Still, the names Hutu and Tutsi stuck. They had meaning, and though there is no general agreement about what word best describes that meaning—“classes,” “castes,” and “ranks” are favorites—the source of the distinction is undisputed: Hutus were cultivators and Tutsis were herdsmen. This was the original inequality: cattle are a more valuable asset than produce, and although some Hutus owned cows while some Tutsis tilled the soil, the word Tutsi became synonymous with a political and economic elite. The stratification is believed to have been accelerated after 1860, when the Mwami Kigeri Rwabugiri, a Tutsi, ascended to the Rwandan throne and initiated a series of military and political campaigns that expanded and consolidated his dominion over a territory nearly the size of the present Republic.
But there is no reliable record of the precolonial state. Rwandans had no alphabet; their tradition was oral, therefore malleable; and because their society is fiercely hierarchical the stories they tell of their past tend to be dictated by those who hold power, either through the state or in opposition to it. Of course, at the core of Rwanda’s historical debates lie competing ideas about the relationship between Hutus and Tutsis, so it is a frustration that the precolonial roots of that relationship are largely unknowable. As the political thinker Mahmood Mamdani has observed: “That much of what passed as historical fact in academic circles has to be considered as tentative—if not outright fictional—is becoming clear as post-genocidal sobriety compels a growing number of historians to take seriously the political uses to which their writings have been put, and their readers to question the certainty with which many a claim has been advanced.”
So Rwandan history is dangerous. Like all of history, it is a record of successive struggles for power, and to a very large extent power consists in the ability to make others inhabit your story of their reality—even, as is so often the case, when that story is written in their blood. Yet some facts, and some understandings, remain unchallenged. For instance, Rwabugiri was the heir to a dynasty that claimed to trace its lineage to the late fourteenth century. Five hundred years is a very long life for any regime, at any time, anywhere. Even if we consider the real possibility that the rememberers of the royal house were exaggerating, or marking time differently than we do, and that Rwabugiri’s kingdom was only a few centuries old—that’s still a ripe age, and such endurance requires organization.
By the time Rwabugiri came along, the Rwandan state, having expanded gradually from a single hilltop chieftaincy, administered much of what is now southern and central Rwanda through a rigorous, multilayered hierarchy of military, political, and civil chiefs and governors, subchiefs, and deputy governors, subsubchiefs, and deputy deputy governors. Priests, tax collectors, clan leaders, and army recruiters all had their place in the order that bound every hill in the kingdom in fealty to the Mwami. Court intrigues among the Mwami’s sprawling entourage were as elaborate and treacherous as any Shakespeare sketched, with the additional complications of official polygamy, and a prize of immense power for the queen mother.
The Mwami himself was revered as a divinity, absolute and infallible. He was regarded as the personal embodiment of Rwanda, and as Rwabugiri extended his domain, he increasingly configured the world of his subjects in his own image. Tutsis were favored for top political and military offices, and through their public identification with the state, they generally enjoyed greater financial power as well. The regime was essentially feudal: Tutsis were aristocrats; Hutus were vassals. Yet status and identity continued to be determined by many other factors as well—clan, region, clientage, military prowess, even individual industry—and the lines between Hutu and Tutsi remained porous. In fact, in some areas of modern-day Rwanda that Mwami Rwabugiri failed to conquer, these categories had no local significance. Apparently, Hutu and Tutsi identities took definition only in relationship to state power; as they did, the two groups inevitably developed their own distinctive cultures—their own set of ideas about themselves and one another—according to their respective domains. Those ideas were largely framed as opposing negatives: a Hutu was what a Tutsi was not, and vice versa. But in the absence of the sort of hard-and-fast taboos that often mark the boundaries between ethnic or tribal groups, Rwandans who sought to make the most of these distinctions were compelled to amplify minute and imprecise field marks, like the prevalence of milk in one’s diet, and, especially, physical traits.
Within the jumble of Rwandan characteristics, the question of appearances is particularly touchy, as it has often come to mean life or death. But nobody can dispute the physical archetypes: for Hutus, stocky and round-faced, dark-skinned, flat-nosed, thicklipped, and square-jawed; for Tutsis, lanky and long-faced, not so dark-skinned, narrow-nosed, thin-lipped, and narrow-chinned. Nature presents countless exceptions. (“You can’t tell us apart,” Laurent Nkongoli, the portly vice president of the National Assembly, told me. “We can’t tell us apart. I was on a bus in the north once and because I was in the north, where they”—Hutus —“were, and because I ate corn, which they eat, they said, ‘He’s one of us.’ But I’m a Tutsi from Butare in the south.”) Still, when the Europeans arrived in Rwanda at the end of the nineteenth century, they formed a picture of a stately race of warrior kings, surrounded by herds of long-horned cattle and a subordinate race of short, dark peasants, hoeing tubers and picking bananas. The white men assumed that this was the tradition of the place, and they thought it a natural arrangement.
“Race science” was all the rage in Europe in those days, and for students of central Africa the key doctrine was the so-called Hamitic hypothesis, propounded in 1863 by John Hanning Speke, an Englishman who is most famous for “discovering” the great African lake that he christened Victoria and for identifying it as the source of the Nile River. Speke’s basic anthropological theory, which he made up out of whole cloth, was that all culture and civilization in central Africa had been introduced by the taller, sharper-featured people, whom he considered to be a Caucasoid tribe of Ethiopian origin, descended from the biblical King David, and therefore a superior race to the native Negroids.
Much of Speke’s Journal of the Discovery of the Source of the Nile is devoted to descriptions of the physical and moral ugliness of Africa’s “primitive races,” in whose condition he found “a strikingly existing proof of the Holy Scriptures.” For his text, Speke took the story in Genesis 9, which tells how Noah, when he was just six hundred years old and had safely skippered his ark over the flood to dry land, got drunk and passed out naked in his tent. On emerging from his oblivion, Noah learned that his youngest son, Ham, had seen him naked; that Ham had told his brothers, Shem and Japheth, of the spectacle; and that Shem and Japheth had, with their backs chastely turned, covered the old man with a garment. Noah responded by cursing the progeny of Ham’s son, Canaan, saying, “A slave of slaves shall he be to his brothers.” Amid the perplexities of Genesis, this is one of the most enigmatic stories, and it has been subjected to many bewildering interpretations—most notably that Ham was the original black man. To the gentry of the American South, the weird tale of Noah’s curse justified slavery, and to Speke and his colonial contemporaries it spelled the history of Africa’s peoples. On “contemplating these sons of Noah,” he marveled that “as they were then, so they appear to be now.”
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