Mike Allen - Clockwork Phoenix

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Clockwork Phoenix: краткое содержание, описание и аннотация

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You hold in your hands a cornucopia of modern cutting-edge fantasy. The first volume of this extraordinary new annual anthology series of fantastic literature explodes on the scene with works that sidestep expectations in beautiful and unsettling ways, that surprise with their settings and startle with the manner in which they cross genre boundaries, that aren’t afraid to experiment with storytelling techniques, and yet seamlessly blend form with meaningful function. The delectable offerings found within these pages come from some of today’s most distinguished contemporary fantasists and brilliant rising newcomers.
Whether it’s a touch of literary erudition, playful whimsy, extravagant style, or mind-blowing philosophical speculation and insight, the reader will be led into unfamiliar territory, there to find shock and delight.
Introducing CLOCKWORK PHOENIX.
Author and editor Allen (
) has compiled a neatly packaged set of short stories that flow cleverly and seamlessly from one inspiration to another. In “The City of Blind Delight” by Catherynne M. Valente, a man inadvertently ends up on a train that takes him to an inescapable city of extraordinary wonders. In “All the Little Gods We Are,” Hugo winner John Grant takes a mind trip to possible parallel universes. Modern topics make an appearance among the whimsy and strangeness: Ekaterina Sedia delves into the misunderstandings that occur between cultures and languages in “There Is a Monster Under Helen’s Bed,” while Tanith Lee gleefully skewers gender politics with “The Woman,” giving the reader a glimpse of what might happen if there was only one fertile woman left in a world of men. Lush descriptions and exotic imagery startle, engross, chill and electrify the reader, and all 19 stories have a strong and delicious taste of weird.
(July) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From

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Here are some things I have discovered about myself:

I have no pleasure in life. I like nothing, definitely not absinthe or roses.

I want to die. But a curious inertia keeps me from it. The things of the world seem heavy, and time slow.

I still have nightmares about the burning woman. Sometimes I dream that Dhanu has a mantram that will bring me peace, and I am looking for her in the tunnels of a dying city, its walls collapsing around me, but she is nowhere to be found. I never dream of Hirasor except as a presence behind my consciousness like a second pair of eyes, a faint ghost, a memory. There are moments when I wonder what led a first-generation nakalchi to become a monster. The Ramayan says that even Ravan was once a good man, before he fell prey to hubris and lost his way. If legend is to be believed, there is a cave on some abandoned planet where copies of the first-generation nakalchis are hidden. Were I to come across it, would I find Hirasor’s duplicate in an ice-cold crypt, dreaming, innocent as a child?

Lately I have begun to let myself remember that last climactic moment of my encounter with Hirasor. I shot my Ravan, I tell myself, trying to infuse into my mind a sense of victory despite the loss of the chance for true revenge—but I no longer know what any of those words mean: victory, revenge. Still, there is a solidity about that moment when I shot him, small though it is against the backdrop of all the years I’ve lived. That moment—it feels as tangible as a key held in the hand. What doors it might open I do not know, although I am certain that Sita does not wait behind any of them. Perhaps it is enough that it tells me there are doors.

CHOOSERS OF THE SLAIN by John C Wright The time was Autumn and what few - фото 30

CHOOSERS OF THE SLAIN by John C Wright The time was Autumn and what few - фото 31

CHOOSERS OF THE SLAIN

by John C. Wright

The time was Autumn, and what few beech trees had been spared released gold leaves into the chilly air, to swirl and dance and fall. Defoliants, and poisons, had reduced the greater number of the trees to leafless, sickly hulks, unwholesome to behold; and where the weapons of the enemy had fallen, running walls of fire had consumed them, leaving stands of wood and smoking ash. But here and there within the ruin, defying destruction, a kingly tree raised up a bounty of leaves, shining green-gold in the setting sun. Through the ruins of the forest came a man. He was past his youth, and past the middle of his age, but not yet old. His posture was erect, untiring, unbowed, and strong. His hair was iron-grey with age, his face was lined and careworn. The sternness of his glance showed he had been a leader of men, used to command. The sorrow and cold rage kindled in his eye showed he was no more. The furtive silence of his footstep, the quick grace of his flight, showed that he was hunted.

He wore the uniform of a warrior of his day and age. The fabric was soft dove-grey, broken into unpatterned lines and shadows. The fabric faded to dull green when he stood near a flowering bush, or darkened to grey-black when he ran across an open space thick with piles of ash.

