Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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Once again what?

No matter how far we search, Mklikluln reminded himself, we have no hope of finding those graceful, symmetrical, hexagonally delicate bodies we left behind to burn.

Of course, Mklikluln still had his, but only for a while.

Thirteen true planetary bodies, two of which co-orbited as binaries in the third position. Ignoring the gas giants and the crusty pebbles outside the habitable range, Mklikluln got increasingly more complex readouts on the binary and the single in the fourth orbit, a red midget.

The red was dead, the smaller binary even worse, but the blue-green larger binary was ideal. Not because it matched the conditions on Mklikluln’s home world—that would be impossible. But because it had life. And not only life—intelligent life.

Or at least fairly bright life. Energy output in the sub- and supravisible spectra exceeded reflection from the star (No, I must try to think of it as the sun) by a significant degree. Energy clearly came from a breakdown of carbon compounds, just what current theory (current? ninety-seven-year-old) had assumed would be the logical energy base of a developing world in this temperature range. The professors would be most gratified.

And after several months of maneuvering his craft, he was in stationary orbit around the larger binary. He began monitoring communications on the supravisible wavelengths. He learned the language quickly, though of course he couldn’t have produced it with his own body, and sighed a little when he realized that the aliens, like his own people, called their little star “the sun,” their minor binary “the moon,” and their own humble, overhot planet “earth” (terra, mund, etc.). The array of languages was impressive—to think that people would go to all the trouble of thinking out hundreds of completely different ways of communicating for the sheer love of the logical exercise was amazing—what minds they must have!

For a moment he fleetingly thought of taking over for his people’s use the bipedal bodies of the dominant intelligent race; but law was law, and his people would commit mass suicide if they realized—as they would surely realize—that they had gained their bodies at the expense of another intelligent race. One could think of such bipedals as being almost human, right down to the whimsical sense of humor that so reminded Mklikluln of his wife (Ah, Glundnindn, and you the pilot who volunteered to plunge into the sun, scooping out the sample that killed you, but saved us!); but he refused to mourn.

The dominant race was out. Similar bipedals were too small in population, too feared or misunderstood by the dominant race. Other animals with appropriate populations didn’t have body functions that could easily support intelligence without major revisions—and many were too weak to survive unaided, too short of lifespan to allow civilization.

And so he narrowed down the choices to two quadrupeds, of very different sorts, of course, but well within the limits of choice: both had full access to the domiciles of the dominant race; both had adequate body structure to support intellect; both had potential means of communicating; both had sufficient population to hold all the encapsulated minds waiting in the space between the stars.

Mklikluln did the mental equivalent of flipping a coin—would have flipped a coin, in fact, except that he had neither hand nor coin nor adequate gravity for flipping.

The choice made—for the noisy one of greater intelligence that already had the love of most members of the master race—he set about making plans on how to introduce the transceivers that would call his people. (The dominant race must not know what is happening; and it can’t be done without the cooperation of the dominant race.)

Mklikluln’s six points vibrated just a little as he thought.

Abu was underpaid, underfed, underweight, and within about twelve minutes of the end of his lifespan. He was concentrating on the first problem, however, as the fourth developed.

“Why am I being paid less than Faisel, who sits on his duff by the gate while I walk back and forth in front of the cells all day?” he righteously said—under his breath, of course, in case his supervisor should overhear him. “Am I not as good a Muslim? Am I not as smart? Am I not as loyal to the Party?”

And as he was immersed in righteous indignation at man’s inhumanity, not so much to mankind as to Abu ibn Assur, a great roaring sound tore through the desert prison, followed by a terrible, hot, dry, sand-stabbing wind. Abu screamed and covered his eyes—too late, however, and the sand ripped them open, and the hot air dried them out.

That was why he didn’t see the hole in the outside wall of cell 23, which held a political prisoner condemned to die the next morning for having murdered his wife—normally not a political crime, except when the wife was also the daughter of somebody who could make phone calls and get people put in prison.

That was why he didn’t see his supervisor come in, discover cell 23 empty, and then aim his submachine gun at Abu as the first step to setting up the hapless guard as the official scapegoat for this fiasco. Abu did, however, hear and feel the discharge of the gun, and wondered vaguely what had happened as he died.

Mklikluln stretched the new arms and legs (the fourness of the body, the two-sidedness, the overwhelming sexuality of it—all were amazing, all were delightful) and walked around his little spacecraft. And the fiveness and tenness of the fingers and toes! (What we could have done with fingers and toes! except that we might not have developed thoughttalk, then, and would have been tied to the vibration of air as are these people.) Inside the ship he could see his own body melting as the hot air of the Kansas farmland raised the temperature above the melting point of ice.

He had broken the law himself, but could see no way around it. Necessary as his act had been, and careful as he had been to steal the body of a man doomed anyway to die, he knew that his own people would try him, convict him, and execute him for depriving an intelligent being of life.

But in the meantime, it was a new body and a whole range of sensations. He moved the tongue over the teeth. He made the buzzing in his throat that was used for communication. He tried to speak.

It was impossible. Or so it seemed, as the tongue and lips and jaw tried to make the Arabic sounds the reflex pathways were accustomed to, while Mklikluln tried to speak in the language that had dominated the airwaves.

He kept practicing as he carefully melted down his ship (though it was transparent to most electromagnetic spectra, it might still cause comment if found) and by the time he made his way into the nearby city, he was able to communicate fairly well. Well enough, anyway, to contract with the Kansas City Development Corporation for the manufacture of the machine he had devised; with Farber, Farber, and Maynard to secure patents on every detail of the machinery; and with Sidney’s carpentry shop to manufacture the doghouses.

He sold enough diamonds to pay for the first 2,000 finished models. And then he hit the road, humming the language he had learned from the radio. “It’s the real thing, Coke is,” he sang to himself. “Mr. Transmission will put in commission the worst transmissions in town.”

The sun set as he checked into a motel outside Manhattan, Kansas. “How many?” asked the clerk.

“One,” said Mklikluln.

“Name?”

“Robert,” he said, using a name he had randomly chosen from among the many thousands mentioned on the airwaves. “Robert Redford.”

“Ha-ha,” said the clerk. “I bet you get teased about that a lot.”

“Yeah. But I get in to see a lot of important people.”

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