China Mieville - Perdido Street Station

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Amazon.com Review
When Mae West said, "Too much of a good thing can be wonderful," she could have been talking about China Miéville's Perdido Street Station. The novel's publication met with a burst of extravagant praise from Big Name Authors and was almost instantly a multiaward finalist. You expect hyperbole in blurbs; and sometimes unworthy books win awards, so nominations don't necessarily mean much. But Perdido Street Station deserves the acclaim. It's ambitious and brilliant and-rarity of rarities-sui generis. Its clearest influences are Mervyn Peake's Gormenghast trilogy and M. John Harrison's Viriconium books, but it isn't much like them. It's Dickensian in scope, but fast-paced and modern. It's a love song for cities, and it packs a world into its strange, sprawling, steam-punky city of New Crobuzon. It can be read with equal validity as fantasy, science fiction, horror, or slipstream. It's got love, loss, crime, sex, riots, mad scientists, drugs, art, corruption, demons, dreams, obsession, magic, aliens, subversion, torture, dirigibles, romantic outlaws, artificial intelligence, and dangerous cults.
Generous, gaudy, grand, grotesque, gigantic, grim, grimy, and glorious, Perdito Street Station is a bloody fascinating book. It's also so massive that you may begin to feel you're getting too much of a good thing; just slow down and enjoy.
Yes, but what is Perdido Street Station about? To oversimplify: the eccentric scientist Isaac Dan der Grimnebulin is hired to restore the power of flight to a cruelly de-winged birdman. Isaac's secret lover is Lin, an artist of the khepri, a humano-insectoid race; theirs is a forbidden relationship. Lin is hired (rather against her will) by a mysterious crime boss to capture his horrifying likeness in the unique khepri art form. Isaac's quest for flying things to study leads to verification of his controversial unified theory of the strange sciences of his world. It also brings him an odd, unknown grub stolen from a secret government experiment so perilous it is sold to a ruthless drug lord-the same crime boss who hired Lin. The grub emerges from its cocoon, becomes an extraordinarily dangerous monster, and escapes Isaac's lab to ravage New Crobuzon, even as his discovery becomes known to a hidden, powerful, and sinister intelligence. Lin disappears and Isaac finds himself pursued by the monster, the drug lord, the government and armies of New Crobuzon, and other, more bizarre factions, not all confined to his world. -Cynthia Ward
From Publishers Weekly
King Rat (1999), Mi‚ville's much-praised first novel of urban fantasy/horror, was just a palate-teaser for this appetizing, if extravagant, stew of genre themes. Its setting, New Crobuzon, is an audaciously imagined milieu: a city with the dimensions of a world, home to a polyglot civilization of wildly varied species and overlapping and interpenetrating cultures. Seeking to prove his unified energy theory as it relates to organic and mechanical forms, rogue scientist Isaac Dan der Grimnebulin tries to restore the power of flight to Yagharek, a member of the garuda race cruelly shorn of its wings. Isaac's lover, Lin, unconsciously mimics his scientific pursuits when she takes on the seemingly impossible commission of sculpting a patron whose body is a riot of grotesquely mutated and spliced appendages. Their social life is one huge, postgraduate bull session with friends and associates-until a nightmare-inducing grub escapes from Isaac's lab and transforms into a flying monster that imperils the city. This accident precipitates a political crisis, initiates an action-packed manhunt for Isaac and introduces hordes of vividly imagined beings who inhabit the twilight zone between science and sorcery. Mi‚ville's canvas is so breathtakingly broad that the details of individual subplots and characters sometime lose their definition. But it is also generous enough to accommodate large dollops of aesthetics, scientific discussion and quest fantasy in an impressive and ultimately pleasing epic.

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He rucked up her skirt with his other hand, slid his fingers up her thigh. Her legs opened around his hand and closed, trapped it. He whispered at her, filthy and loving invitations.

The sun shifted above them, sending shadows of the window-pane and clouds moving uneasily through the room. The lovers did not notice the day move.

Chapter Two

It was 11 o’clock before they disentangled. Isaac glanced at his pocket-watch and stumbled around gathering his clothes, his mind wandering to his work. Lin spared them the awkward negotiations that would surround leaving the house together. She bent and caressed the back of Isaac’s neck with her antennae, raising goose-bumps, and then she left while he still fumbled with his boots.

Her rooms were nine floors up. She descended the tower; past the unsafe eighth floor; the seventh with its birdlime carpet and soft jackdaw susurrus; the old lady who never emerged on the sixth; and on down past petty thieves and steel workers and errand-girls and knife-grinders.

The door was on the other side of the tower from Aspic Hole itself. Lin emerged into a quiet street, a mere passageway to and from the stalls of the bazaar.

She walked away from the noisy arguments and the profiteering towards the gardens of Sobek Croix. Ranks of cabs were always waiting at their entrance. She knew that some of the drivers (usually the Remade) were liberal or desperate enough to take khepri custom.

As she passed through Aspic the blocks and houses grew less salubrious. The ground undulated and rose slowly to the southwest, where she was heading. The treetops of Sobek Croix rose like thick smoke above the slates of the dilapidated housing around her; beyond their leaves poked the stubby high-rise skyline of Ketch Heath.

