Mike Allen - Clockwork Phoenix

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Clockwork Phoenix: краткое содержание, описание и аннотация

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You hold in your hands a cornucopia of modern cutting-edge fantasy. The first volume of this extraordinary new annual anthology series of fantastic literature explodes on the scene with works that sidestep expectations in beautiful and unsettling ways, that surprise with their settings and startle with the manner in which they cross genre boundaries, that aren’t afraid to experiment with storytelling techniques, and yet seamlessly blend form with meaningful function. The delectable offerings found within these pages come from some of today’s most distinguished contemporary fantasists and brilliant rising newcomers.
Whether it’s a touch of literary erudition, playful whimsy, extravagant style, or mind-blowing philosophical speculation and insight, the reader will be led into unfamiliar territory, there to find shock and delight.
Introducing CLOCKWORK PHOENIX.
Author and editor Allen (
) has compiled a neatly packaged set of short stories that flow cleverly and seamlessly from one inspiration to another. In “The City of Blind Delight” by Catherynne M. Valente, a man inadvertently ends up on a train that takes him to an inescapable city of extraordinary wonders. In “All the Little Gods We Are,” Hugo winner John Grant takes a mind trip to possible parallel universes. Modern topics make an appearance among the whimsy and strangeness: Ekaterina Sedia delves into the misunderstandings that occur between cultures and languages in “There Is a Monster Under Helen’s Bed,” while Tanith Lee gleefully skewers gender politics with “The Woman,” giving the reader a glimpse of what might happen if there was only one fertile woman left in a world of men. Lush descriptions and exotic imagery startle, engross, chill and electrify the reader, and all 19 stories have a strong and delicious taste of weird.
(July) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From

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“Fear not,” her voice answered softly. “I am unarmed.”

He looked behind him. He squinted in astonishment, switched the weapon to stand-by, and studied her closely.

Her hair was yellow as corn-silk, held on top within a web of silver wires set with pearls, but escaping on the sides to fall loose about her shoulders to her waist. Two long red ribbons dangled from the back of her pearly corona, and lifted in the breeze which stirred her hair into a fragrant cloud.

Her face was fair; her eyes were grey-blue as a stormy sea; her lips were red as sweet roses. Down to her feet white vesture flowed, shimmering like sea-mist, of some fabric he had never seen nor dreamed. Tight around her narrow waist she wore a wide embroidered belt of red; red slippers held slim feet. On her finger was a silver ring, whose stone gleamed with a point of light, burning like a star. It was not electric nor atomic nor any energy he could describe. He knew enough to know she came from places far beyond his knowing.

She watched him watching her, and softly smiled, as if pleased.

“There is rock wall behind you,” he said, “And no place to climb except up in front of me. You were not here before I came.”

“Not before, but after,” she said. “Many ages hence, I shall stand within this place, and use the art we know to travel eons backward in a single step. I am a child of the future many centuries unborn. My name is Sigrune.” She smiled, for a moment, at the rock he had inscribed, as if pleased to see the inscription freshly cut.

“Your accent is peculiar.”

“I learned your speech from books, in my time, ancient, in yours, not yet composed.”

He glanced at the medical apparatus on his shoulder. She laughed; a gay and lovely sound; and said, “No hallucinogen is in your blood. What you see before you is most real.”

He laughed. “Flattering to think myself so famous that posterity will fly out of the deeps of time to talk to me! Flattering, but impossible.”

“Impossible to the science of this age, perhaps. Be assured: your works shall not be forgotten, but preserved, and what you have said and done and thought shall shine through all the ages with clear light, and, in days to come, young students shall wonder what it would be like to see and to talk with you.”

And now Sigrune blushed and faltered. Owen Penthane was perceptive. He could imagine some young student of time drowsing over her history books, waiting for the opportunity to meet the man whom time has lent the luster of myth and hero-worship. A famous man in his own day, he had seen such blushes, and received such hero-worship, before.

Somehow, her shy look convinced him she was what she claimed.

