Владимир Короткевич - King Stach's Wild Hunt

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On a late rainy evening a young scientist, folklorist Andrey Belaretsky finds himself lodging overnight in a mysterious castle belonging to the Yanovskys, an old noble family. There he meets the hostess of the house, Nadzezhda Yanovsky, a neurotic young thing and the last descendant of her family. Fears and terrible premonitions, for which she believes to have substantial grounds, overpower her. The act of betrayal by her far ancestor Roman Yanovsky the Old brought the curse on the family for twenty generations to come, and has since claimed lives of all the young noble’s relatives under bizarre and unnatural circumstances. Nadzeya expects her nearing demise in terror, moreover supported by the recent signs of the upcoming tragedy. Ghosts of the Little Man and the Lady-in-Blue were sighted wandering around the castle, and out in the fields from time to time shows itself the Wild Hunt.
Belaretsky collects his wits and bravery, and decides to remain in the castle for a while to assist the hostess Yanovsky in getting rid of the ghosts, whose existence he dismisses wholeheartedly. Soon he beholds the appearance of strange creatures, along with several mysterious deaths in the cursed family’s circle. Finally, Belaretsky himself barely escapes the Wild Hunt, a group of twenty silent ghostly knights, dashing through the watery swamps and delivering death to everyone who obstructs their way. Driven by the desire to discover the truth to the horrible mystery of the Yanovskys, the young man resorts to whatever is available to him so as to stop the Wild Hunt and free the inhabitants of the Marsh Firs from their now nearly eternal fear. The stranger as he is, having unhallowed the ghosts of the cursed place, Belaretsky has yet much to learn indeed.
King Stakh’s Wild Hunt is a suspense mystery thriller, set against a historical background. The story kicks off from the book’s first pages, throwing the reader into the atmosphere of a dark intense fear before the inevitable. It doesn’t take long for the reader to begin anxiously accompanying Belaretsky on the swamps, meeting strange personae here and there, all of them either mad or scared, or hiding something important, and at times simply miserable.
The canvas of this detective story includes a personal theme of the author’s sad concern for his nation’s destiny. The search for the truth that unites the novella’s characters is in fact the author’s contemplation - which he passes on to the reader - of the society in the late XIXth century, its conditions and its prospects for the future.

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“I want to ask you whether you haven't any other plans of this house?”

“M-m-no. There is one more, made about 30 years ago, but it's plainly stated there that it is a copy of the one that I gave you, and only some new partitions are indicated. This is it. Take it, please.”

I examined the paper. Bierman was right. “But tell me, isn't there any hidden room on the second floor near the room with an empty closet?”

Bierman thought awhile. “I don't know, Respected Sir, I don't know, Sir. There must be a personal secret archive of the Janoŭskis somewhere, but where it is, I do not know.”

His fingers were moving quickly across the table-cloth, knocking out some kind of a march that I could not understand.

I stood up, thanked him and left.

“What had frightened him so?” I thought. “His fingers beating away, his white face! This devil of a bachelor has begun to fear people...”

And, however, an obtrusive thought continued to drill my brain.

“Why? Why? There's some dirty business going on here. And why does the word ‘hands’ keep whirling in my brain? Hands, hands. What is connected here with hands? There must be something hidden in this word, if it so persistently repeats itself in my subconsciousness”.

I left him firmly convinced it was necessary to be very watchful. I didn't like this doll-like man and especially his fingers, which were twice as long as normal ones and wriggled on the table like snakes.

Chapter the eighth

The day was grey and gloomy, such an indifferent grey day, that I wanted to cry on my way to the estate belonging to the Kulšas. Low grey clouds were creeping over the peat-bogs. The landscape lay before me looking like a monotonous barrack. Grey spots were moving about here and there on the smooth brown surface of the plain: a shepherd was grazing sheep there. I walked along the edge of the Giant's Gap, and there was no place, literally, for the eye to rest on. Something dark lay in the grass. I came up closer. It was an enormous stone cross about three metres long. It was knocked down long ago, for the hole in which it had stood was almost level with the ground and was covered with undergrowth. The letters on the cross were hardly visible:

“God's slave, Raman, died a quick death here. People wandering by, pray for his soul, so that someone should pray for yours, because it is your prayers that are especially to God's liking.”

I stood long near it. So this is where Raman the Elder perished!

“Sir, kind sir,” I heard a voice behind my back.

I turned around. A woman in fantastic rags was standing behind me with a hand outstretched. Young she was and quite pretty, but her face with its yellow skin was so frightful that I lowered my eyes. In her arms lay a child.

I gave her some money.

