COPYRIGHT CONTENTS COVER TITLE PAGE COPYRIGHT DEDICATION AUTHORS’ NOTE IN A SMALL ROOM IN THE BIG HOUSE INTRODUCTION: LEARNING FROM THE EXPERTS I THE BLOOD OF THE LAMB 1 LITTLE GIRL LOST 2 “I SLEPT WELL” 3 MIND OF THE KILLER 4 HUMAN FALLOUT 5 WHAT THE PSYCH PEOPLE SAID 6 RED RAGE AND WHITE RAGE 7 THE BOTTOM LINE 8 “SUBSTANTIAL LIKELIHOOD” 9 JOAN’S LEGACY II “KILLING FOR ME WAS JUST LIKE SECOND NATURE” 10 ALL IN THE FAMILY 11 THE ABANDONED VOLKSWAGEN 12 INSIDE THE WALLS 13 “THE CONVENIENCE OF THE SITUATION” 14 “THERE WERE VICTIMS IN BETWEEN” 15 POWER, CONTROL, EXCITEMENT III ANGEL OF DEATH 16 PLAYING GOD 17 WORKING NIGHTS 18 THE MAKING OF A KILLER 19 “I HAVEN’T CHANGED A BIT” 20 FALLEN ANGEL IV “NO ONE MADE ME DO ANYTHING” 21 THE SUPERBIKE MURDERS 22 WHAT HAPPENED TO KALA AND CHARLIE? 23 WHAT MADE TODD TICK? 24 “GOOD OR BAD, I STILL WANT TO KNOW” 25 ORGANIZED VERSUS DISORGANIZED 26 NATURE AND NURTURE EPILOGUE: A KILLER’S CHOICE ACKNOWLEDGMENTS ABOUT THE AUTHOR ALSO BY JOHN E. DOUGLAS AND MARK OLSHAKER ABOUT THE PUBLISHER
William Collins
An imprint of HarperCollins Publishers 1 London Bridge Street London SE1 9GF www.WilliamCollinsBooks.com
This eBook first published in Great Britain by William Collins in 2019
Copyright © 2019 by Mindhunters, Inc.
Cover design by Jack Smythe
Cover images by shutterstock
John E. Douglas and Mark Olshaker assert their moral right to be
Identified as the authors of this work in accordance with
the Copyright, Designs and Patents Act 1988
A catalogue record for this book is available from the British Library
Abstract paint background image on part titles by Eky Studio/shutterstock
Splattered bloodstain background image on table of contents by oriontrail/shutterstock
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins
Source ISBN: 9780008338107
Ebook Edition © May 2019 ISBN: 9780008338138
Version: 2019-04-12
To the memory of Joan Angela D’Alessandro and in honor of Rosemarie D’Alessandro and all of the others who, through their inspiration, courage, and determination, strive for justice and safety for all children, this book is dedicated with love and admiration
COVER
TITLE PAGE
COPYRIGHT
DEDICATION
AUTHORS’ NOTE
IN A SMALL ROOM IN THE BIG HOUSE
INTRODUCTION: LEARNING FROM THE EXPERTS
I THE BLOOD OF THE LAMB
1 LITTLE GIRL LOST
2 “I SLEPT WELL”
3 MIND OF THE KILLER
4 HUMAN FALLOUT
5 WHAT THE PSYCH PEOPLE SAID
6 RED RAGE AND WHITE RAGE
7 THE BOTTOM LINE
8 “SUBSTANTIAL LIKELIHOOD”
9 JOAN’S LEGACY
II “KILLING FOR ME WAS JUST LIKE SECOND NATURE”
10 ALL IN THE FAMILY
11 THE ABANDONED VOLKSWAGEN
12 INSIDE THE WALLS
13 “THE CONVENIENCE OF THE SITUATION”
14 “THERE WERE VICTIMS IN BETWEEN”
15 POWER, CONTROL, EXCITEMENT
III ANGEL OF DEATH
16 PLAYING GOD
17 WORKING NIGHTS
18 THE MAKING OF A KILLER
19 “I HAVEN’T CHANGED A BIT”
20 FALLEN ANGEL
IV “NO ONE MADE ME DO ANYTHING”
21 THE SUPERBIKE MURDERS
22 WHAT HAPPENED TO KALA AND CHARLIE?
23 WHAT MADE TODD TICK?
24 “GOOD OR BAD, I STILL WANT TO KNOW”
25 ORGANIZED VERSUS DISORGANIZED
26 NATURE AND NURTURE
EPILOGUE: A KILLER’S CHOICE
ACKNOWLEDGMENTS
ABOUT THE AUTHOR
ALSO BY JOHN E. DOUGLAS AND MARK OLSHAKER
ABOUT THE PUBLISHER
AUTHORS’ NOTE
The opinions expressed in this book belong to the authors alone and do not reflect those of the FBI or any other organization.
IN A SMALL ROOM IN THE BIG HOUSE
Here, it is not so much Who done it?, but Why?
And in the end, if we have discovered the Why? and add in How?, we will also come to understand the Who? Because Why? + How? = Who.
The aim is not to be a friend. The aim is not to be a foe. The aim is to get to the truth.
It is a verbal and mental chess match without any game pieces; a sparring session without body contact; an endurance contest in which each side will seek out and exploit the other’s weaknesses and insecurities.
We sit across a small table from each other in a dimly lit room whose cinder-block walls are painted a pale bluish gray. The only window is in the locked steel door, and it is small and reinforced with wire mesh. A uniformed guard peers through from the other side, making sure everything remains in order.
In a maximum security prison, nothing is considered more important.
We have been at this for two hours already and finally the moment is ripe. “I want to know in your own words what it was like twenty-five years ago,” I say. “How did this all happen to get you here? That girl—Joan—did you know her?”
“Well, I’d seen her in the neighborhood,” he replies. His affect is calm and his tone is even.
“Let’s go back to the moment she came to the door. Tell me what happened, step by step, from that point on.”
It is almost like hypnosis. The room is silent, and I watch him transform in front of me. Even his physical appearance seems to change before my eyes. His eyes are unfocused and he looks beyond me to stare at the vacant wall. He is moving back to another time and another place; to the one story of himself that has never left his mind.
The room is very cold, and even though I wear a suit, I struggle to keep myself from shivering. But as he recounts the story I have asked for, he has begun to perspire. His breathing grows heavier and more audible. Soon his shirt is drenched with sweat, and underneath, the muscles of his chest tremble.
He relates the entire story in this manner, not looking at me; almost talking to himself. He is in the zone, in that time and that place, thinking now what he was thinking then.
For a moment, he turns back to face me. He looks me square in the eyes as he says, “John, when I heard the knock and looked up through the screen door and saw who was there, I knew I was going to kill her.”
INTRODUCTION
LEARNING FROM THE EXPERTS
This is a book about the way violent predators think—the bedrock of my twenty-five years as an FBI special agent, behavioral profiler, and criminal investigative analyst, as well as the work I have done since my retirement from the bureau.
But it’s really a book about conversations I had. After all, conversations are where it all began for me, conversations in which I learned how to use what a predatory criminal was thinking to help local law enforcement officials to catch him and bring him to justice. For me, that was the beginning of behavioral profiling.
I started interviewing incarcerated violent offenders out of what I considered personal and institutional necessity, but in many ways, it began with a desire to understand the underlying motivations behind criminals. Like most new FBI special agents, I was assigned as a street agent. My first posting was in Detroit. Right from the beginning, I was interested in why people committed their crimes—not only that they committed crimes at all, but why they committed the particular crimes they did.
Читать дальше