Jeff Noon - Pixel Juice

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Pixel Juice: краткое содержание, описание и аннотация

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"Pixel Juice" is a selection of fifty stories from Jeff Noon's fertile imagination, each one strange, telling, disturbing or sometimes just plain weird. Most of the tales are surprising such as finding an "off" switch for the human body.

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I remembered, then, that she'd been hanging round real close to the action this morning, and maybe she had seen a glimpse of it, I couldn't be sure.

'I've got the mask, haven't I?' I said back at her.

'I don't need a mask, me, so don't think that's why I want to join up, just to get a mask and a gun, cause I don't need 'em, well, the gun would be nice, but just for kicks like. Why do you think I don't want prawns? Adverts mean nothing to me.'

Now I knew there were a few people out there that were immune to the messages. The marketing men called them the Blind Consumers, the Unresponsive 6 Per Cent. And I knew that Brendel would love to get her hands on this girl, this Lucy, subject her to a million lab tests, extract all the scattering out of her. I wasn't keen on the procedure, because I'd seen what the extraction did to the immune. It made them go hollow.

'What should I have told my partner about the mask?' I asked her.

'You took it off, didn't you? When you saw the stairway advert. Am I right?'

'No. I mean… I wanted to… it was…'

'It was trying to make you, right?'

'Yes… I started to… started to lift up the mask… I couldn't…'

'How much?'

'What?'

'How much?'

'Just a bit, a sliver, not at all.'

'You haven't told anyone?'

'Look, what is this? Nothing happened.'

'And now you're scared. Scared that they'll take you off the streets. Am I right?'

I looked away. The flotboys had all left now, and another bunch of diners had taken their place. Maybe these were people with real hunger, maybe they were artificially induced, there was no way of telling, not without the proper equipment.

'You've seen it, haven't you?' I said to the girl.

She was quiet for a time, and then she started to cry. Not tears of pain, or anger or frustration even. She nodded,her head, said nothing. Just cried.

They were tears of loss, I'm sure they were.

Later on, when really I should've been home and in bed, I took Lucy out to the commcop station. She got over the tears as soon as she got in the van, and the journey through the streets had her smiling, especially when I turned the siren on, just for her. Anything to take her mind off what was happening, because I wasn't sure about what I was about to do; I had no way of knowing the reactions that I would get. Luckily, Brendel was off duty as well, and the high-security cells weren't her natural habitat anyway. I signed in with the guard down in the cellar, put a tick next to 'Officer in Attendance' and another against 'Family/Acquaintance' and got Lucy to sign against that.

'It's breakfast time, anyway,' said the guard. '1 was going to take this in.' He was holding a plateful of mush and a spoon. 'You want to do it?'

I nodded. Took the plate and spoon - plastic plate, plastic spoon - and then waited as the guard unlocked the door. 'Be careful in there,' he says.

The occupant of cell 945 was asleep as we came in. At least, I thought he was. It was dark, and the faint light from the door fell only on a bulky shape lying on the bed. I put my fingers to my lips, but Lucy was quiet anyway, and too nervous even to breathe out loud. I felt the same, and when I put on the small and well-protected overhead light, and the figure on the bed stirred slightly, it felt as though I was waking the dead. There was a draw of breath at last, and a gasp as Lucy saw what Parker had become.

Become.

Reduced.

Victim to.

It was the first time I'd come to visit. Maybe guilt had kept me away, or just the sense of helplessness. He was tied to the small bed. Strapped down. I hadn't expected this. It must've been bad. Still bad. Shit. I could hardly think of anything at all, and when his eyes opened, and it took him a good long moment to recognize me, well, I was on the edge of turning away.

Parker's head was propped up slightly on a pillow, and this was the only bit of him that could move at all. The bastard only smiles at me, doesn't he? Then he says, 'Muldoon, you came. Is it breakfast time already?' I come forward with the bowl, and I scoop some of the mush out of it with the spoon. I place it against his lips, he opens them, chews the stuff, swallows. After about six of these mouthfuls, he shakes his head for no more please.

'You caught it yet?' he asks.

I shake my head.

'Keep working,' he says. 'Don't worry about me.'

I can't believe how peaceful he sounds.

'Muldoon?'

'Yes?'

'A favour, please.'

'Anything, Parker. Anything.'

'Undo these straps. Just the ones on my arms. Just my right arm will do. I want to eat my own food. I can't stand being fed like a baby. Will you do that?'

I look around the cell. Then at the door. Lucy's standing there, and she nods at me.

'Come on, Muldoon,' says Parker. 'What am I going to do?'

I lean over his body, to get to the strap. It comes loose with a strong tug, and Parker's hand strokes my face, just for a second. 'Thank you,' he says. 'Thank you.' Then he picks up the plastic spoon, and starts to feed himself.

'Who's this?' he asks.

'Her name's Lucy,' I reply.

'I can answer,' says the girl. She comes closer to Parker, but stops a few steps away from him. 'My name is Lucy Bell. I'm ten years old, nearly. Adverts mean nothing to me. And I've seen the stairway.'

Parker stops eating. 'You've seen it?'

'Yes. It came up on a game I was playing. I was alone, luckily. I've seen a million ads in my time, you know what I mean, and nothing gets me frozen. Sometimes I think I'm the unlucky one, because it must be nice to be really affected by something. Usually I just move to another machine when the screen freezes, but this was different I could tell, but I couldn't tell why. Something about the stairway, the way it goes on for ever…'

'Yes,' said Parker. 'For ever…'

'And it made me really sad to watch it going upwards like that, with nobody on it.'

'Yes. Sad.'

It made me put my hand out. I couldn't help myself. I put my hand against the screen. It was cold, the screen, like the machine had broken down. But it was nice, just to let my fingers rest against the steps. I felt like I was walking up it just by touching. And I was so sad, I started to cry. I don't know why, so don't ask me.'

'I know,' said Parker. 'I know.'

'And ever since, this sadness… it won't leave me alone. I feel like I've missed out on something. Inspector Muldoon tells me you were brave, that you saved a flot by giving her your scattermask.'

'No, it wasn't brave. The staircase made me take the mask off. I could see the girl hadn't seen it yet, she was doing her best to look away. I only gave her the mask because I didn't need it any more.'

'Well, I still think it was brave. And I was thinking, maybe I should volunteer for being tested, or something. Because surely there's something inside me, something strange that adverts don't like. And I know all the normal stuff, the spoiler drugs and all that, I know they don't work on this stairway thing. Maybe I should-'

'No.' Parker came up as far as he could. 'I've heard what happens to people when they extract it. It's not good. Not good. You just work with Inspector Muldoon here. Maybe you can find out where the adverts are coming from, eh? Working together?'

'I'd like that. I'd like to be a commcop one day.'

'You will be, kid. You will be.'

I was watching all this from one corner. I wasn't sure what I was aiming at, bringing these two people together. This young girl, barely out of childhood, and having already witnessed and survived what amounted to a murder attempt; and this poor young man, this rookie cop, who had become just another victim. A young man strapped to a bed, and with a plastic spoon in his hand. They seemed happy together, at least. Parker then called over to me, 'You keep Brendel away from this girl, OK?'

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