Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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“Why,” I asked, “do you keep mentioning your blood relationship to these inventors? Surely after eight hundred years here everybody’s related?”

I thought I was asking a simple question. But G.W. Steiner looked at me coldly and turned away, leading us to the next room.

We found bacteria that processed other bacteria that processed still other bacteria that turned human excrement into very tasty, nutritious food. We took their word for the tasty. I know, we were still eating recycled us through the tubes in our suit. But at least we knew where ours had been.

They had bacteria that without benefit of sunlight processed carbon dioxide and water back into oxygen and starch. So much for photosynthesis.

And we got a list of what shelf after shelf of weapons could do to an unprepared human body. If somebody ever broke all those jars on Nuncamais or Pennsylvania or Kiev, everybody would simply disappear, completely devoured and incorporated into the life-systems of bacteria and viruses and trained amino-acid sets.

No sooner did I think of that, than I said it. Only I didn’t get any farther than the word Kiev.

“Kiev? One of the colonies is named Kiev?”

I shrugged. “There are only three planets colonized. Kiev, Pennsylvania, and Nuncamais.”

“Russian ancestry?”

Oops, I thought. Oops is an all-purpose word standing for every bit of profanity, blasphemy, and pornographic and scatological exculpation I could think of.

The guided tour ended right then.

Back in our bedroom, we became aware that we had somehow dissolved our hospitality. After a while, Harold realized that it was my fault.

“Captain, by damn, if you hadn’t told them about Kiev we wouldn’t be locked in here like this!”

I agreed, hoping to pacify him, but he didn’t calm down until I used the discipliner button in my monkeysuit.

Then we consulted the computers.

Mine reported that in all we had been told, two areas had been completely left out: While it was obvious that in the past the little people had done extensive work on human DNA, there had been no hint of any work going on in that field today. And though we had been told of all kinds of weapons that had been flung among the Russians on the other side of the world, there had been no hint of any kind of limited effect antipersonnel weapon here.

“Oh,” Harold said. “There’s nothing to stop us from walking out of here anytime we can knock the door down. And I can knock the door down anytime I want to,” he said, playing with the buttons on his monkeysuit. I urged him to wait until all the reports were done.

Amauri informed us that he had gleaned enough information from their talk and his monkeyeyes that we could go home with the entire science of DNA recombination hidden away in our computer.

And then Vladimir’s suit played out a holomap of Post 004.

The bright green, infinitesimally thin lines marked walls, doors, passages. We immediately recognized the corridors we had walked in throughout the morning, located the laboratories, found where we were imprisoned. And then we noticed a rather larger area in the middle of the holomap that seemed empty.

“Did you see a room like that?” I asked. The others shook their heads. Vladimir asked the holomap if we had been in it. The suit answered in its whispery monkeyvoice: “No. I have only delineated the unpenetrated perimeter and noted apertures that perhaps give entry.”

“So they didn’t let us in there,” Harold said. “I knew the bastards were hiding something.”

“And let’s make a guess,” I said. “That room either has something to do with antipersonnel weapons, or it has something to do with human DNA research.”

We sat and pondered the revelations we had just had, and realized they didn’t add up to much. Finally Vladimir spoke up. Trust a half-bunny to come up with the idea where three browns couldn’t. Just goes to show you that a racial theory is a bunch of waggy-woggle.

“Antipersonnel hell,” Vladimir said. “They don’t need antipersonnel. All they have to do is open a little hole in our suits and let the germs come through.”

“Our suits close immediately,” Amauri said, but then corrected himself. “I guess it doesn’t take long for a virus to get through, does it?”

Harold didn’t get it. “Let one of those bunnies try to lay a knife on me, and I’ll split him from ass to armpit.”

We ignored him.

“What makes you think there are germs in here? Our suits don’t measure that,” I pointed out.

Vladimir had already thought of that. “Remember what they said. About the Russians getting those little amino-acid monsters in here.”

Amauri snorted. “Russians.”

“Yeah, right,” Vladimir said, “but keep the voice down, viado.”

Amauri turned red, started to say, “Quern e que ce chama de viado!”—but I pushed the discipliner button. No time for any of that crap.

“Watch your language, Vladimir. We got enough problems.”

“Sorry, Amauri, Captain,” Vladimir said. “I’m a little wispy, you know?”

“So’s everybody.”

Vladimir took a breath and went on. “Once those bugs got in here, 004 must have been pretty thoroughly permeable. The, uh, Russians must’ve kept pumping more variations on the same into Post 004.”

“So why aren’t they all dead?”

“What I think is that a lot of these people have been killed—but the survivors are ones whose bodies took readily to those plugs they came up with. The plugs are regular parts of their body chemistry now. They’d have to be, wouldn’t they? They told us they were passed on in the DNA transmitted to the next generation.”

I got it. So did Amauri, who said, “So they’ve had seven or eight centuries to select for adaptability.”

“Why not?” Vladimir asked. “Didn’t you notice? Eleven researchers on developing new weapons. And only two on developing new defenses. They can’t be too worried.”

Amauri shook his head. “Oh, Mother Earth. Whatever got into you?”

“Just caught a cold,” Vladimir said, and then laughed. “A virus. Called humanity.”

We sat around looking at the holomap for a while. I found four different routes from where we were to the secret area—if we wanted to get there. I also found three routes to the exit. I pointed them out to the others.

“Yeah,” Harold said. “Trouble is, who knows if those doors really lead into that unknown area? I mean, what the hell, three of the four doors might lead to the broom closets or service stations.”

A good point.

We just sat there, wondering whether we should head for the Pollywog or try to find out what was in the hidden area, when the Russian attack made up our minds for us. There was a tremendous bang. The floor shook, as if some immense dog had just picked up Post 004 and given it a good shaking. When it stopped the lights flickered and went out.

“Golden opportunity,” I said into the monkeymouth. The others agreed. So we flashed on the lights from our suits and pointed them at the door. Harold suddenly felt very important. He went to the door and ran his magic flipper finger all the way around the door. Then he stepped back and flicked a lever on his suit.

“Better turn your backs,” he said. “This can flash pretty bright.”

Even looking at the back wall the explosion blinded me for a few seconds. The world looked a little green when I turned around. The door was in shreds on the floor, and the doorjamb didn’t look too healthy.

“Nice job, Harold,” I said.

“Gracas a deus,” he answered, and I had to laugh. Odd how little religious phrases refused to die, even with an irreverent filho de punta like Harold.

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