Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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Soon, though, the enormity of what had been done to him began to sink in. He had always thought that his fortune meant little to him—that he would be the same man with or without the Forska estates. But now he began to realize that it wasn’t true, that he’d been lying to himself all along. He had known since childhood how despicable rich and powerful men could be—his father had made sure he saw and understood how cruel men became when their money persuaded them they had a right to use others however they wished. So Leyel had learned to despise his own birthright, and, starting with his father, had pretended to others that he could make his way through the world solely by wit and diligence, that he would have been exactly the same man if he had grown up in a common family, with a common education. He had done such a good job of acting as if he didn’t care about his wealth that he came to believe it himself.

Now he realized that Forska estates had been an invisible part of himself all along, as if they were extensions of his body, as if he could flex a muscle and cargo ships would fly, he could blink and mines would be sunk deep into the earth, he could sigh and all over the Galaxy there would be a wind of change that would keep blowing until everything was exactly as he wanted it. Now all those invisible limbs and senses had been amputated. Now he was crippled—he had only as many arms and legs and eyes as any other human being.

At last he was what he had always pretended to be. An ordinary, powerless man. He hated it.

For the first hours after Rom left, Leyel pretended he could take all this in stride. He sat at the lector and spun through the pages smoothly—without anything on the pages registering in his memory. He kept wishing Deet were there so he could laugh with her about how little this hurt him; then he would be glad that Deet was not there, because one sympathetic touch of her hand would push him over the edge, make it impossible to contain his emotion.

Finally he could not help himself. Thinking of Deet, of their children and grandchildren, of all that had been lost to them because he had made an empty gesture to a dead friend, he threw himself to the softened floor and wept bitterly. Let Chen listen to recordings of what the spy beam shows of this! Let him savor his victory! I’ll destroy him somehow, my staff is still loyal to me, I’ll put together an army, I’ll hire assassins of my own, I’ll make contact with Admiral Sipp, and then Chen will be the one to sob, crying out for mercy as I disfigure him the way he has mutilated me—

Fool.

Leyel rolled over onto his back, dried his face on his sleeve, then lay there, eyes closed, calming himself. No vengeance. No politics. That was Rom’s business, not Leyel’s. Too late for him to enter the game now—and who would help him, anyway, now that he had already lost his power? There was nothing to be done.

Leyel didn’t really want to do anything, anyway. Hadn’t they guaranteed that his archives and libraries would continue to be funded? Hadn’t they guaranteed him unlimited research funds? And wasn’t that all he had cared about anyway? He had long since turned over all the Forska operations to his subordinates—Chen’s trustee would simply do the same job. And Leyel’s children wouldn’t suffer much—he had raised them with the same values that he had grown up with, and so they all pursued careers unrelated to the Forska holdings. They were true children of their father and mother—they wouldn’t have any self-respect if they didn’t earn their own way in the world. No doubt they’d be disappointed by having their inheritance snatched away. But they wouldn’t be destroyed.

I am not ruined. All the lies that Rom told are really true, only they didn’t realize it. All that matters in my life, I still have. I really don’t care about my fortune. It’s just the way I lost it that made me so furious. I can go on and be the same person I always was. This will even give me an opportunity to see who my true friends are—to see who still honors me for my scientific achievements, and who despises me for my poverty.

By the time Deet got home from the library—late, as was usual these days—Leyel was hard at work, reading back through all the research and speculation on protohuman behavior, trying to see if there was anything other than half-assed guesswork and pompous babble. He was so engrossed in his reading that he spent the first fifteen minutes after she got home telling her of the hilarious stupidities he had found in the day’s reading, and then sharing a wonderful, impossible thought he had had.

“What if the human species isn’t the only branch to evolve on our family tree? What if there’s some other primate species that looks exactly like us, but can’t interbreed with us, that functions in a completely different way, and we don’t even know it, we all think everybody’s just like us, but here and there all over the Empire there are whole towns, cities, maybe even worlds of people who secretly aren’t human at all.”

“But Leyel, my overwrought husband, if they look just like us and act just like us, then they are human.”

“But they don’t act exactly like us. There’s a difference. A completely different set of rules and assumptions. Only they don’t know that we’re different, and we don’t know that they’re different. Or even if we suspect it, we’re never sure. Just two different species, living side by side and never guessing it.”

She kissed him. “You poor fool, that isn’t speculation, it already exists. You have just described the relationship between males and females. Two completely different species, completely unintelligible to each other, living side by side and thinking they’re really the same. The fascinating thing, Leyel, is that the two species persist in marrying each other and having babies, sometimes of one species, sometimes of the other, and the whole time they can’t understand why they can’t understand each other.”

He laughed and embraced her. “You’re right, as always, Deet. If I could once understand women, then perhaps I’d know what it is that makes men human.”

“Nothing could possibly make men human,” she answered. “Every time they’re just about to get it right, they end up tripping over the damned Y chromosome and turning back into beasts.” She nuzzled his neck.

It was then, with Deet in his arms, that he whispered to her what had happened when Rom visited that day. She said nothing, but held him tightly for the longest time. Then they had a very late supper and went about their nightly routines as if nothing had changed.

Not until they were in bed, not until Deet was softly snoring beside him, did it finally occur to Leyel that Deet was facing a test of her own. Would she still love him, now that he was merely Leyel Forska, scientist on a pension, and not Lord Forska, master of worlds? Of course she would intend to. But just as Leyel had never been aware of how much he depended on his wealth to define himself, so also she might not have realized how much of what she loved about him was his vast power; for even though he didn’t flaunt it, it had always been there, like a solid platform underfoot, hardly noticed except now, when it was gone, when their footing was unsure.

Even before this, she had been slipping away into the community of women in the library. She would drift away even faster now, not even noticing it as Leyel became less and less important to her. No need for anything as dramatic as divorce. Just a little gap between them, an empty space that might as well be a chasm, might as well be the abyss. My fortune was a part of me, and now that it’s gone, I’m no longer the same man she loved. She won’t even know that she doesn’t love me any more. She’ll just get busier and busier in her work, and in five or ten years when I die of old age, she’ll grieve—and then suddenly she’ll realize that she isn’t half as devastated as she thought she’d be. In fact, she won’t be devastated at all. And she’ll get on with her life and won’t even remember what it was like to be married to me. I’ll disappear from all human memory then, except perhaps for a few scientific papers and the libraries.

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