Lin’s bulging mirrored eyes saw the city in a compound visual cacophony. A million tiny sections of the whole, each minuscule hexagon segment ablaze with sharp colour and even sharper lines, super-sensitive to differentials of light, weak on details unless she focused hard enough to hurt slightly. Within each segment, the dead scales of decaying walls were invisible to her, architecture reduced to elemental slabs of colour. But a precise story was told. Each visual fragment, each part, each shape, each shade of colour, differed from its surroundings in infinitesimal ways that told her about the state of the whole structure. And she could taste chymicals in the air, could tell how many of which race lived in which building: she could feel vibrations of air and sound with precision enough to converse in a crowded room or feel a train pass overhead.

Lin had tried to describe how she saw the city to Isaac.

I see clearly as you, clearer. For you it is undifferentiated. In one corner a slum collapsing, in another a new train with pistons shining, in another a gaudy painted lady below a drab and ancient airship…You must process as one picture. What chaos! Tells you nothing, contradicts itself, changes its story. For me each tiny part has integrity, each fractionally different from the next, until all variation is accounted for, incrementally, rationally.

Isaac had been fascinated for a week and a half. He had, typically, taken pages of notes and sought books on insectile vision, subjected Lin to tedious experiments in depth-perception and distance-vision; and reading, which impressed him most, knowing as he did that it did not come naturally to her, that she had to concentrate like someone half-blind.

His interest had quickly waned. The human mind was incapable of processing what the khepri saw.

All around Lin the duckers and divers of Aspic filled the streets on their way to scrape for money, stealing or begging or selling or sifting through the piles of rubbish which punctuated the street. Children scampered by carrying engine parts cobbled together into obscure shapes. Occasionally gentlemen and ladies strode by with an air of disapproval on their way Somewhere Else.

Lin’s clogs were wet with organic muck from the street, rich pickings for the furtive creatures peering from drains. The houses around her were flat-roofed and looming, with plank walkways slung across gaps between houses. Getaway routes, alternative passageways, the streets of the roofworld above New Crobuzon.

Only a very few children called names at her. This was a community used to xenians. She could taste the cosmopolitan nature of this neighbourhood, the minute secretions of a variety of races, only some of which she recognized. There was the musk of more khepri, the dank odour of vodyanoi, even, from somewhere, the delicious taste of cactacae.

Lin turned the corner onto the cobbled road around Sobek Croix. Cabs waited all along the iron fence. A massive variety. Two-wheelers, four-wheelers, pulled by horses, by sneering ptera-birds, by steam-wheezing constructs on caterpillar treads…here and there by Remade, miserable men and women both cabdriver and cab.

Lin stood before the ranks and waved her hand. Mercifully, the first driver in line geed his ornery-looking bird forward at her signal.

“Where to?” The man leaned down to read the careful instructions she scrawled on her notepad. “Righto,” he said, and jerked his head, motioning her in.

The cab was an open-fronted two-seater, giving Lin a view of her passage through the south side of the city. The great flightless bird moved with a bobbing, rolling run that translated smoothly through the wheels. She sat back and read over her instructions to the driver.

Isaac would not approve. At all.

Lin did need colourberries, and she was going to Kinken for them. That was true. And one of her friends, Cornfed Daihat, was having an exhibition in Howl Barrow.

But she would not see it.

She had already spoken to Cornfed, asking him to vouch that she had been there, should Isaac ask (she could not foresee that he would, but she might as well be safe). Cornfed had been delighted, flicking his white hair out of his face and flamboyantly begging eternal damnation for himself should he breathe a word. He clearly thought she was two-timing Isaac, and considered it a privilege to be part of this new twist to her already scandalous sex life.

Lin could not make it to his show. She had business elsewhere. The cab was progressing towards the river. She swayed as the wooden wheels hit more cobblestones. They had turned onto Shadrach Street. The market was to their south now: they were above the point where the vegetables and shellfish and overripe fruit petered out.

Swelling fatly above the low houses before her was the Flyside militia tower. A vast, filthy, pudgy pillar, squat and mean, somehow, for all its thirty-five storeys. Thin windows like arrow-slits peppered its sides, their dark glass matt, immune to reflection. The tower’s concrete skin was mottled and flaking. Three miles to the north Lin caught a glimpse of an even taller structure: the militia’s hub, the Spike, that punctured the earth like a concrete thorn in the heart of the city.

Lin craned her neck. Oozing obscenely over the top of the Flyside tower was a half-inflated dirigible. It flapped and lolled and swelled like a dying fish. She could feel its engine humming, even through the layers of air, as it strained to disappear into the gun-grey clouds.

There was another murmur, a buzzing dissonant with the airship’s drone. Somewhere nearby a support strut vibrated, and a militia-pod streaked northwards towards the tower at breakneck speed.

It careered along way, way above, suspended from the skyrail that stretched out on either side of the tower, threaded through its summit like wire through some colossal needle, disappearing to the north and the south. The pod slammed to a sudden stop against the buffers. Figures emerged, but the cab passed on before Lin could see any more.

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