Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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At the top was a three-dimensional version of the logo of Hari’s Encyclopedia Foundation. Soon to be my insignia as well, thought Leyel. Hari Seldon and I, the two greatest scholars of our time, joined together in a project whose scope surpasses anything ever attempted by any man or group of men. The gathering together of all the knowledge of the Empire in a systematic, easily accessible way, to preserve it through the coming time of anarchy so that a new civilization can quickly rise out of the ashes of the old. Hari had the vision to foresee the need. And I, Leyel Forska, have the understanding of all the old archives that will make the Encyclopedia Galactica possible.

Leyel started reading with a confidence born of experience; had he ever really desired anything and been denied?

My dear friend:

I was surprised and honored to see an application from you and insisted on writing your answer personally. It is gratifying beyond measure that you believe in the Foundation enough to apply to take part. I can truthfully tell you that we have received no application from any other scholar of your distinction and accomplishment.

Of course, thought Leyel. There is no other scholar of my stature, except Hari himself, and perhaps Deet, once her current work is published. At least we have no equals by the standards that Hari and I have always recognized as valid. Hari created the science of psychohistory. I transformed and revitalized the field of originism.

And yet the tone of Hari’s letter was wrong. It sounded like—flattery. That was it. Hari was softening the coming blow. Leyel knew before reading it what the next paragraph would say.

Nevertheless, Leyel, I must reply in the negative. The Foundation on Terminus is designed to collect and preserve knowledge. Your life’s work has been devoted to expanding it. You are the opposite of the sort of researcher we need. Far better for you to remain on Trantor and continue your inestimably valuable studies, while lesser men and women exile themselves on Terminus.

Your servant, Hari

Did Hari imagine Leyel to be so vain he would read these flattering words and preen himself contentedly? Did he think Leyel would believe that this was the real reason his application was being denied? Could Hari Seldon misknow a man so badly?

Impossible. Hari Seldon, of all people in the Empire, knew how to know other people. True, his great work in psychohistory dealt with large masses of people, with populations and probabilities. But Hari’s fascination with populations had grown out of his interest in and understanding of individuals. Besides, he and Hari had been friends since Hari first arrived on Trantor. Hadn’t a grant from Leyel’s own research fund financed most of Hari’s original research? Hadn’t they held long conversations in the early days, tossing ideas back and forth, each helping the other hone his thoughts? They may not have seen each other much in the last—what, five years? Six?—but they were adults, not children. They didn’t need constant visits in order to remain friends. And this was not the letter a true friend would send to Leyel Forska. Even if, doubtful as it might seem, Hari Seldon really meant to turn him down, he would not suppose for a moment that Leyel would be content with a letter like this.

Surely Hari would have known that it would be like a taunt to Leyel Forska. “Lesser men and women,” indeed! The Foundation on Terminus was so valuable to Hari Seldon that he had been willing to risk death on charges of treason in order to launch the project. It was unlikely in the extreme that he would populate Terminus with second-raters. No, this was the form letter sent to placate prominent scholars who were judged unfit for the Foundation. Hari would have known Leyel would immediately recognize it as such.

There was only one possible conclusion. “Hari could not have written this letter,” Leyel said.

“Of course he could,” Deet told him, blunt as always. She had come out of the bathroom in her dressing gown and read the letter over his shoulder.

“If you think so then I truly am hurt,” said Leyel. He got up, poured a cup of peshat, and began to sip it. He studiously avoided looking at Deet.

“Don’t pout, Leyel. Think of the problems Had is facing. He has so little time, so much to do. A hundred thousand people to transport to Terminus, most of the resources of the Imperial Library to duplicate—”

“He already had those people—”

“All in six months since his trial ended. No wonder we haven’t seen him, socially or professionally, in—years. A decade!”

“You’re saying that he no longer knows me? Unthinkable.”

“I’m saying that he knows you very well. He knew you would recognize his message as a form letter. He also knew that you would understand at once what this meant.”

“Well, then, my dear, he overestimated me. I do not understand what it means, unless it means he did not send it himself.”

“Then you’re getting old, and I’m ashamed of you. I shall deny we are married and pretend you are my idiot uncle whom I allow to live with me out of charity. I’ll tell the children they were illegitimate. They’ll be very sad to learn they won’t inherit a bit of the Forska estate.”

He threw a crumb of toast at her. “You are a cruel and disloyal wench, and I regret raising you out of poverty and obscurity. I only did it for pity, you know.”

This was an old tease of theirs. She had commanded a decent fortune in her own right, though of course Leyel’s dwarfed it. And, technically, he was her uncle, since her stepmother was Leyel’s older half sister Zenna. It was all very complicated. Zenna had been born to Leyel’s mother when she was married to someone else—before she married Leyel’s father. So while Zenna was well dowered, she had no part in the Forska fortune. Leyel’s father, amused at the situation, once remarked, “Poor Zenna. Lucky you. My semen flows with gold.” Such are the ironies that come with great fortune. Poor people don’t have to make such terrible distinctions between their children.

Deet’s father, however, assumed that a Forska was a Forska, and so, several years after Deet had married Leyel, he decided that it wasn’t enough for his daughter to be married to uncountable wealth, he ought to do the same favor for himself. He said, of course, that he loved Zenna to distraction, and cared nothing for fortune, but only Zenna believed him. Therefore she married him. Thus Leyel’s half sister became Deet’s stepmother, which made Leyel his wife’s stepuncle—and his own stepuncle-in-law. A dynastic tangle that greatly amused Leyel and Deet.

Leyel of course compensated for Zenna’s lack of inheritance with a lifetime stipend that amounted to ten times her husband’s income each year. It had the happy effect of keeping Deet’s old father in love with Zenna.

Today, though, Leyel was only half teasing Deet. There were times when he needed her to confirm him, to uphold him. As often as not she contradicted him instead. Sometimes this led him to rethink his position and emerge with a better understanding—thesis, antithesis, synthesis, the dialectic of marriage, the result of being espoused to one’s intellectual equal. But sometimes her challenge was painful, unsatisfying, infuriating.

Oblivious to his underlying anger, she went on. “Had assumed that you would take his form letter for what it is—a definite, final no. He isn’t hedging, he’s not engaging in some bureaucratic deviousness, he isn’t playing politics with you. He isn’t stringing you along in hopes of getting more financial support from you—if that were it you know he’d simply ask.”

“I already know what he isn’t doing.”

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