10 Part 6: Appendixes Appendix A: Songs to Advance Your Technique Beginner Songs for Any Voice Type or Gender Intermediate Songs from Various Styles for Any Voice Type or Gender Songs to Practice Technical Lessons for Any Voice Type or Gender Songs to Work on Range and Registers Songs for Working Mix, Belt, and Falsetto Appendix B: About the Online Tracks Recognizing What’s Available: The Track Listings Tackling Any Potential Issues
11 Index
12 About the Author
13 Connect with Dummies
14 End User License Agreement
1 Chapter 8TABLE 8-1 Exploring Back VowelsTABLE 8-2 Exploring Front Vowels
2 Chapter 9TABLE 9-1 Practicing D, T, L, N, S, and Z TABLE 9-2 Practicing TH TABLE 9-3 Practicing G, NG , K, and Q TABLE 9-4 Practicing P, B, M, W, and WH TABLE 9-5 Practicing F and V TABLE 9-6 Practicing SH, ZH, J, and CH
1 Chapter 1FIGURE 1-1: Locating notes on the staff.
2 Chapter 2FIGURE 2-1: Soprano range. FIGURE 2-2: Mezzo range. FIGURE 2-3: Tenor range. FIGURE 2-4: Bass range.
3 Chapter 3FIGURE 3-1: Ideal alignment of the skeleton.
4 Chapter 4FIGURE 4-1: Lip and tongue trills.
5 Chapter 5FIGURE 5-1: Bouncing the tongue and jaw.
6 Chapter 6FIGURE 6-1: Creating a legato line. FIGURE 6-2: Trilling a long legato line. FIGURE 6-3: Managing long phrases.
7 Chapter 8FIGURE 8-1: Back vowels. FIGURE 8-2: Alternating vowels for precise lip shapes. FIGURE 8-3: Front vowels. FIGURE 8-4: Arching the tongue while alternating vowels.
8 Chapter 9FIGURE 9-1: Singing tip consonants. FIGURE 9-2: Singing soft palate consonants. FIGURE 9-3: Singing lip consonants. FIGURE 9-4: Combining your consonants.
9 Chapter 11FIGURE 11-1: Female middle voice range. FIGURE 11-2: Male middle voice range. FIGURE 11-3: Taking it down. FIGURE 11-4: Descending by step. FIGURE 11-5: Gliding through the middle. FIGURE 11-6: Moving along the four in middle voice. FIGURE 11-7: Chest voice range for women. FIGURE 11-8: Chest voice range for men. FIGURE 11-9: Singing fourth. FIGURE 11-10: Bringing up chest voice. FIGURE 11-11: Female head voice range. FIGURE 11-12: Male head voice range. FIGURE 11-13: Working with closed vowels. FIGURE 11-14: Spinning out in head voice. FIGURE 11-15: Checking out your falsetto. FIGURE 11-16: Flipping out of falsetto. FIGURE 11-17: Gliding down out of falsetto. FIGURE 11-18: Sliding up to falsetto. FIGURE 11-19: Smoothing the transitions. FIGURE 11-20: Creating a legato line in and out of chest voice. FIGURE 11-21: Working from middle voice to head voice. FIGURE 11-22: Spinning down. FIGURE 11-23: Sliding into a mix. FIGURE 11-24: Mixing it up. FIGURE 11-25: Alternating between chest and head voice–dominated mix.
10 Chapter 12FIGURE 12-1: Skipping around on staccato. FIGURE 12-2: Messa di voce. FIGURE 12-3: Descending. FIGURE 12-4: Stepping between registers. FIGURE 12-5: Flexing on five notes. FIGURE 12-6: Sliding up the scale. FIGURE 12-7: Tripping along the scale. FIGURE 12-8: Spicing it up. FIGURE 12-9: Bouncing on thirds. FIGURE 12-10: Checking out pop riffs. FIGURE 12-11: Descending pop riff.
11 Chapter 13FIGURE 13-1: “That Ain’t It Man.” FIGURE 13-2: “Not Now.” FIGURE 13-3: “That’s Mine — That’s Mine.”
12 Chapter 17FIGURE 17-1: Sample song — “Simple Things.”
1 Cover
2 Title Page
3 Copyright
4 Table of Contents
5 Begin Reading
6 Index
7 About the Author
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