Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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“Is it doom?”

“Once I thought Hari Seldon was God. Now I know he’s much less powerful than that. He’s merely Fate.”

“No, Leyel. Don’t say that.”

“Not even Fate. Just our guide through it. He sees the future, and points the way.”

“Rubbish.” She slid out from under him, got up, pulled her robe from its hook on the wall. “My old bones get cold when I lie about naked.”

Leyel’s legs were trembling, but not with cold. “The future is his, and the present is yours, but the past belongs to me. I don’t know how far into the future his probability curves have taken him, but I can match him, step for step, century for century into the past.”

“Don’t tell me you’re going to solve the question of origin. You’re the one who proved it wasn’t worth solving.”

“I proved that it wasn’t important or even possible to find the planet of origin. But I also said that we could still discover the natural laws that accounted for the origin of man. Whatever forces created us as human beings must still be present in the universe.”

“I did read what you wrote, you know. You said it would be the labor of the next millennium to find the answer.”

“Just now. Lying here, just now, I saw it, just out of reach. Something about your work and Hari’s work, and the tree.”

“The tree was about me needing you, Leyel. It wasn’t about the origin of humanity.”

“It’s gone. Whatever I saw for a moment there, it’s gone. But I can find it again. It’s there in your work, and Hari’s Foundation, and the fall of the Empire, and the damned pear tree.”

“I never said it was a pear tree.”

“I used to play in the pear orchard on the grounds of the estate in Holdwater. To me the word ‘tree’ always means a pear tree. One of the deep-worn ruts in my brain.”

“I’m relieved. I was afraid you were reminded of pears by the shape of these ancient breasts when I bend over.”

“Open your robe again. Let me see if I think of pears.”

Leyel paid for Hari Seldon’s funeral. It was not lavish. Leyel had meant it to be. The moment he heard of Hari’s death—not a surprise, since Hari’s first brutal stroke had left him half-paralyzed in a wheelchair—he set his staff to work on a memorial service appropriate to honor the greatest scientific mind of the millennium. But word arrived, in the form of a visit from Commissioner Rom Divart, that any sort of public services would be…

“Shall we say, inappropriate?”

“The man was the greatest genius I’ve ever heard of! He virtually invented a branch of science that clarified things that—he made a science out of the sort of thing that soothsayers and—and— economists used to do!”

Rom laughed at Leyel’s little joke, of course, because he and Leyel had been friends forever. Rom was the only friend of Leyel’s childhood who had never sucked up to him or resented him or stayed cool toward him because of the Forska fortune. This was, of course, because the Divart holdings were, if anything, slightly greater. They had played together unencumbered by strangeness or jealousy or awe.

They even shared a tutor for two terrible, glorious years, from the time Rom’s father was murdered until the execution of Rom’s grandfather, which caused so much outrage among the nobility that the mad Emperor was stripped of power and the Imperium put under the control of the Commission of Public Safety. Then, as the youthful head of one of the great families, Rom had embarked on his long and fruitful career in politics.

Rom said later that for those two years it was Leyel who taught him that there was still some good in the world; that Leyel’s friendship was the only reason Rom hadn’t killed himself. Leyel always thought this was pure theatrics. Rom was a born actor. That’s why he so excelled at making stunning entrances and playing unforgettable scenes on the grandest stage of all—the politics of the Imperium. Someday he would no doubt exit as dramatically as his father and grandfather had.

But he was not all show. Rom never forgot the friend of his childhood. Leyel knew it, and knew also that Rom’s coming to deliver this message from the Commission of Public Safety probably meant that Rom had fought to make the message as mild as it was. So Leyel blustered a bit, then made his little joke. It was his way of surrendering gracefully.

What Leyel didn’t realize, right up until the day of the funeral, was exactly how dangerous his friendship with Hari Seldon had been, and how stupid it was for him to associate himself with Hari’s name now that the old man was dead. Linge Chen, the Chief Commissioner, had not risen to the position of greatest power in the Empire without being fiercely suspicious of potential rivals and brutally efficient about eliminating them. Hari had maneuvered Chen into a position such that it was more dangerous to kill the old man than to give him his Foundation on Terminus. But now Hari was dead, and apparently Chen was watching to see who mourned.

Leyel did—Leyel and the few members of Hari’s staff who had stayed behind on Trantor to maintain contact with Terminus up to the moment of Hari’s death. Leyel should have known better. Even alive, Hari wouldn’t have cared who came to his funeral. And now, dead, he cared even less. Leyel didn’t believe his friend lived on in some ethereal plane, watching carefully and taking attendance at the services. No, Leyel simply felt he had to be there, felt he had to speak. Not for Hari, really. For himself. To continue to be himself, Leyel had to make some kind of public gesture toward Hari Seldon and all he had stood for.

Who heard? Not many. Deet, who thought his eulogy was too mild by half. Hari’s staff, who were quite aware of the danger and winced at each of Leyel’s list of Hari’s accomplishments. Naming them—and emphasizing that only Seldon had the vision to do these great works—was inherently a criticism of the level of intelligence and integrity in the Empire. The Pubs were listening, too. They noted that Leyel clearly agreed with Hari Seldon about the certainty of the Empire’s fall—that in fact as a galactic empire it had probably already fallen, since its authority was no longer coextensive with the Galaxy.

If almost anyone else had said such things, to such a small audience, it would have been ignored, except to keep him from getting any job requiring a security clearance. But when the head of the Forska family came out openly to affirm the correctness of the views of a man who had been tried before the Commission of Public Safety—that posed a greater danger to the Commission than Hari Seldon.

For, as head of the Forska family, if Leyel Forska wanted, he could be one of the great players on the political stage, could have a seat on the Commission along with Rom Divart and Linge Chen. Of course, that would also have meant constantly watching for assassins—either to avoid them or to hire them—and trying to win the allegiance of various military strongmen in the farflung reaches of the Galaxy. Leyel’s grandfather had spent his life in such pursuits, but Leyel’s father had declined, and Leyel himself had thoroughly immersed himself in science and never so much as inquired about politics.

Until now. Until he made the profoundly political act of paying for Hari Seldon’s funeral and then speaking at it. What would he do next? There were a thousand would-be warlords who would spring to revolt if a Forska promised what would-be emperors so desperately needed: a noble sponsor, a mask of legitimacy, and money.

Did Linge Chen really believe that Leyel meant to enter politics at his advanced age? Did he really think Leyel posed a threat?

Probably not. If he had believed it, he would surely have had Leyel killed, and no doubt all his children as well, leaving only one of his minor grandchildren, whom Chen would carefully control through the guardians he would appoint, thereby acquiring control of the Forska fortune as well as his own.

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