Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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The Foundation, now that it had legal existence and Imperial funding, had quickly grown into a busy complex of offices in the four-thousand-year-old Putassuran Building. Because the Putassuran was originally built to house the Admiralty shortly after the great victory whose name it bore, it had an air of triumph, of monumental optimism about it—rows of soaring arches, a vaulted atrium with floating bubbles of light rising and dancing in channeled columns of air. In recent centuries the building had served as a site for informal public concerts and lectures, with the offices used to house the Museum Authority. It had come empty only a year before Hari Seldon was granted the right to form his Foundation, but it seemed as though it had been built for this very purpose. Everyone was hurrying this way and that, always seeming to be on urgent business, and yet also happy to be part of a noble cause. There had been no noble causes in the Empire for a long, long time.

Leyel quickly threaded his way through the maze that protected the Foundation’s director from casual interruption. Other men and women, no doubt, had tried to see Hari Seldon and failed, put off by this functionary or that. Hari Seldon is a very busy man. Perhaps if you make an appointment for later. Seeing him today is out of the question. He’s in meetings all afternoon and evening. Do call before coming next time.

But none of this happened to Leyel Forska. All he had to do was say, “Tell Mr. Seldon that Mr. Forska wishes to continue a conversation.” However much awe they might have of Hari Seldon, however they might intend to obey his orders not to be disturbed, they all knew that Leyel Forska was the universal exception. Even Linge Chen would be called out of a meeting of the Commission of Public Safety to speak with Forska, especially if Leyel went to the trouble of coming in person.

The ease with which he gained entry to see Hari, the excitement and optimism of the people, of the building itself, had encouraged Leyel so much that he was not at all prepared for Hari’s first words.

“Leyel, I’m surprised to see you. I thought you would understand that my message was final.”

It was the worst thing that Hari could possibly have said. Had Deet been right after all? Leyel studied Hari’s face for a moment, trying to see some sign of change. Was all that had passed between them through the years forgotten now? Had Hari’s friendship never been real? No. Looking at Hari’s face, a bit more lined and wrinkled now, Leyel saw still the same earnestness, the same plain honesty that had always been there. So instead of expressing the rage and disappointment that he felt, Leyel answered carefully, leaving the way open for Hari to change his mind. “I understood that your message was deceptive, and therefore could not be final.”

Hari looked a little angry. “Deceptive?”

“I know which men and women you’ve been taking into your Foundation. They are not second-raters.”

“Compared to you they are,” said Hari. “They’re academics, which means they’re clerks. Sorters and interpreters of information.”

“So am I. So are all scholars today. Even your inestimable theories arose from sorting through a trillion bytes of data and interpreting it.”

Hari shook his head. “I didn’t just sort through data. I had an idea in my head. So did you. Few others do. You and I are expanding human knowledge. Most of the rest are only digging it up in one place and piling it in another. That’s what the Encyclopedia Galactica is. A new pile.”

“Nevertheless, Hari, you know and I know that this is not the real reason you turned me down. And don’t tell me that it’s because Leyel Forska’s presence on Terminus would call undue attention to the project. You already have so much attention from the government that you can hardly breathe.”

“You are unpleasantly persistent, Leyel. I don’t like even having this conversation.”

“That’s too bad, Hari. I want to be part of your project. I would contribute to it more than any other person who might join it. I’m the one who plunged back into the oldest and most valuable archives and exposed the shameful amount of data loss that had arisen from neglect. I’m the one who launched the computerized extrapolation of shattered documents that your Encyclopedia—”

“Absolutely depends on. Our work would be impossible without your accomplishments.”

“And yet you turned me down, and with a crudely flattering note.”

“I didn’t mean to give offense, Leyel.”

“You also didn’t mean to tell the truth. But you will tell me, Hari, or I’ll simply go to Terminus anyway.”

“The Commission of Public Safety has given my Foundation absolute control over who may or may not come to Terminus.”

“Hari. You know perfectly well that all I have to do is hint to some lower-level functionary that I want to go to Terminus. Chen will hear of it within minutes, and within an hour he’ll grant me an exception to your charter. If I did that, and if you fought it, you’d lose your charter. You know that. If you want me not to go to Terminus, it isn’t enough to forbid me. You must persuade me that I ought not to be there.”

Hari closed his eyes and sighed. “I don’t think you’re willing to be persuaded, Leyel. Go if you must.”

For a moment Leyel wondered if Hari was giving in. But no, that was impossible, not so easily. “Oh, yes, Hari, but then I’d find myself cut off from everybody else on Terminus except my own serving people. Fobbed off with useless assignments. Cut out of the real meetings.”

“That goes without saying,” said Hari. “You are not part of the Foundation, you will not be, you cannot be. And if you try to use your wealth and influence to force your way in, you will succeed only in annoying the Foundation, not in joining it. Do you understand me?”

Only too well, thought Leyel in shame. Leyel knew perfectly well the limitations of power, and it was beneath him to have tried to bluster his way into getting something that could only be given freely. “Forgive me, Hari. I wouldn’t have tried to force you. You know I don’t do that sort of thing.”

“I know you’ve never done it since we’ve been friends, Leyel. I was afraid that I was learning something new about you.” Hari sighed. He turned away for a long moment, then turned back with a different look on his face, a different kind of energy in his voice. Leyel knew that look, that vigor. It meant Hari was taking him more deeply into his confidence. “Leyel, you have to understand, I’m not just creating an encyclopedia on Terminus.”

Immediately Leyel grew worried. It had taken a great deal of Leyel’s influence to persuade the government not to have Hari Seldon summarily exiled when he first started disseminating copies of his treatises about the impending fall of the Empire. They were sure Seldon was plotting treason, and had even put him on trial, where Seldon finally persuaded them that all he wanted to do was create the Encyclopedia Galactica, the repository of all the wisdom of the Empire. Even now, if Seldon confessed some ulterior motive, the government would move against him. It was to be assumed that the Pubs—Public Safety Office—were recording this entire conversation. Even Leyel’s influence couldn’t stop them if they had a confession from Hari’s own mouth.

“No, Leyel, don’t be nervous. My meaning is plain enough. For the Encyclopedia Galactica to succeed, I have to create a thriving city of scholars on Terminus. A colony full of men and women with fragile egos and unstemmable ambition, all of them trained in vicious political infighting at the most dangerous and terrible schools of bureaucratic combat in the Empire—the universities.”

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