Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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And then they broke into a few choice hymns about purple mountains and yellow waves with a rousing chorus of God blessing America. It all ended with a mighty shout: “Better dead than red.” When it was over we asked them if we could sleep, since according to our ship’s time it was well past bedding-down hour.

They put us in a rather small room with three cots in it that were far too short for us. Didn’t matter. We couldn’t possibly be comfortable in our monkeysuits anyway.

Harold wanted to talk in lingua deporto as soon as we were alone, but I managed to convince him without even using my monkeysuit’s discipliner button that we didn’t want them to think we were trying to keep any secrets. We all took it for granted that they were monitoring us.

And so our conversation was the sort of conversation that one doesn’t mind having overheard by a bunch of crazy patriots.

Amauri: “I am amazed at their great love for America, persisting so many centuries.” Translation: “What the hell got these guys so nuts about something as dead as the ancient U.S. empire?”

Me: “Perhaps it is due to such unwavering loyalty to the flag, God, country, and liberty” (I admit I was laying it on thick, but better to be safe, etc.) “that they have been able to survive so long.” Translation: “Maybe being crazy fanatics is all that’s kept them alive in this hole.”

Harold: “I wonder how long we can stay in this bastion of democracy before we must reluctantly go back to our colony of the glorious American dream.” Translation: “What are the odds they don’t let us go? After all, they’re so loony they might think we’re spies or something.”

Vladimir: “I only hope we can learn from them. Their science is infinitely beyond anything we have hitherto developed with our poor resources.” Translation: “We’re not going anywhere until I have a chance to do my job and check out the local flora and fauna. Eight hundred years of recombining DNA has got to have something we can take back home to Nuncamais.”

And so the conversation went until we were sick of the flowers and perfume that kept dropping out of our mouths. Then we went to sleep.

The next day was guided tour day, Russian attack day, and damn near good-bye to the crew of the good ship Pollywog.

The guided tour kept us up hill and down dale for most of the morning. Vladimir was running the tracking computer from his monkeysuit. Mine was too busy analyzing the implications of all their comments while Amauri was absorbing the science and Harold was trying to figure out how to pick his nose with mittens on. Harold was along for the ride—a weapons expert, just in case. Thank God.

We began to be able to tell one little person from another. George Washington Steiner was our usual guide. The big boss, who had talked to us through most of the history lesson the day before, was Andrew Jackson Wallichinsky. And the guy who led the singing was Richard Nixon Dixon. The computer told us those were names of beloved American presidents, with surnames added.

And my monkeysuit’s analysis also told us that the music leader was the real big boss, while Andy Jack Wallichinsky was merely the director of scientific research. Seems that the politicians ran the brains, instead of vice versa.

Our guide, G.W. Steiner, was very proud of his assignment. He showed us everything. I mean, even with the monkeysuit keeping three-fourths of the gravity away from me, my feet were sore by lunchtime (a quick sip of recycled xixi and coco). And it was impressive. Again, I give it unto you in abbreviated form:

Even though the installation was technically airtight, in fact the enemy viruses and bacteria could get in quite readily. It seems that early in the twenty-first century the Russians had stopped making any kind of radio broadcasts. (I know, that sounds like a non sequitur. Patience, patience.) At first the Americans in 004 had thought they had won. And then, suddenly, a new onslaught of another disease. At this time the 004 researchers had never been personally hit by any diseases—the airtight system was working fine. But their commander at that time, Rodney Fletcher, had been very suspicious.

“He thought it was a commie trick,” said George Washington Steiner. I began to see the roots of superpatriotism in O04’s history.

So Rodney Fletcher set the scientists to working on strengthening the base personnel’s antibody system. They plugged away at it for two weeks and came up with three new strains of bacteria that selectively devoured practically anything that wasn’t supposed to be in the human body. Just in time, too, because then that new disease hit. It wasn’t stopped by the airtight system, because instead of being a virus, it was just two little amino acids and a molecule of lactose, put together just so. It fit right through the filters. It sailed right through the antibiotics. It entered right into the lungs of every man, woman, and child in 004. And if Rodney Fletcher hadn’t been a paranoid, they all would have died. As it was, only about half lived.

Those two amino acids and the lactose molecule had the ability to fit right into that spot on a human DNA and then make the DNA replicate that way. Just one little change—and pretty soon nerves just stopped working.

Those two amino acids and the lactose molecule system worked just well enough to slow down the disease’s progress until a plug could be found that fit even better into that spot on the DNA, keeping the Russians’ little devices out. (Can they be called viruses? Can they be called alive? I’ll leave it to the godcallers and the philosophers to decide that.)

Trouble was, the plugs also caused all the soldiers’ babies to grow up to be very short with a propensity for having their teeth fall out and their eyes go blind at the age of thirty. G.W. Steiner was very proud of the fact that they had managed to correct for the eyes after four generations. He smiled and for the first time we really noticed that his teeth weren’t like ours.

“We make them out of certain bacteria that gets very hard when a particular virus is exposed to it. My own great-great-grandmother invented it,” Steiner said. “We’re always coming up with new and useful tools.”

I asked to see how they did this trick, which brings us full circle to what we saw on the guided tour that day. We saw the laboratories where eleven researchers were playing clever little games with DNA. I didn’t understand any of it, but my monkeysuit assured me that the computer was getting it all.

We also saw the weapons delivery system. It was very clever. It consisted of setting a culture dish full of a particular nasty weapon in a little box, closing the door to the box, and then pressing a button that opened another door to the box that led outside.

“We let the wind take it from there,” said Steiner. “We figure it takes about a year for a new weapon to reach Russia. But by then it’s grown to a point that it’s irresistible.”

I asked him what the bacteria lived on. He laughed. “Anything,” he said. It turns out that their basic breeding stock is a bacterium that can photosynthesize and dissolve any form of iron, both at the same time. “Whatever else we change about a particular weapon, we don’t change that,” Steiner said. “Our weapons can travel anywhere without hosts. Quarantines don’t do any good.”

Harold had an idea. I was proud of him. “If these little germs can dissolve steel, George, why the hell aren’t they in here dissolving this whole installation?”

Steiner looked like he had just been hoping we’d ask that question.

“When we developed our basic breeder stock, we also developed a mold that inhibits the bacteria from reproducing and eating. The mold only grows on metal and the spores die if they’re away from both mold and metal for more than one-seventy-seventh of a second. That means that the mold grows all the way around this installation—and nowhere else. My fourteenth great-uncle William Westmoreland Hannamaker developed the mold.”

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