Leigh Brackett - Intergalactic Stories - 60+ SF Classics in One Edition (Illustrated)

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Intergalactic Stories: 60+ SF Classics in One Edition (Illustrated): краткое содержание, описание и аннотация

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e-artnow presents to you this meticulously edited and formatted collection of space adventures, alien contacts and intergalactic wars stories written by some of the greatest masters of the Sci-Fi genre:
Ray Bradbury:
Jonah of the Jove-Run
Zero Hour
Rocket Summer
Lorelei of the Red Mist
The Creatures That Time Forgot
Asleep in Armageddon
Defense Mech
Lazarus Come Forth
Morgue Ship
The Monster Maker
A Little Journey
Leigh Brackett:
Black Amazon of Mars
Child of the Sun
Citadel of Lost Ships
Enchantress of Venus
Last Call From Sector 9G
Outpost on Io
Queen of the Martian Catacombs
Shannach
Terror Out of Space
The Beast-Jewel of Mars
The Blue Behemoth
The Dragon-Queen of Jupiter
The Jewel of Bas
The Stellar Legion
The Vanishing Venusians
Thralls of the Endless Night
Poul Anderson:
Captive of the Centaurianess
Lord of a Thousand Sun
Out of the Iron Womb
Sargasso of Lost Starships
Star Ship
Swordsman of Lost Terra
The Virgin of Valkarion
Tiger by the Tail
Witch of the Demon Seas
Jerome Bixby:
Cargo to Callisto
Tubemonkey
The Crowded Colony
Vengeance on Mars
Clifford D. Simak:
Message From Mars
Mr. Meek Plays Polo
Mr. Meek—Musketeer
The Shipshape Miracle
Damon Knight
The Star Beast
Doorway to Kal-Jmar
The Third Little Green Man
The Avenger
Frederik Pohl:
Asteroid of the Damned
Conspiracy on Callisto
Double-Cross
Let the Ants Try
Gardner F. Fox:
When Kohonnes Screamed
The Warlock of Sharrador
Werwile of the Crystal Crypt
Sword of the Seven Suns
Vassals of the Lode-Star
Engines of the Gods by Gardner
Tonight the Stars Revolt!
The Last Monster
Man nth
The Man the Sun-Gods Made

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"Rice?"

"Yeah, Sam?"

"We haven't got a full cargo, boy."

"Full enough for me, sir."

"But still not full. If we went back to Center Base without filling the shelves, it wouldn't be right. Look there—number ninety-eight is Lethla—number ninety-nine is Kriere. Three thousand days of rolling this rocket, and not once come back without a bunch of the kids who want to sleep easy on the good green earth. Not right to be going back any way—but—the way—we used to—"

His voice got all full of fog. As thick as the fists of a dozen warriors. Rice was going away from him. Rice was standing still, and Burnett was lying down, not moving, but somehow Rice was going away a million miles.

"Ain't I one hell of a patriot, Rice?"

Then everything got dark except Rice's face. And that was starting to dissolve.

Ninety-eight: Lethla. Ninety-nine: Kriere.

He could still see Rice standing over him for a long time, breathing out and in. Down under the tables the blood-pumps pulsed and pulsed, thick and slow. Rice looked down at Burnett and then at the empty shelf at the far end of the room, and then back at Burnett again.

And then he said softly:

" One hundred. "

The Monster Maker

Table of Contents

Suddenly, it was there. There wasn't time to blink or speak or get scared. Click Hathaway's camera was loaded and he stood there listening to it rack-spin film between his fingers, and he knew he was getting a damned sweet picture of everything that was happening.

The picture of Marnagan hunched huge over the control-console, wrenching levers, jamming studs with freckled fists. And out in the dark of the fore-part there was space and a star-sprinkling and this meteor coming like blazing fury.

Click Hathaway felt the ship move under him like a sensitive animal's skin. And then the meteor hit. It made a spiked fist and knocked the rear-jets flat, and the ship spun like a cosmic merry-go-round.

There was plenty of noise. Too damned much. Hathaway only knew he was picked up and hurled against a lever-bank, and that Marnagan wasn't long in following, swearing loud words. Click remembered hanging on to his camera and gritting to keep holding it. What a sweet shot that had been of the meteor! A sweeter one still of Marnagan beating hell out of the controls and keeping his words to himself until just now.

It got quiet. It got so quiet you could almost hear the asteroids rushing up, cold, blue and hard. You could hear your heart kicking a tom-tom between your sick stomach and your empty lungs.

Stars, asteroids revolved. Click grabbed Marnagan because he was the nearest thing, and held on. You came hunting for a space-raider and you ended up cradled in a slab-sized Irishman's arms, diving at a hunk of metal death. What a fade-out!

