Leigh Brackett - Intergalactic Stories - 60+ SF Classics in One Edition (Illustrated)

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Intergalactic Stories: 60+ SF Classics in One Edition (Illustrated): краткое содержание, описание и аннотация

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e-artnow presents to you this meticulously edited and formatted collection of space adventures, alien contacts and intergalactic wars stories written by some of the greatest masters of the Sci-Fi genre:
Ray Bradbury:
Jonah of the Jove-Run
Zero Hour
Rocket Summer
Lorelei of the Red Mist
The Creatures That Time Forgot
Asleep in Armageddon
Defense Mech
Lazarus Come Forth
Morgue Ship
The Monster Maker
A Little Journey
Leigh Brackett:
Black Amazon of Mars
Child of the Sun
Citadel of Lost Ships
Enchantress of Venus
Last Call From Sector 9G
Outpost on Io
Queen of the Martian Catacombs
Shannach
Terror Out of Space
The Beast-Jewel of Mars
The Blue Behemoth
The Dragon-Queen of Jupiter
The Jewel of Bas
The Stellar Legion
The Vanishing Venusians
Thralls of the Endless Night
Poul Anderson:
Captive of the Centaurianess
Lord of a Thousand Sun
Out of the Iron Womb
Sargasso of Lost Starships
Star Ship
Swordsman of Lost Terra
The Virgin of Valkarion
Tiger by the Tail
Witch of the Demon Seas
Jerome Bixby:
Cargo to Callisto
Tubemonkey
The Crowded Colony
Vengeance on Mars
Clifford D. Simak:
Message From Mars
Mr. Meek Plays Polo
Mr. Meek—Musketeer
The Shipshape Miracle
Damon Knight
The Star Beast
Doorway to Kal-Jmar
The Third Little Green Man
The Avenger
Frederik Pohl:
Asteroid of the Damned
Conspiracy on Callisto
Double-Cross
Let the Ants Try
Gardner F. Fox:
When Kohonnes Screamed
The Warlock of Sharrador
Werwile of the Crystal Crypt
Sword of the Seven Suns
Vassals of the Lode-Star
Engines of the Gods by Gardner
Tonight the Stars Revolt!
The Last Monster
Man nth
The Man the Sun-Gods Made

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"I wouldn't know." It was easier to speak this time. His body was beginning to fade in again, like something on a television screen. He tried to close his hand. It didn't work very well, but it didn't matter. His gun was gone.

Something moved across the light. A man's body, a huge, supple, muscular thing the color of dark bronze. It knelt with a terrible tigerish ease beside Campbell, the bosses on its leather kilt making a clinking noise. There was a jeweled gorget of reddish metal around the base of its throat. The stones had a wicked glitter.

The deep, soft voice said, "Who are you?"

Campbell tried to force the returning life faster through his body. The man's face was in shadow. Campbell looked up with sultry, furious eyes and achieved a definite motion toward getting up.

The kneeling giant put out his right arm. The green light burned on it. Campbell's eyes followed it down toward his throat. His face became a harsh, irregular mask cut from dark wood.

The arm was heavily, beautifully muscled. But where the hand should have been there was a leather harness and a hook of polished Martian bronze.

* * * * *

Campbell knew what had struck him. The thin, hard curve of that hook, more potent than the edge of any hand.

The point pricked his throat, just over the pulse on the left side. The man said softly:

"Lie still, little man, and answer."

Campbell lay still. There was nothing else to do. He said, "I'm Thomas Black, if that helps. Who are you?"

"What did Tredrick tell you to do?"

"To get the hell out. What gives with you?" If that Taxil was spreading the word about him, he'd better hurry. Campbell decided to take a chance. The guy with the hook didn't seem to love Tredrick.

"The black boy in the radio room told me to come aboard and wait. Seems he's sore at Tredrick, too. So am I. That makes us all pals, doesn't it?"

"You lie, little man." The deep voice was quietly certain. "You were sent to spy. Answer!"

The point of the hook put the exclamation point on that word. Campbell winced away. He wished the lug wouldn't call him "little man." He wouldn't remember ever having felt more hopelessly scared.

He said, "Damn your eyes, I'm not lying. Check with the Taxil. He'll tell you."

"And betray him to Tredrick? You're clumsy, little man."

The hook bit deeper. Campbell's neck began to bleed. He felt all right again otherwise. He wondered whether he'd have a chance of kicking the man in the stomach before his throat was torn out. He tried to draw farther away, but the pipe wall wouldn't give.