“All this is most pleasing to me,” he said, nodding to her, gravely. “Since all my work, till now, has been futile, and led to nothing more than ruin, I take your presence here as a sign that great things are left for me to accomplish in what few years a man of my age has remaining. Perhaps my scattered folk will rally, or my treacherous allies repent, and combine to drive the invaders from our soil. Now stand away; for with this shot, I hope to signal the return of hope to my oppressed nation. Having seen so fair a child from the future, I now have cause to think that hope shall not be vain.”

She looked down, smiling uncertainly. It was a demure gesture, but also betrayed a strange hesitation, a hint of fear and sorrow. He stood, weapon in hand, staring at her for a long moment. Her fingers were twined together before her, and her head was bowed.

Owen Penthane said, “If you are a time traveler, how is it that your ventures do not imperil you? Any smallest change could unravel all the history you know, or thwart the marriage of your ancestors, undo the founding of your nations, and make you fade away like ghosts. What makes you proof from change?” There was a steely edge within his voice.

“There are two precautions that we undertake,” she said, still not daring to look up. “The first is this: our grandchildren and their grandchildren have the government of our span of time, warning us of bad results to come, and wiping out mistakes, to make them as if they had never been. If any ill were fated to befall us on any of our journeyings, the Museum of Man at the End of Time would warn us of the outcome, long before it ever could arise. Their knowledge is perfect, for they cannot ever err.”

“And the second?” he said, grimly.

Now she raised her head and met his eye. “We show ourselves only to those who are about to die.”

He was silent, frowning, while she looked on. Her gaze was steady, calm, and sad.

“I meant to cause you no pain, Lord Owen,” she said. A soft breeze sent ripples through her hair. “Bid your world farewell: a finer world awaits you; a world which lacks no joy.”

“You have told me nothing I did not foresee. The soldier is a fool who thinks to live forever. I suppose if I do not fire upon the flagship…?”

“There are enemies lurking in the woods below. The result is much the same.”

“Indeed.” He turned and put the weapon to his shoulder. “Again I thank you, madam. Now that no hope torments me, my mind is put to rest. I am resolved.”

“Wait! I beg you, wait!” She stepped forward suddenly, and put her hands on his weapon. He caught her one wrist with a hard grasp, and stared angrily at her.

“Why now do you interfere?” he asked. Her skin was soft, untouched by any scar or plague. Since the bombardments, he had not seen many women with unblemished skin.

She put her other hand gently on his rough fingers, and gazed at him with wide eyes. “Set your weapon on its timer,” she said. “And hold my hand and come with me into my land, beyond all history. At the Museum of Man, the arts and sciences of every age are gathered, the bravest of men, the most beautiful of women, the greatest of philosophers, and the most lucid of all poets. Our medicine can restore your vanished youth to you; it is a country of the young, where aging is unknown, and death by accident is undone before it can occur. In the twilight of all time, sorrow is unknown to us, and all those wise and great and glorious enough to join our company have been called up from out of the abyss of history. You will sit in our feast-hall, to eat whatever meats or breads delight you, or drink our sweet and endless wine. A place has been reserved for you, next to the seats of Brian Boru, Alfred the Great, and Charlemagne. We feast and know no lack, we who can change time to restore drained goblets back to fullness, or resurrect the slaughtered beast to roast again. Only for us, the flame of a blown-out candle can be unblown, and brightly burn again.”

He released her wrist. She saw the cold and unmoved expression of his face.

Grief made her voice grow shrill, but no less lovely. She knelt, and clasped her shaking hands around his waist. “Come away with me, I pray you, Owen! I offer what all men have dreamed in vain! Our joys do not pall, cannot grow stale and wearisome like other joys, for we can change unhappy days not ever to have been! All great men, except for those who died in public places, in the witness of many eyes, are gathered there. All these great men, your peers, will cheer your coming to our halls. You shall hear the thousand poems, each grander than the last, which Dante and which Homer have composed in all the many centuries since they have dwelt among us, or sample the deep wisdom Aristotle has deduced in his thousand years of subtlest debate with Gotuma, Lao Tsu, Descartes, and John Locke.”

He said sternly, “What chance have I to open fire, and survive? To gather up my scattered people, and lead them once again against a foe, which, if my bullets find their aim, will be, for now, leaderless and demoralized? What chance?”

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