Владимир Короткевич - King Stach's Wild Hunt

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On a late rainy evening a young scientist, folklorist Andrey Belaretsky finds himself lodging overnight in a mysterious castle belonging to the Yanovskys, an old noble family. There he meets the hostess of the house, Nadzezhda Yanovsky, a neurotic young thing and the last descendant of her family. Fears and terrible premonitions, for which she believes to have substantial grounds, overpower her. The act of betrayal by her far ancestor Roman Yanovsky the Old brought the curse on the family for twenty generations to come, and has since claimed lives of all the young noble’s relatives under bizarre and unnatural circumstances. Nadzeya expects her nearing demise in terror, moreover supported by the recent signs of the upcoming tragedy. Ghosts of the Little Man and the Lady-in-Blue were sighted wandering around the castle, and out in the fields from time to time shows itself the Wild Hunt.
Belaretsky collects his wits and bravery, and decides to remain in the castle for a while to assist the hostess Yanovsky in getting rid of the ghosts, whose existence he dismisses wholeheartedly. Soon he beholds the appearance of strange creatures, along with several mysterious deaths in the cursed family’s circle. Finally, Belaretsky himself barely escapes the Wild Hunt, a group of twenty silent ghostly knights, dashing through the watery swamps and delivering death to everyone who obstructs their way. Driven by the desire to discover the truth to the horrible mystery of the Yanovskys, the young man resorts to whatever is available to him so as to stop the Wild Hunt and free the inhabitants of the Marsh Firs from their now nearly eternal fear. The stranger as he is, having unhallowed the ghosts of the cursed place, Belaretsky has yet much to learn indeed.
King Stakh’s Wild Hunt is a suspense mystery thriller, set against a historical background. The story kicks off from the book’s first pages, throwing the reader into the atmosphere of a dark intense fear before the inevitable. It doesn’t take long for the reader to begin anxiously accompanying Belaretsky on the swamps, meeting strange personae here and there, all of them either mad or scared, or hiding something important, and at times simply miserable.
The canvas of this detective story includes a personal theme of the author’s sad concern for his nation’s destiny. The search for the truth that unites the novella’s characters is in fact the author’s contemplation - which he passes on to the reader - of the society in the late XIXth century, its conditions and its prospects for the future.

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A wild cry, an inhuman cry, reached us from the yard — it seemed that a demon screamed and sobbed, not a human being. And immediately following this cry, we heard a steady, mighty thundering of hoofs near the porch. And the voice sobbed and screamed so terrifyingly that it could not have come from out of the breast of a human being.

“Raman of the last generation — come out! It's revenge! The last revenge!”

And something else screamed, something nameless. I could have run out onto the porch, could have shot at these dirty, wild swine and laid down on the spot at least one of them, but in my arms lay Nadzieja, and I felt the beating of her frightened litte heart through her dress, felt how it was gradually dying out, beating perceptibly less and less often. Frightened for her life, I began to stroke her hair timidly. Slowly she regained consciousness and her eyelashes imperceptibly began to quiver at the touch of my hand on her head. In such a way a frightened puppy accepts the caress of a person who pats it for the first time: its eyebrows quiver, expecting a blow each time the hand is raised.

The thunder was already retreating and my entire being was ready to jump out on the porch together with her, shoot at those bats, and fall down on the steps together with her and die, feeling her at my side, all of her here at my side. In any case, to go on living like this was impossible.

And the voice was sobbing already from far away in the distance:

“Raman! Raman! Come out! Under the horses' hoofs with you! Not now, not yet! Afterwards! Tomorrow! Afterwards! But come we will! We'll come!”

And silence. She lay in my arms. It seemed as if quiet music had begun playing somewhere, perhaps in my own soul. Quietly, so quietly, far, far away, gently: about sunshine, about raspberry-coloured meadows under glistening dew, about nightingales' merry songs in the tree-tops of far-away lindens. Her face was calm, like that of a sleeping child. Here a sigh broke out, her eyes opened, she looked around in surprise, became severe.

“I beg your pardon, I'll leave.”

And she made her way to the staircase leading to the second floor — a white little figure.

It was only now, trembling with excitement, that I understood how courageous, how strong was her soul, if after such nerve-wracking experiences she had gone out to meet me and twice opened the doors: once when I, a stranger, arrived here, and once when I ran up to her doors, alarmed by the thundering hoofs of the Wild Hunt under her very windows. Most likely it was the Hunt and the dark autumn nights that had impelled her to do that, as does a trustful feeling compel a hare hunted down by dogs, to press itself against the feet of an accidental passerby. This girl had very good nerves if she had endured this life here for two years.

