Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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The damnpowercompany brought civil actions against the city of Manhattan, Kansas, and a court injunction insisted that all doghouses be disconnected from all electric wiring systems. The city promptly brought countersuit against the damnpowercompany (a very popular move) and appealed the court injunction.

The damnpowercompany shut off all the power in Manhattan, Kansas.

Nobody in Manhattan, Kansas, noticed, except the branch office of the damnpowercompany, which now found itself the only building in the city without electricity.

The “Doghouse War” got quite a bit of notoriety. Feature articles appeared in magazines about Doghouses Unlimited and its elusive founder, Robert Redford, who refused to be interviewed and in fact could not be found. All five networks did specials on the cheap energy source. Statistics were gathered showing that not only did seven percent of the American public have doghouses, but also that 99.8 percent of the American public wanted to have doghouses. The 0.2 percent represented, presumably, power company stockholders and executives. Most politicians could add, or had aides who could, and the prospect of elections coming up in less than a year made the result clear.

The antisolar power law was repealed.

The power companies’ stock plummeted on the stock market.

The world’s most unnoticed depression began.

With alarming rapidity an economy based on expensive energy fell apart. The OPEC monolith immediately broke up, and within five months petroleum had fallen to 38 cents a barrel. Its only value was in plastics and as a lubricant, and the oil producing nations had been overproducing for those needs.

The reason the depression wasn’t much noticed was because Doghouses Unlimited easily met the demand for their product. Scenting a chance for profit, the government slapped a huge export tax on the doghouses. Doghouses Unlimited retaliated by publishing the complete plans for the doghouse and declaring that foreign companies would not be used for manufacturing it.

The U.S. government just as quickly removed the huge tax, whereupon Doghouses Unlimited announced that the plans it had published were not complete, and continued to corner the market around the world.

As government after government, through subterfuge, bribery, or, in a few cases, popular revolt, were forced to allow Doghouses Unlimited into their countries, Robert Redford (the doghouse one) became even more of a household word than Robert Redford (the old-time actor). Folk legends which had formerly been ascribed to Kuan Yu, Paul Bunyan, or Gautama Buddha became, gradually, attached to Robert Doghouse Redford.

And, at last, every family in the world that wanted one had a cheap energy source, an unlimited energy source, and everybody was happy. So happy that they shared their newfound plenty with all God’s creatures, feeding birds in the winter, leaving bowls of milk for stray cats, and putting dogs in the doghouses.

Mklikluln rested his chin in his hands and reflected on the irony that he had, quite inadvertently, saved the world for the bipedal dominant race, solely as a byproduct of his campaign to get a good home for every dog. But good results are good results, and humanity—either his own or the bipedals—couldn’t condemn him completely for his murder of an Arab political prisoner the year before.

“What will happen when you come?” he asked his people, though of course none of them could hear him. “I’ve saved the world—but when these creatures, bright as they are, come in contact with our infinitely superior intelligence, won’t it destroy them? Won’t they suffer in humiliation to realize that we are so much more powerful than they; that we can span galactic distances at the speed of light, communicate telepathically, separate our minds and allow our bodies to die while we float in space unscathed, and then, at the beck of a simple machine, come instantaneously and inhabit the bodies of animals completely different from our former bodies?”

He worried—but his responsibility to his own people was clear. If this bipedal race was so proud they could not cope with inferiority, that was not Mklikluln’s problem.

He opened the top drawer of his desk in the San Diego headquarters of Doghouses Unlimited, his latest refuge from the interview seekers, and pushed a button on a small box.

From the box, a powerful burst of electromagnetic energy went out to the eighty million doghouses in southern California. Each doghouse relayed the same signal in an unending chain that gradually spread all over the world—wherever doghouses could be found.

When the last doghouse was linked to the network, all the doghouses simultaneously transmitted something else entirely. A signal that only sneered at lightspeed and that crossed light-years almost instantaneously. A signal that called millions of encapsulated minds that slept in their mindfields until they heard the call, woke, and followed the signal back to its source, again at speeds far faster than poor pedestrian light.

They gathered around the larger binary in the third orbit from their new sun, and listened as Mklikluln gave a full report. They were delighted with his work, and commended him highly, before convicting him of murder of an Arabian political prisoner and ordering him to commit suicide. He felt very proud, for the commendation they had given him was rarely awarded, and he smiled as he shot himself.

And then the minds slipped downward toward the doghouses that still called to them.

“Argworfgyardworfl,” said Royce’s dog as it bounded excitedly through the backyard.

“Dog’s gone crazy,” Royce said, but his two sons laughed and ran around with the dog as it looped the yard a dozen times, only to fall exhausted in front of the doghouse.

“Griffwigrofrf,” the dog said again, panting happily. It trotted up to Royce and nuzzled him.

“Cute little bugger,” Royce said.

The dog walked over to a pile of newspapers waiting for a paper drive, pulled the top newspaper off the stack, and began staring at the page.

“I’ll be humdingered,” said Royce to Junie, who was bringing out the food for their backyard picnic supper. “Dog looks like he’s readin’ the paper.”

“Here, Robby!” shouted Royce’s oldest son, Jim. “Here, Robby! Chase a stick.”

The dog, having learned how to read and write from the newspaper, chased the stick, brought it back, and instead of surrendering it to Jim’s outstretched hand, began to write with it in the dirt.

“Hello, man,” wrote the dog. “Perhaps you are surprised to see me writing.”

“Well,” said Royce, looking at what the dog had written. “Here, Junie, will you look at that. This is some dog, eh?” And he patted the dog’s head and sat down to eat. “Now I wonder, is there anybody who’d pay to see a dog do that?”

“We mean no harm to your planet,” wrote the dog.

“Jim,” said Junie, slapping spoonfuls of potato salad onto paper plates, “you make sure that dog doesn’t start scratching around in the petunias.”

“C’mere, Robby,” said Jim. “Time to tie you up.”

“Wrowrf,” the dog answered, looking a bit perturbed and backing away from the chain.

“Daddy,” said Jim, “the dog won’t come when I call anymore.”

Impatiently, Royce got up from his chair, his mouth full of chicken salad sandwich. “Doggonit, Jim, if you don’t control the dog we’ll just have to get rid of it. We only got it for you kids anyway!” And Royce grabbed the dog by the collar and dragged it to where Jimmy held the other end of the chain.

Clip.

“Now you learn to obey, dog, cause if you don’t I don’t care what tricks you can do, I’ll sell ya.”

“Owrf.”

“Right. Now you remember that.”

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