A woman's voice spoke then, quite suddenly, from beyond the green light. Campbell jumped. He hadn't even thought about anyone else being there. Now it was obvious that someone was holding the light.

The voice said, "Wait, Marah. Zard is calling me now."

It was a clear, low voice. It had music in it. Campbell would have loved it if it had croaked, but as it was it made his nerves prick with sheer ecstasy.

The hook lifted out of the hole it had made, but it didn't go away. Campbell raised his head a little. The lower edge of the green light spilled across a pair of sandalled feet. The bare white legs above them were as beautiful as the voice, in the same strong clear way.

There was a long silence. Marah, the man with the hook, turned his face partly into the light. It was oblong and scarred and hard as beaten bronze. The eyes in it were smoky ember, set aslant under a tumbled crest of tawny hair.

After a long time the woman spoke again. Her voice was different this time. It was angry, and the anger made it sing and throb like the Kraylen's drum.

"The Earthman is telling the truth, Marah. Zard sent him. He's here about the Kraylens."

The big man—a Martian Drylander, Campbell thought, from somewhere around Kesh—got up, fast. "The Kraylens!"

"He asked for help, and Tredrick sent him away." The light moved closer. "But that's not all, Marah. Tredrick has found out about—us. Old Ekla talked. They're waiting for us at the ship!"

III

Marah turned. His eyes had a greenish, feral glint like those of a lion on the kill. He said, "I'm sorry, little man."

Campbell was on his feet, now, and reasonably steady. "Think nothing of it," he said dourly. "A natural mistake." He looked at the hook and mopped the blood from his neck, and felt sick. He added, "The name's Black. Thomas Black."

"It wouldn't be Campbell?" asked the woman's voice. "Roy Campbell?"

He squinted into the light, not saying anything. The woman said, "You are Roy Campbell. The Spaceguard was here not long ago, hunting for you. They left your picture."

He shrugged. "All right. I'm Roy Campbell."

"That," said Marah softly, "helps a lot!" He could have meant it any way. His hook made a small, savage flash in the green light.

"There's trouble here on Romany. Civil war. Men are going to be killed before it's over—perhaps now. Where's your place in it?"

"How do I know? The Coalition is moving in on the Kraylens. I owe them something. So I came here for help. Help! Yeah."

"You'll get it," said the woman. "You'll get it, somehow, if any of us live."

Campbell raised his dark brows. "What goes on here, anyhow?"

The woman's low voice sang and throbbed against the pipe walls. "A long time ago there were a few ships. Old ships, crowded with people who had no homes. Little, drifting people who made a living selling their odd handicrafts in the spaceports, who were cursed as a menace to navigation and distrusted as thieves. Perhaps they were thieves. They were also cold, and hungry, and resentful.

"After a while the ships began to band together. It was easier that way—they could share food and fuel, and talk, and exchange ideas. Space wasn't so lonely. More and more ships drifted in. Pretty soon there were a lot of them. A new world, almost.

"They called it Romany, after the wandering people of Earth, because they were gypsies, too, in their own way.

"They clung to their own ways of life. They traded with the noisy, trampling people on the planets they had been driven away from because they had to. But they hated them, and were hated, just as gypsies always are.

"It wasn't an easy life, but they were free in it. They could stand anything, as long as they were free. And always, anywhere in the Solar System, wherever some little lost tribe was being swallowed up and needed help, ships from Romany went to help them."

Her voice dropped. Campbell thought again of the Kraylen's drum, singing its anger in the indigo night.

"That was the creed of Romany," she whispered. "Always to help, always to be a refuge for the little people who couldn't adjust themselves to progress, who only wanted to die in dignity and peace. And now...."

"And now," said Marah somberly, "there is civil war."

* * * * *

Campbell drew a long, unsteady breath. The woman's voice throbbed in him, and his throat was tight. He said " Tredrick? "

Marah nodded. "Tredrick. But it's more than that. If it were only Tredrick, it wouldn't be so bad."

He ran the curve of his hook over his scarred chin, and his eyes burned like candle flames.

"Romany is growing old, and soft. That's the real trouble. Decay. Otherwise, Tredrick would have been kicked into space long ago. There are old men in the Council, Campbell. They think more of comfort than they do of—well...."

"Yeah. I know. What's Tredrick's angle?"

"I don't know. He's a strange man—you can't get a grip on him. Sometimes I think he's working for the Coalition."

Campbell scowled. "Could be. You gypsies have a lot of wild talents and some unique skills—I've met some of 'em. The man that controlled them would be sitting pretty. The Coalition would like it, too."

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