Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

Здесь есть возможность читать онлайн «Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Город: New York, Год выпуска: 2004, ISBN: 2004, Издательство: Tom Doherty Associates, Жанр: Фантастика и фэнтези, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Maps in a Mirror: The Short Fiction of Orson Scott Card: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Maps in a Mirror: The Short Fiction of Orson Scott Card»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

Maps in a Mirror: The Short Fiction of Orson Scott Card — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Maps in a Mirror: The Short Fiction of Orson Scott Card», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

I’m like the information that was lost in all those neglected archives. Disappearing bit by bit, unnoticed, until all that’s left is just a little bit of noise in people’s memories. Then, finally, nothing. Blank.

Self-pitying fool. That’s what happens to everyone, in the long run. Even Had Seldon—someday he’ll be forgotten, sooner rather than later, if Chen has his way. We all die. We’re all lost in the passage of time. The only thing that lives on after us is the new shape we’ve given to the communities we lived in. There are things that are known because I said them, and even though people have forgotten who said it, they’ll go on knowing. Like the story Rinjy was telling—she had forgotten, if she ever knew it, that Deet was the librarian in the original tale. But still she remembered the tale. The community of librarians was different because Deet had been among them. They would be a little different, a little braver, a little stronger, because of Deet. She had left traces of herself in the world.

And then, again, there came that flash of insight, that sudden understanding of the answer to a question that had long been troubling him.

But in the moment that Leyel realized that he held the answer, the answer slipped away. He couldn’t remember it. You’re asleep, he said silently. You only dreamed that you understood the origin of humanity. That’s the way it is in dreams—the truth is always so beautiful, but you can never hold on to it.

“How is he taking it, Deet?”

“Hard to say. Well, I think. He was never much of a wanderer anyway.”

“Come now, it can’t be that simple.”

“No. No, it isn’t.”

“Tell me.”

“The social things—those were easy. We rarely went anyway, but now people don’t invite us. We’re politically dangerous. And the few things we had scheduled got canceled or, um, postponed. You know—we’ll call you as soon as we have a new date.”

“He doesn’t mind this?”

“He likes that part. He always hated those things. But they’ve canceled his speeches. And the lecture series on human ecology.”

“A blow.”

“He pretends not to mind. But he’s brooding.”

“Tell me.”

“Works all day, but he doesn’t read it to me any more, doesn’t make me sit down at the lector the minute I get home. I think he isn’t writing anything.”

“Doing nothing?”

“No. Reading. That’s all.”

“Maybe he just needs to do research.”

“You don’t know Leyel. He thinks by writing. Or talking. He isn’t doing either.”

“Doesn’t talk to you?”

“He answers. I try to talk about things here at the library, his answers are—what? Glum. Sullen.”

“He resents your work?”

“That’s not possible. Leyel has always been as enthusiastic about my work as about his own. And he won’t talk about his own work, either. I ask him, and he says nothing.”

“Not surprising.”

“So it’s all right?”

“No. It’s just not surprising.”

“What is it? Can’t you tell me?”

“What good is telling you? It’s what we call ILS—Identity Loss Syndrome. It’s identical to the passive strategy for dealing with loss of body parts.”

“ILS. What happens in ILS?”

“Deet, come on, you’re a scientist. What do you expect? You’ve just described Leyel’s behavior, I tell you that it’s called ILS, you want to know what ILS is, and what am I going to do?”

“Describe Leyel’s behavior back to me. What an idiot I am.”

“Good, at least you can laugh.”

“Can’t you tell me what to expect?”

“Complete withdrawal from you, from everybody. Eventually he becomes completely antisocial and starts to strike out. Does something self-destructive—like making public statements against Chen, that’d do it.”

“No!”

“Or else he severs his old connections, gets away from you, and reconstructs himself in a different set of communities.”

“This would make him happy?”

“Sure. Useless to the Second Foundation, but happy. It would also turn you into a nasty-tempered old crone, not that you aren’t one already, mind you.”

“Oh, you think Leyel’s the only thing keeping me human?”

“Pretty much, yes. He’s your safety valve.”

“Not lately.”

“I know.”

“Have I been so awful?”

“Nothing that we can’t bear. Deet, if we’re going to be fit to govern the human race someday, shouldn’t we first learn to be good to each other?”

“Well, I’m glad to provide you all with an opportunity to test your patience.”

“You should be glad. We’re doing a fine job so far, wouldn’t you say?”

“Please. You were teasing me about the prognosis, weren’t you?”

“Partly. Everything I said was true, but you know as well as I do that there are as many different ways out of a B-B syndrome as there are people who have them.”

“Behavioral cause, behavioral effect. No little hormone shot, then?”

“Deet. He doesn’t know who he is.”

“Can’t I help him?”

“Yes.”

“What? What can 1 do?”

“This is only a guess, since I haven’t talked to him.”

“Of course.”

“You aren’t home much.”

“I can’t stand it there, with him brooding all the time.”

“Fine. Get him out with you.”

“He won’t go.”

“Push him.”

“We barely talk. I don’t know if I even have any leverage over him.”

“Deet. You’re the one who wrote, ‘Communities that make few or no demands on their members cannot command allegiance. All else being equal, members who feel most needed have the strongest allegiance.’ ”

“You memorized that?”

“Psychohistory is the psychology of populations, but populations can only be quantified as communities. Seldon’s work on statistical probabilities only worked to predict the future within a generation or two until you first published your community theories. That’s because statistics can’t deal with cause and effect. Stats tell you what’s happening, never why, never the result. Within a generation or two, the present statistics evaporate, they’re meaningless, you have whole new populations with new configurations. Your community theory gave us a way of predicting which communities would survive, which would grow, which would fade. A way of looking across long stretches of time and space.”

“Hari never told me he was using community theory in any important way.”

“How could he tell you that? He had to walk a tightrope—publishing enough to get psychohistory taken seriously, but not so much that anybody outside the Second Foundation could ever duplicate or continue his work. Your work was a key—but he couldn’t say so.”

“Are you just saying this to make me feel better?”

“Sure. That’s why I’m saying it. But it’s also true—since lying to you wouldn’t make you feel better, would it? Statistics are like taking cross sections of the trunk of a tree. It can tell you a lot about its history. You can figure how healthy it is, how much volume the whole tree has, how much is root and how much is branch. But what it can’t tell you is where the tree will branch, and which branches will become major, which minor, and which will rot and fall off and die.”

“But you can’t quantify communities, can you? They’re just stories and rituals that bind people together—”

“You’d be surprised what we can quantify. We’re very good at what we do, Deet. Just as you are. Just as Leyel is.”

“Is his work important? After all, human origin is only a historical question.”

“Nonsense, and you know it. Leyel has stripped away the historical issues and he’s searching for the scientific ones. The principles by which human life, as we understand it, is differentiated from nonhuman. If he finds that—don’t you see, Deet? The human race is re-creating itself all the time, on every world, in every family, in every individual. We’re born animals, and we teach each other how to be human. Somehow. It matters that we find out how. It matters to psychohistory. It matters to the Second Foundation. It matters to the human race.”

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Maps in a Mirror: The Short Fiction of Orson Scott Card»

Представляем Вашему вниманию похожие книги на «Maps in a Mirror: The Short Fiction of Orson Scott Card» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Maps in a Mirror: The Short Fiction of Orson Scott Card»

Обсуждение, отзывы о книге «Maps in a Mirror: The Short Fiction of Orson Scott Card» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x