“Perhaps the gentleman has at least a tiny piece of bread? I'm afraid I won't be able to reach my place. And Jasik is dying...”

“But what's wrong with him?”

“I don't know,” she answered tonelessly.

I found a sweet in my pocket and gave it to the woman, but the baby remained indifferent to it.

“Then what shall I do with you, my poor one?”

A peasant was riding along the road in a cart driven by a bull. I called to him, took out a rouble and asked him to take the woman to Marsh Firs, she should be fed there and given shelter.

“May God give you health, sir,” the woman whispered, in tears. “Nobody anywhere has given us anything to eat. May God punish those who drive people from the land!”

“And who drove you off?”

“A gentleman.”

“What gentleman?”

“The gentleman, Antoś. Such a skinny one he is...”

“But what's his surname? Where's your village?”

“I don't know his surname, but the village is here, behind the forest. A good village. We had some money even, five roubles. But they drove us away.”

Her eyes expressed wonder: why didn't the owner take the five roubles, why did he drive them away?

“And where is your husband?”

“They killed him.”

“Who killed him?”

“We screamed, wept, didn't want to go away. Jazep also screamed. Then they shot him. And at night came the Wild Hunt and drowned those who screamed the loudest. They disappeared... Nobody screamed any more.”

I hastened to send them off, and myself walked on, desperate beyond description. God, what darkness! What oppression! How to move the mountain? At Dubatoŭk's we had guzzled so much it would have been sufficient to save the lives of forty Jasiks. The hungry man is not given any bread, his bread is given to the soldier who'll shoot at him since he is hungry. State wisdom! And these unfortunates keep silent! For what sins are you, my people, being chastised, why, on your own native land, are you stormily driven here and there like autumn foliage? What forbidden apple did the first Adam of my tribe eat?

Some guzzled more food than they could possibly eat, others died of hunger under their windows. This broken-down cross here over him who lived on the fat of the land, and here a child dying of hunger.

This boundary has existed for ages between the one and the other, — and this is the end, a logical completion, a running wild; throughout the entire state there is gloom, dull fright, hunger, madness. And all Belarus — a common battlefield for the dead over which the wind howls, dung under the hoofs of contented fat cattle.

Wanderers will not pray for you, Raman the Elder. Every man shall spit on your fallen cross. And may God give me strength to save the last one of your kin, she who is innocent of any crime against the inexorable truth of our stepmother, our Belarus.

Is my people really such a forgotten, such a dead nation?

I spent about forty minutes making my way through the damp forest behind the Giant's Gap and reached the narrow path covered with brushwood. Along both sides of the road stood aspens, their leaves were falling. Birches stood out in the midst of this crimson mass, birches that had already turned yellow, and oaks that were yet quite green. A small path led down into a ravine with a murmuring brook, its water the colour of strong tea. The banks of the brook were covered with soft green moss and connected by green bridges made of the trees that had been broken down by storms. It was along these tree-trunks — on some of which the moss was stripped off — that people crossed the brook.

All around was silent and solitary. No people anywhere. In tree-tops sounded the chirping of a tiny bird, and hanging down from the cobwebs among the trees were lonely leaves that had got caught falling down from the branches. Floating about in the brook were tiny red and yellow, sad leaf-boats, but in one place there was a small pool in which they whirled about as if they were being cooked there by a water-sprite for its supper. In order to cross the brook I had to break down a rather thick, but quite dry aspen to support me, and I broke it down with one kick of my foot.

Behind the ravine the forest became dense. The path disappeard in an impassable thicket. It was surrounded by jungles of raspberry-canes, dry stinging-nettle, wild blackberries and other weeds. Hops climbed the trees like green flames, twined about them, hung down from them in sheaves that caught onto my head. There soon appeared the first signs of human life: bushes of wild lilac, squares of fertilized soil (former flower-beds), man's fellow-traveller — tall burdock. The lilac thickets were so dense that I could hardly get out of them and onto a small clearing in which a house stood safely hidden. It was built on a high stone foundation with a wing made of bricks. The wooden columns there had most likely been painted white in the lifetime of their grandfathers; it leaned over on one side, and as a man fatally wounded is about to fall, so was this house. Twisted platbands, boarding torn down, glass grown opalescent with age. Burdock, marigold, oleander in between the steps of the front wing almost blocking the way to the door. And on the way to the back door a puddle filled with bricks. The roof green, and thick with fat, fluffy moss. I took a look into the house through a little grey window: the inside of the house seemed gloomier and even more neglected. In a word it was a cottage standing on its last legs. Only the witch Baba Yaga was missing, she who should have been lying on the ninth brick, saying, “Fie! I smell the blood of a man!”

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