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Jeff Noon: Pixel Juice

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Jeff Noon Pixel Juice

Pixel Juice: краткое содержание, описание и аннотация

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"Pixel Juice" is a selection of fifty stories from Jeff Noon's fertile imagination, each one strange, telling, disturbing or sometimes just plain weird. Most of the tales are surprising such as finding an "off" switch for the human body.

Jeff Noon: другие книги автора


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Finally, at 2.47, he manages to break out of this strange mental state, and to escape the roundabout's embrace, not onto Chorlton Road as perhaps originally intended, but onto the Mancunian Way. He shoots down this stretch of motorway, accelerating quickly, reaching a top speed of 110 m.p.h. He then veers to the left, onto the exit leading towards Princess Road.

Likewise, the music breaks free of its fugal matrix, to ascend into a sudden rush of squealing lead guitar. All the other instruments drop from the mix. At the very end of this musical run, harmonic feedback comes into play, creating an almost ethereal cascade of sound. The guitar's tone is bell-like at this point, and made of pure air.

At 2.49 a.m., Lucas Novum crashes his Rolls-Royce limousine into one of the supporting struts of the motorway's flyover.

The music breaks into fire.

The rock star's last words are, 'The glass! The glass!' A scream of pain we initially took to refer to the breaking of the windscreen.

David Pool was meant to abandon the experiment at this last moment. His intention to do so is plainly stated in his signed contract. We, as a company, feel we did all in our power to ensure his safety. Alas, we could not control the experiment fully.

Pool's last words are slightly different from the rock star's; for the professor screams instead, 'The glass! The looking-glass!' It is his only divergence from the script, and this tiny clue has enabled us to unravel the mystery of the crash. Any critical comments on Pool's mental state during this, his last musical journey, must be softened with regard to his scientific commitment. For he proved beyond measure that the Roadmuse did in fact turn human thought patterns into music.

What he could not have seen until those final moments was how the sensitivity of the interface fed back into the user's mind. The Roadmuse system not only turned thoughts into music; it turned music back into thoughts.

The first crash, like the second, was caused by the rock star's drug-addled brain creating a melody of destruction. Caught in the feedback loop of this suicidal music, and programmed to reflect it endlessly, the vehicle took the only route left open.

In effect, both limousines crashed into mirrors.

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And, introducing this month: Men! Don't be left out of the face race, send off now for Hyper-Elvis. Specially formulated for the changing image bank of the modern male. Become the son your boss never quite managed to produce.

Both models work just as well in reverse mode (one click of a switch does it!). Be pestered no more; warp that mirror. Let them see their worst fears in your projection. Or, when life gets just too much, simply turn the device to neutral. Guaranteed zero personality! The ultimate escape.

Hyper-Alice and Hyper-Elvis: the future of personal appeal.[*]

[*] Important notice: please read the instructions carefully - your personal appeal may rise or fall according to the changing rates of the International Index of Beauty.

THE SILVERING

Possibly, you could say that one evening, late in the future, all the mirrors in the world decided to join together. Whilst most people would consider mirrors merely as reflective surfaces, some of the more mystical religions proposed them to be doors, into some other, deeper realm. Rather now, see them as veins; the veins of some vast hidden creature along which light can travel. A creature with blood photons.

For centuries this creature knotted its veins together, in such a way that each journey of light came back to its starting point. Thus, we saw ourselves. But now, with this joining at the silver, each mirror reflected not the astonished gaze of the owner, but the equally shocked expression of another, stranger face.

A stranger's face.

At which you could only grimace, or bellow, or stand dumbfounded in front of.

We have to imagine the mirror creature shrugging itself, perhaps, and coming out of the shrug with its tangle of veins rearranged into a new pattern. Perhaps it didn't mean this to happen. Perhaps it did.

Destroying the mirrors brought no respite, for each replacement mirror bought, or indeed created, would still reflect the same stranger's image. Also, it was quickly noted, no matter where in the world the viewer was, no matter through which foreign mirror he or she gazed, the same partner would always be waiting there.

This phenomenon became known as the Silvering. In time, the imagined monster through which the rays of light ran was called by the same name.

The exact mathematical shape that the Silvering's veins would have to follow, for the process to take place, was discovered to be a highly complex eleventh-dimensional curve. The abstract beauty of this curve may have pleased the scientists; but it was of little use to all the billions of people in the world who now found their mirrors completely useless for their given task. To take a most obvious example: how could some young woman with long tresses of flowing hair possibly groom herself in the reflected image of some old, decrepit bald man?

For yes, some men were reflected by women. The Silvering knew no prejudice. The old were mirrored by the young; gays by straights; blacks by whites; the rich by the poor. At first this dissolving of boundaries brought only anger on both sides of the glass. Fortunately, although light waves could travel through the Silvering's veins, sound waves could not. Curses were not heard, but, of course, easily imagined from the expressions on a face.

But then, and only after a very short time, the people of the world came to accept their new reflections, and to work with them. And thus it was that old, decrepit bald men learned how to mime the combing of long golden tresses. And the world was considered a better place for the joining at the silver.

The only distressing moments came about because of a simple mathematical property: each of the Silvering's veins had only two points of entry - a beginning and an end. Because of this, the process only worked when the number of people in the world was an even number. Given the eternal play of birth and death, every so often a person would go to their mirror, expecting their partner to greet them, only to find themselves staring at a blank space, an emptiness, a terrifying void.

This phenomenon was known as the Clouding, and brought about an avoidance of all mirrors, until such day as the global population turned back from odd, to even, and all the veins of light had both beginnings, and endings.

A new face would appear to embrace your reflection, and the smiles were perfectly copied. Making balance in the world.

Until the Silvering shrugged once more; not only through space, but through the past and the future as well. So that possibly one day, late in the evening, you could say that all the mirrors of all time…

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