I sat down at the fireplace and began looking at the flames. Yes, the danger was a terrible one. Three persons against all those dark forces, against the unknown. But enough of sentimentality! It was near the Giant's Gap that they came into the park. Tomorrow I would be lying in wait for them there. My hands were shaking: my nerves were strung to the utmost. And in general my state was worse than a dog's.

“Perhaps I should leave this place?” — stirred a belated thought, an echo of that night of mine, that “night of frights”, and it died under the pressure of despair, under an iron determination and the desire to fight.

Enough! Victory or the Giant's Gap — it's all the same.

Leave? Certainly not! I could not leave this loathsome, cold house, because she lived here, she whom I had fallen in love with. Yes, fallen in love with. Nor was I ashamed of it. Up till now, in my relations with women, there were equality and comradeship, sometimes there was an admixture of some incomprehensible aversion, as is the case with any man, morally uncorrupted, lacking excessive sensuality. That's how it is with many men, probably until the real thing comes. It had come. Go away? Here I was at her side, big and strong (my inner hesitation did not concern her), she depended on me, she was sleeping peacefully now, probably for the first time.

This time when I held her in my arms, was a decisive one. It decided everything for me that had been accumulating in my heart ever since the time when she rose in defence of the poor, there on the upper floor, at the fireplace. With what joy would I take her away from here, take her somewhere far away, kiss these eyes which were red with weeping, these little hands, take her under my warm, dependable wing, forgive the world its lack of shelter.

But what am I to her? No matter how bitter the thought, but she will never be mine. I have nothing to my name. She is also poor, but she belongs to one of the oldest families, is blue-blooded, backed by that “proud glory of endless generations”. “Proud glory?” I knew it now, this proud glory that had come to a wild end, but that did not make things any the easier for me. I am a plebian. Yes, I'll keep silent about this. Nobody shall ever reproach me, nor ever say that I had for the sake of money married into an ancient family, for whom perhaps some antecedant of mine had died somewhere on the battle-field. Nor shall anybody say that I married her taking advantage of her helplessness. The only thing that I can do for her sake is to lie down in the grave, give up my soul for her sake and somehow, to some extent, repay for the radiance of the untold happiness that has brightened my soul this gloomy evening at this large, unfriendly fireplace. I shall help her to escape — that's all.

I shall be true, forever be true, to this joy mixed with pain, to the bitter beauty of her eyes, and shall repay her with kindness for her thinking well of me. And then — end all. I shall leave this place forever, and the roads of my country shall lie before me in an endless chain, and the sun shall rise in iridescent circles made by the tears quivering on her eyelashes.

Chapter the tenth

The following day Śvieciłovič and I were on our way to a rather small island near the Janoŭski Forest Reserve. Śvieciłovič was in a very merry mood, talked at length about love in general and about his own in particular. And how pure and sincere the look in his eyes, so naive and childish his love, that I mentally promised myself never to stand in his way, never to interfere with him, but to clear the way for him to this girl whom I, too, loved.

We Belarusians can rarely be in love without sacrificing something, and I was no exception to this rule. We usually torment her whom we love and even to a greater degree ourselves, because of conflicting thoughts, questions and deeds, which others easily manage to bring to a common denomination.

Śvieciłovič had received a letter from the city containing information about Bierman.

Oh, Bierman... Bierman. A fine bird he turned out to be. Comes of an old family, but now impoverished and strange. The letter states that all of them had an irresistable inclination for solitude, were quite noxious and unsociable. His father was deprived of a fortune; he had embezzled an enormous sum of money, and managed to save himself by losing a large sum of money to the inspector. His mother lived behind curtained windows almost all the time, went out for a walk at dusk only.

But the most surprising personality was Bierman himself. He was reputed as being an exceptionally fine authority on ancient wooden sculpture and glassware. Something unpleasant had occurred several years ago. He had been sent to Mnichavičy by the Amateur Antiquity Society which was headed by Count Tyškievič. The old Polish Roman-Catholic Church was being shut down there and, according to rumours, the sculptures in it were of great artistic value. Tyškievič had his own private museum and he wished to purchase these sculptures for it, for he was handing his museum over to the city as a gift. Bierman went to Mnichavičy, sent Tyškievič a statue of St. Christopher and a letter in which he wrote that the sculptures in the church were of no value whatsoever. He was taken at his word, but after some time had passed, it accidentally became known that Bierman had bought all the sculptures, all in all 107 figures, for a miserly sum of money and had sold them to another private collector for a large sum of money. Simultaneously a significant sum of money was found missing from the treasury of the Amateur Society. A search was begun for Bierman, but he had disappeared together with his mother and younger brother, who was being brought up at some private boarding-school and had arrived in the city only the previous year. His brother, in addition, was noted for being unsociable, in spite of the fact that he had lived at a boarding-school.

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