Mark Jacobson - The Lampshade

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The Lampshade: краткое содержание, описание и аннотация

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Few growing up in the aftermath of World War II will ever forget the horrifying reports that Nazi concentration camp doctors had removed the skin of prisoners to makes common, everyday lampshades. In
, bestselling journalist Mark Jacobson tells the story of how he came into possession of one of these awful objects, and of his search to establish the origin, and larger meaning, of what can only be described as an icon of terror.
Jacobson’s mind-bending historical, moral, and philosophical journey into the recent past and his own soul begins in Hurricane Katrina–ravaged New Orleans. It is only months after the storm, with America’s most romantic city still in tatters, when Skip Henderson, an old friend of Jacobson’s, purchases an item at a rummage sale: a very strange looking and oddly textured lampshade. When he asks what it’s made of, the seller, a man covered with jailhouse tattoos, replies, “That’s made from the skin of Jews.” The price: $35. A few days later, Henderson sends the lampshade to Jacobson, saying, “You’re the journalist, you find out what it is.” The lampshade couldn’t possibly be real, could it? But it is. DNA analysis proves it.
This revelation sends Jacobson halfway around the world, to Yad Vashem in Jerusalem and to the Buchenwald concentration camp in Germany, where the lampshades were supposedly made on the order of the infamous “Bitch of Buchenwald,” Ilse Koch. From the time he grew up in Queens, New York, in the 1950s, Jacobson has heard stories about the human skin lampshade and knew it to be the ultimate symbol of Nazi cruelty. Now he has one of these things in his house with a DNA report to prove it, and almost everything he finds out about it is contradictory, mysterious, shot through with legend and specious information.
Through interviews with forensic experts, famous Holocaust scholars (and deniers), Buchenwald survivors and liberators, and New Orleans thieves and cops, Jacobson gradually comes to see the lampshade as a ghostly illuminator of his own existential status as a Jew, and to understand exactly what that means in the context of human responsibility.
One question looms as his search goes on: what to do with the lampshade—this unsettling thing that used to be someone? It is a difficult dilemma to be sure, but far from the last one, since once a lampshade of human skin enters your life, it is very, very hard to forget.

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This book would not exist without the participation of the major “characters” I write about, people like Farid Abu Gosh, Andy Antippas, Doña Argentina, Yehuda Bauer, Bob Bever, Denier Bud, Avi Domb, Dave Dominici, Dr. John, David Duke, Skip Henderson, the brilliant and thoughtful Ken Kipperman, Volkhard Knigge, Frank Minyard, Cyril Neville, Stephanie Rhodes-Navarre, Wolfgang Röll, Albert Rosenberg, Aharon Seiden, Avner Shalev, Harry Stein, Daniel Strauss, Dyanne Thorne, and Rabbi Uri Topolosky. All these people contributed to this book in ways I could not have imagined before I spoke to them. In this cast, I’d like to single out Shiya Ribowsky, the forensic cantor, who sent the samples of the shade to the Bode lab and advised me on a number of seemingly indecipherable issues. A rabbi of the best sort, a mensch of epic proportions, Shiya will someday be offered the job of running the world but will be too smart to take it.

This would have been a different book without the efforts of Anetta Kahane, founder and chairperson of the Berlin-based Amadeu Antonio Foundation. An indomitable neo-Nazi fighter, Anetta’s scholarship, hell-bent attitude, and voluminous Rolodex opened many corridors of investigation that would have been shuttered to a non-German-speaking American reporter. She is a wonder. I must also thank Andrés Nader and Heike Radvan, also of the Amadeu Antonio Foundation, for their assistance. Others who must be mentioned are Joseph Almog, Alvin Babineaux, Michael Berenbaum, Robby Berman, Micha Brumlik, Melvin Bukit, the Bywater Bone Boys, Dan Christian, Rabbi Edward Cohn, Joe Coleman, the mysterious D, Dani Dominici, Patsy Dominici, Lawrence Douglas, Gaynielle Dupree, Steve Fishman, Terry Fredericks, the late Jamie Gillis, Sallie Ann Glassman, Gitty Grunwald, Rio Hackford, Taylor Hackford, Joe Hargrave, Deborah Harris, Baruch Herzfeld, Werner Herzog, Lance Hill, the late Khalil Islam, the late, much-missed Bob Izdepski, Susan Izdepski, Cathy Kahn, Ben Kiernan, Paula Kipperman, Yaakov Kleiman, Antonin Kratochvil, Anne Levy, Wynton Marsalis, Guy Martin, Steve Mass, Michael Melnitzky, Dr. Charles Melone, Terry Melton, Case Miller, Priestess Miriam, Captain Frederick Morton, the Mütter Museum, Aaron Neville, Art Neville, Charles Neville, Levi Okunov, Mr. Paul of Bon-Bon Lighting, Lawrence Powell, Hugo Ramirez, Walter Reich, Plater Robinson, Thane Rosenbaum, Diane Saltzman, Dr. Raynard Sanders, Barry Scheck, Isaac Schoenfeld, the late Budd Schulberg, Tom Segev, Bob Shaller, Uriel Simon, Larry “Ratso” Sloman, Christy Smith, Clyde Snow, Sabine Stein, Steve the Biker, Michael Taussig, Scott Thode, Ed Ward, Allison Wells, Denis Woychuk, Peter Zeitlinger, and Sylvia Zeitlinger. Extra shout-out to Roi Melech for being in the right place at the right time: keep shaking and baking, baby. Special thanks to James Hamilton, my longtime colleague and treasured friend who took the lampshade photo on the book cover.

Since living is important when writing a book, I must offer fond gratitude to Adam Moss, my boss at New York magazine, for allowing me to write this and not firing me. My good friend John Homans, who edits my magazine stuff at New York, read an early draft of this book and, as always, had a few, but decisive, comments. Editors are really the writer’s friend, except when they’re not. Ruth Fecych at Simon & Schuster is a friend indeed. She fine-toothed through this pile of pages with rapier zeal and much-appreciated good cheer. I don’t know how she turned out to be right about so many things, but she was. Adam Parker helped with some nifty fact checking. Beyond all that is the family, my ever-lovin’ wife, Nancy Cardozo, and der kinder, Rae, Rosalie Sue, and Billy Jacobson. They’re older now, in college and through it, and have gotten used to snarly ol’ Dad typing away. They humor me; they weren’t crazy about having the lampshade in the old homestead for two years, but were good sports. Love to them, always.

In the end, though, there is the lampshade itself: anonymous soul, surviving memory of terror, mute redeemer.

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