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First published in Great Britain by HarperCollins Publishers 2016
Copyright © 2016 Warner Bros. Entertainment Inc.
FANTASTIC BEASTS AND WHERE TO FIND THEM characters, names and related indicia are © & TM Warner Bros. Entertainment Inc. WB SHIELD: TM & © WBEI.
J.K. ROWLING’S WIZARDING WORLD TM J.K. Rowling and Warner Bros. Entertainment Inc. Publishing Rights © JKR. (s16)
Cover design © HarperCollins Publishers Ltd 2016
Cover layout design © HarperCollins Publishers Ltd 2016
Ian Nathan asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
Project Editor: Chris Smith
Editor: Georgie Cauthery
Design & layout: Simeon Greenaway
Production Manager: Kathy Turtle
HarperCollins would like to thank David Heyman, Victoria Selover, Elaine Piechowski, Melanie Swartz, Jill Benscoter, Gina Cavalier & Niki Judd.
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Source ISBN: 9780008204594
Ebook Edition © November 2016 ISBN: 9780008221355
Version: 2017-08-07
Cover
Title Page
Copyright
Foreword by Eddie Redmayne
Introduction by David Heyman
1. Newt Scamander
A Beginner’s Guide to Magizoology
A Magizoologist’s Uniform
Newt Scamander
Eddie Redmayne
A Newt Kind of Wizard
David Yates – Director
2. New York
New York
Jacob Kowalski
Stuart Craig – Production Designer
The Shaw Family
The Age of the Automobile
3. MACUSA
Inside the Magical Congress of the United States of America
Porpentina Goldstein
Queenie Goldstein
The Goldstein Apartment
Colleen Atwood – Costume Designer
Percival Graves
President Seraphina Picquery
New York Wands
4. The New Salem Philanthropic Society
The New Salem Philanthropic Society
Balancing the Light and Dark Elements
The Barebone Family
5. The Blind Pig
A Night Out at The Blind Pig
Gnarlak
Creating the Props
6. Newt’s Case
Inside Newt’s Case
Newt’s Shed
The Deck
The Environments
7. The Fantastic Beasts
Taming the Fantastic Beasts
Designing the Beasts
Outside the Case
Inside the Case
The Puppets
The Obscurus
About the Publisher
It all started with a slightly clandestine meeting with David Yates about an unknown project. This was around Christmas time in the basement of a hidden little club in Soho, London, and there was a roaring fire. I knew that David had made the Harry Potter films, and during our meeting he began to reveal things about a screenplay that J.K. Rowling was writing. Sitting by the fire as he was telling the story, I was completely hypnotised.
Over the next year we would meet and he would gently tease me with more and more of J.K. Rowling’s ideas. I became so invested in the story, hearing all these updates of what was going on in Newt’s world, that when I was then cast I was elated. I finally got to read the script and I was astounded. J.K. Rowling had managed to encompass elements of a thriller, comedy, romance: different genres almost, and yet it was all woven together with such delicacy and was powerful emotionally. It actually had me sobbing.
What is wonderful for me in what J.K. Rowling has written, and what director David Yates has done when adapting her words, is their absolute conviction to the realness of the wizarding world.
One of my clearest memories was the day that David said, ‘Eddie, pick a wand.’ It was this extraordinarily magical moment. It sounds absurd but I felt like being a nine-year-old at Christmas. It was funny because, there I was, holding this thing – this was the moment my inner nine-year-old had been waiting for my whole life, and I had absolutely no idea what to do! Not a clue. I felt ridiculously self-conscious and got complete stage fright.
In the end I went back and watched many of Daniel, Emma and Rupert’s moments in the Potter films and looked at what their ‘wand-work’ was like. They were pretty inspiring, I must say. I may have thieved a few ideas.
After years of secretly thinking I might be able to blag a part in the Weasley clan – being borderline ginger – it was wonderful to be able to jump into this world. But what was particularly great was to fall in love with my character specifically. Newt isn’t easy. He doesn’t ask for people’s approval; he can be a bit hard and he marches to the beat of his own drum, but there is also a childlike quality to him, and you can hopefully sense from his relationship with the beasts that he has a great heart.
The whole experience of getting to play Newt was a complete riot. I’ll never forget one scene on top of the department store with this gigantic winged creature called an Occamy. Basically, the Occamy goes a wee bit crazy and lifts Newt up onto its back. When we shot it I was suspended in the air riding some kind of massive green bucking bronco (because the creature will be added later, digitally) shouting about insects and teapots, with cameras soaring around me left, right and everywhere. It felt totally, totally surreal. But, touch wood, it will end up looking pretty thrilling.
Entering the wizarding world, the world of J.K.’s imagination, has superseded all the fantastical expectations that I had already had. I truly count myself a lucky, lucky man.
Eddie Redmayne
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