"Irish!" he heard himself say. "Is this IT?"

"Is this what ?" yelled Marnagan inside his helmet.

"Is this where the Big Producer yells CUT!?"

Marnagan fumed. "I'll die when I'm damned good and ready. And when I'm ready I'll inform you and you can picture me profile for Cosmic Films!"

They both waited, thrust against the shipside and held by a hand of gravity; listening to each other's breathing hard in the earphones.

The ship struck, once. Bouncing, it struck again. It turned end over and stopped. Hathaway felt himself grabbed; he and Marnagan rattled around—human dice in a croupier's cup. The shell of the ship burst, air and energy flung out.

Hathaway screamed the air out of his lungs, but his brain was thinking quick crazy, unimportant things. The best scenes in life never reach film, or an audience. Like this one, dammit! Like this one! His brain spun, racketing like the instantaneous, flicking motions of his camera.

* * * * *

Silence came and engulfed all the noise, ate it up and swallowed it. Hathaway shook his head, instinctively grabbed at the camera locked to his mid-belt. There was nothing but stars, twisted wreckage, cold that pierced through his vac-suit, and silence. He wriggled out of the wreckage into that silence.

He didn't know what he was doing until he found the camera in his fingers as if it had grown there when he was born. He stood there, thinking "Well, I'll at least have a few good scenes on film. I'll—"

A hunk of metal teetered, fell with a crash. Marnagan elevated seven feet of bellowing manhood from the wreck.

"Hold it!" cracked Hathaway's high voice. Marnagan froze. The camera whirred. "Low angle shot; Interplanetary Patrolman emerges unscathed from asteroid crackup. Swell stuff. I'll get a raise for this!"

"From the toe of me boot!" snarled Marnagan brusquely. Oxen shoulders flexed inside his vac-suit. "I might've died in there, and you nursin' that film-contraption!"

Hathaway felt funny inside, suddenly. "I never thought of that. Marnagan die? I just took it for granted you'd come through. You always have. Funny, but you don't think about dying. You try not to." Hathaway stared at his gloved hand, but the gloving was so thick and heavy he couldn't tell if it was shaking. Muscles in his bony face went down, pale. "Where are we?"

"A million miles from nobody."

They stood in the middle of a pocked, time-eroded meteor plain that stretched off, dipping down into silent indigo and a rash of stars. Overhead, the sun poised; black and stars all around it, making it look sick.

"If we walk in opposite directions, Click Hathaway, we'd be shaking hands the other side of this rock in two hours." Marnagan shook his mop of dusty red hair. "And I promised the boys at Luna Base this time I'd capture that Gunther lad!"

His voice stopped and the silence spoke.

Hathaway felt his heart pumping slow, hot pumps of blood. "I checked my oxygen, Irish. Sixty minutes of breathing left."

The silence punctuated that sentence, too. Upon the sharp meteoric rocks Hathaway saw the tangled insides of the radio, the food supply mashed and scattered. They were lucky to have escaped. Or was suffocation a better death...? Sixty minutes.

They stood and looked at one another.

"Damn that meteor!" said Marnagan, hotly.

Hathaway got hold of an idea; remembering something. He said it out: "Somebody tossed that meteor, Irish. I took a picture of it, looked it right in the eye when it rolled at us, and it was poker-hot. Space-meteors are never hot and glowing. If it's proof you want, I've got it here, on film."

Marnagan winced his freckled square of face. "It's not proof we need now, Click. Oxygen. And then food . And then some way back to Earth."

Hathaway went on saying his thoughts: "This is Gunther's work. He's here somewhere, probably laughing his guts out at the job he did us. Oh, God, this would make great news-release stuff if we ever get back to Earth. I.P.'s Irish Marnagan, temporarily indisposed by a pirate whose dirty face has never been seen, Gunther by name, finally wins through to a triumphant finish. Photographed on the spot, in color, by yours truly, Click Hathaway. Cosmic Films, please notice."

* * * * *

They started walking, fast, over the pocked, rubbled plain toward a bony ridge of metal. They kept their eyes wide and awake. There wasn't much to see, but it was better than standing still, waiting.

Marnagan said, "We're working on margin, and we got nothin' to sweat with except your suspicions about this not being an accident. We got fifty minutes to prove you're right. After that—right or wrong—you'll be Cosmic Films prettiest unmoving, unbreathin' genius. But talk all you like, Click. It's times like this when we all need words, any words, on our tongues. You got your camera and your scoop. Talk about it. As for me—" he twisted his glossy red face. "Keeping alive is me hobby. And this sort of two-bit death I did not order."

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