Across his back he bore a weapon which could fire a dozen missiles no larger than his littlest finger. The missiles could be programmed to seek and dive, circle and evade; or to search out specific individuals, whose signatures of heat, or aurenetic patterns, matched those locked within the little bullets. The little bullets could fly for hundreds of yards, hunting, or, if fired with a booster, reach enemies miles away. On his shoulder, he wore his medical appliance, with needles stabbed into the great veins of his arm, and colored tabs to show what plagues and viruses of the enemy had been found and contradicted in his blood.

Hanging open at his throat, there hung a mask to filter poisoned air. He left it dangling loose now as he walked, for the wind was fresh, and smelled of the salt sea, and blew into the east, toward the patrols he fled. When he came clear of the trees, he saw a rushing mountain stream, but poisoned now, and clogged with stinking fish and blood. He had climbed higher than he knew. Not a dozen paces to his left, the stream fell out into the air, and let a bloody waterfall tumble down high cliffs once green with trees.

He knew these cliffs; he had climbed and played upon them as a boy. Once he had climbed their craggy sides to a high place not far from here, and felt such crowning triumph and such joy as he had not felt again, not even when the many fighting factions of his land had united all beneath his hand to join in common bond to repel the invaders from over the sea.

For many years he had ruled a turbulent people, united them in one cause, and laid down strict laws to govern them, laws he prayed were fair and just. Now, remembering the way, he climbed the rocks again to find, unchanged, that wide and grassy ledge where once he viewed in triumph the green field of his youth.

When he turned and looked out upon the world, he saw the hills and deep-delved valleys fall away into the roads and fields and cottages, now blackened and deserted. By the river in the distance, he could see the city burning which once had been his capital. The bridges leading to the city had been shattered; the tall towers beyond had been thrown down, or tilted on their foundations like senile drunks. The airfield, bare of ships, was cracked and torn. Where once his mansion stood, a crater smoked.

Sirens wailed to no avail. There was no one to answer.

On the far horizon, red with sunset, was the sea. Against the clouds stained red with dying light loomed angular, grim silhouettes; the warships of the enemy were gathered in great force. Midmost, and taller than the others, was the flag-ship, a giant vessel, whose every armored deck and deckhouse held up dark mussel-bores of many cannons.

He took his weapon into his lap and lit its tiny screen. The symbols showed the codes and patterns for the five highest officers of the enemy forces, as well as that for their commander. Only on the last day of the war, now, too late, had his spies discovered what those patterns were; only now, too late, would vengeance be fulfilled. He gently touched the button with his thumb which programmed his ammunition.

The man took out his knife and turned it on, and scratched into the rock these words: OWEN PENTHANE SEPTEMBER THIRD STOOD HERE AND FIRED A FINAL VOLLEY INTO THE FLAGSHIP ‘ATLAS’

He paused in thought a while, and watched the setting sun. Already the lowlands were in shadows. The rocks and trees around him gleamed cherry-pink. Now he wrote more words into the stone: THAT ALL WOULD KNOW BY THIS, THAT WE HAVE BEEN DESTROYED, BUT NOT DEFEATED, AND EVEN TO THE LAST MAN, LAST BULLET, FOUGHT EVER ON.

He stood and raised the weapon to his cheek. The magnified image on the screen before his eye displayed the deckhouse of the mighty warship, and the moving figures bent over their controls. Webs of wire covered all the windows; these would detect incoming shots, and control the massive counter fire.

He wondered if he should step away from the rock which bore his epitaph; were it to crack or melt within the counter-fire, no future generations would read his final words.

And yet again, the circuits woven in the fabric of his suit were designed to bewilder and confuse the electric brains of approaching fire. It was possible he would not be harmed at all.

Nonetheless, he stepped aside for many paces. Now he raised the weapon once again.

A touch of his finger spun tiny gyroscopes within the stock. His weapon was now as firm on target as if it rested on a tripod. The computer built inside adjusted for the minute pitch and roll of the warship’s deck, and for the vibration of the intervening air. The image on the aiming screen grew steady, clear, and fixed. A woman’s voice spoke gently from behind him: “Lord Owen Penthane. Hold your fire.” His thumb twitched on the programming dial. “I can fire behind as easily as ahead.” He had programmed the first bullet to circle.

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