Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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Not true. Not true at all, he told himself sternly. Self-pity leads to self-deception. Exactly the opposite is true—it would hurt her more to lose Leyel than to leave her community of librarians. That’s why she consented to go to Terminus in the first place. But could he blame her for being glad that she didn’t have to choose? Glad that she could have both?

Yet even as he beat down the worst of the thoughts arising from his disappointment, he couldn’t keep some of the nastiness from coming out in his conversation. “How will you know when your experiment is over?”

She frowned. “It’ll never be over, Leyel. They’re all really librarians—I don’t pick them up by the tails like mice and put them back in their cages when the experiment’s done. At some point I’ll simply stop, that’s all, and write my book.”

“Will you?”

“Write the book? I’ve written books before, I think I can do it again.”

“I meant, will you stop?”

“When, now? Is this some test of my love for you, Leyel? Are you jealous of my friendships with Rinjy and Animet and Fin and Urik?”

No! Don’t accuse me of such childish, selfish feelings!

But before he could snap back his denial, he knew that his denial would be false.

“Sometimes I am, yes, Deet. Sometimes I think you’re happier with them.”

And because he had spoken honestly, what could have become a bitter quarrel remained a conversation. “But I am, Leyel,” she answered, just as frankly. “It’s because when I’m with them, I’m creating something new, I’m creating something with them. It’s exciting, invigorating, I’m discovering new things every day, in every word they say, every smile, every tear someone sheds, every sign that being one of us is the most important thing in their lives.”

“I can’t compete with that.”

“No, you can’t, Leyel. But you complete it. Because it would all mean nothing, it would be more frustrating than exhilarating if I couldn’t come back to you every day and tell you what happened. You always understand what it means, you’re always excited for me, you validate my experience.”

“I’m your audience. Like a parent.”

“Yes, old man. Like a husband. Like a child. Like the person I love most in all the world. You are my root. I make a brave show out there, all branches and bright leaves in the sunlight, but I come here to suck the water of life from your soil.”

“Leyel Forska, the font of capillarity. You are the tree, and I am the dirt.”

“Which happens to be full of fertilizer.” She kissed him. A kiss reminiscent of younger days. An invitation, which he gladly accepted.

A softened section of floor served them as an impromptu bed. At the end, he lay beside her, his arm across her waist, his head on her shoulder, his lips brushing the skin of her breast. He remembered when her breasts were small and firm, perched on her chest like small monuments to her potential. Now when she lay on her back they were a ruin, eroded by age so they flowed off her chest to either side, resting wearily on her arms.

“You are a magnificent woman,” he whispered, his lips tickling her skin.

Their slack and flabby bodies were now capable of greater passion than when they were taut and strong. Before, they were all potential. That’s what we love in youthful bodies, the teasing potential. Now hers is a body of accomplishment. Three fine children were the blossoms, then the fruit of this tree, gone off and taken root somewhere else. The tension of youth could now give way to a relaxation of the flesh. There were no more promises in their lovemaking. Only fulfillment.

She murmured softly in his ear, “That was a ritual, by the way. Community maintenance.”

“So I’m just another experiment?”

“A fairly successful one. I’m testing to see if this little community can last until one of us drops.”

“What if you drop first? Who’ll write the paper then?”

“You will. But you’ll sign my name to it. I want the Imperial medal for it. Posthumously. Glue it to my memorial stone.”

“I’ll wear it myself. If you’re selfish enough to leave all the real work to me, you don’t deserve anything better than a cheap replica.”

She slapped his back. “You are a nasty selfish old man, then. The real thing or nothing.”

He felt the sting of her slap as if he deserved it. A nasty selfish old man. If she only knew how right she was. There had been a moment in Hari’s office when he’d almost said the words that would deny all that there was between them. The words that would cut her out of his life. Go to Terminus without her! I would be more myself if they took my heart, my liver, my brain.

How could I have thought I wanted to go to Terminus, anyway? To be surrounded by academics of the sort I most despise, struggling with them to get the encyclopedia properly designed. They’d each fight for their petty little province, never catching the vision of the whole, never understanding that the encyclopedia would be valueless if it were compartmentalized. It would be a life in hell, and in the end he’d lose, because the academic mind was incapable of growth or change.

It was here on Trantor that he could still accomplish something. Perhaps even solve the question of human origin, at least to his own satisfaction—and perhaps he could do it soon enough that he could get his discovery included in the Encyclopedia Galactica before the Empire began to break down at the edges, cutting Terminus off from the rest of the Galaxy.

It was like a shock of static electricity passing through his brain; he even saw an afterglow of light around the edges of his vision, as if a spark had jumped some synaptic gap.

“What a sham,” he said.

“Who, you? Me?”

“Had Seldon. All this talk about his Foundation to create the Encyclopedia Galactica.”

“Careful, Leyel.” It was almost impossible that the Pubs could have found a way to listen to what went on in Leyel Forska’s own apartments. Almost.

“He told me twenty years ago. It was one of his first psychohistorical projections. The Empire will crumble at the edges first. He projected it would happen within the next generation. The figures were crude then. He must have it down to the year now. Maybe even the month. Of course he put his Foundation on Terminus. A place so remote that when the edges of the Empire fray, it will be among the first threads lost. Cut off from Trantor. Forgotten at once!”

“What good would that do, Leyel? They’d never hear of any new discoveries then.”

“What you said about us. A tree. Our children like the fruit of that tree.”

“I never said that.”

“I thought it, then. He is dropping his Foundation out on Terminus like the fruit of Empire. To grow into a new Empire by and by.”

“You frighten me, Leyel. If the Pubs ever heard you say that—”

“That crafty old fox. That sly, deceptive—he never actually lied to me, but of course he couldn’t send me there. If the Forska fortune was tied up with Terminus, the Empire would never lose track of the place. The edges might fray elsewhere, but never there. Putting me on Terminus would be the undoing of the real project.” It was such a relief. Of course Hari couldn’t tell him, not with the Pubs listening, but it had nothing to do with him or Deet. It wouldn’t have to be a barrier between them after all. It was just one of the penalties of being the keeper of the Forska fortune.

“Do you really think so?” asked Deet.

“I was a fool not to see it before. But Hari was a fool too if he thought I wouldn’t guess it.”

“Maybe he expects you to guess everything.”

“Oh, nobody could ever come up with everything Hari’s doing. He has more twists and turns in his brain than a hyperpath through core space. No matter how you labor to pick your way through, you’ll always find Hari at the end of it, nodding happily and congratulating you on coming this far. He’s ahead of us all. He’s already planned everything, and the rest of us are doomed to follow in his footsteps.”

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