceedingly early in that universal struggle, — I am indebted for a belief I religiously entertained that they had all been born on their backs with their hands in their trousers-pockets, and had never taken them out in this state of existence.

Ours was the marsh country, down by the river, within, as the river wound, twenty miles of the sea. My first most vivid and broad impression of the identity of things seems to me to have been gained on a memorable raw afternoon towards evening. At such a time I found out for certain that this bleak place overgrown with nettles was the churchyard; and that Philip Pirrip, late of this parish, and also Georgiana wife of the above, were dead and buried; and that Alexander, Bartholomew, Abraham, Tobias, and Roger, infant children of the aforesaid, were also dead and buried; and that the dark flat wilderness beyond the churchyard, intersected with dikes and mounds and gates, with scattered cattle feeding on it, was the marshes; and that the low leaden line beyond was the river; and that the distant savage lair from which the wind was rushing was the sea; and that the small bundle of shivers growing afraid of it all and beginning to cry, was Pip.

“Hold your noise!” cried a terrible voice, as a man started up from among the graves at the side of the church porch. “Keep still, you little devil, or I’ll cut your throat!”

A fearful man, all in coarse gray, with a great iron on his leg. A man with no hat, and with broken shoes, and with an old rag tied round his head. A man who had been soaked in water, and smothered in mud, and lamed by stones, and cut by flints, and stung by nettles, and torn by briars; who limped, and shivered, and glared, and growled; and whose teeth chattered in his head as he seized me by the chin.

“Oh! Don’t cut my throat, sir,” I pleaded in terror. “Pray don’t do it, sir.”

“Tell us your name!” said the man. “Quick!”

“Pip, sir.”

“Once more,” said the man, staring at me. “Give it mouth!”

“Pip. Pip, sir.”

“Show us where you live,” said the man. “Pint out the place!”

I pointed to where our village lay, on the flat inshore among the alder-trees and pollards, a mile or more from the church.

The man, after looking at me for a moment, turned me upside down, and emptied my pockets. There was nothing in them but a piece of bread. When the church came to itself, — for he was so sudden and strong that he made it go head over heels before me, and I saw the steeple under my feet, — when the church came to itself, I say, I was seated on a high tombstone, trembling while he ate the bread ravenously.

You young dog said the man licking his lips what fat cheeks you ha got - фото 2

“You young dog,” said the man, licking his lips, “what fat cheeks you ha’ got.”

I believe they were fat, though I was at that time undersized for my years, and not strong.

“Darn me if I couldn’t eat em,” said the man, with a threatening shake of his head, “and if I han’t half a mind to’t!”

I earnestly expressed my hope that he wouldn’t, and held tighter to the tombstone on which he had put me; partly, to keep myself upon it; partly, to keep myself from crying.

“Now lookee here!” said the man. “Where’s your mother?”

“There, sir!” said I.

He started, made a short run, and stopped and looked over his shoulder.

“There, sir!” I timidly explained. “Also Georgiana. That’s my mother.”

“Oh!” said he, coming back. “And is that your father alonger your mother?”

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