Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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“Are you actually telling me you won’t let me join your Foundation because I never attended one of those pathetic universities? My self-education is worth ten times their lockstep force-fed pseudolearning.”

“Don’t make your antiuniversity speech to me, Leyel. I’m saying that one of my most important concerns in staffing the Foundation is compatibility. I won’t bring anyone to Terminus unless I believe he—or she —would be happy there.”

The emphasis Hari put on the word she suddenly made everything clearer. “This isn’t about me at all, is it?” Leyel said. “It’s about Deet.”

Hari said nothing.

“You know she doesn’t want to go. You know she prefers to remain on Trantor. And that’s why you aren’t taking me! Is that it?”

Reluctantly, Hari conceded the point. “It does have something to do with Deet, yes.”

“Don’t you know how much the Foundation means to me?” demanded Leyel. “Don’t you know how much I’d give up to be part of your work?”

Hari sat there in silence for a moment. Then he murmured, “Even Deet?”

Leyel almost blurted out an answer. Yes, of course, even Deet, anything for this great work.

But Hari’s measured gaze stopped him. One thing Leyel had known since they first met at a conference back in their youth was that Hari would not stand for another man’s self-deception. They had sat next to each other at a presentation by a demographer who had a considerable reputation at the time. Leyel watched as Hari destroyed the poor man’s thesis with a few well-aimed questions. The demographer was furious. Obviously he had not seen the flaws in his own argument—but now that they had been shown to him, he refused to admit that they were flaws at all.

Afterward, Hari had said to Leyel, “I’ve done him a favor.”

“How, by giving him someone to hate?” said Leyel.

“No. Before, he believed his own unwarranted conclusions. He had deceived himself. Now he doesn’t believe them.”

“But he still propounds them.”

“So—now he’s more of a liar and less of a fool. I have improved his private integrity. His public morality I leave up to him.”

Leyel remembered this and knew that if he told Hari he could give up Deet for any reason, even to join the Foundation, it would be worse than a lie. It would be foolishness.

“It’s a terrible thing you’ve done,” said Leyel. “You know that Deet is part of myself. I can’t give her up to join your Foundation. But now for the rest of our lives together I’ll know that I could have gone, if not for her. You’ve given me wormwood and gall to drink, Hari.”

Hari nodded slowly. “I hoped that when you read my note you’d realize I didn’t want to tell you more. I hoped you wouldn’t come to me and ask. I can’t lie to you, Leyel. I wouldn’t if I could. But I did withhold information, as much as possible. To spare us both problems.”

“It didn’t work.”

“It isn’t Deet’s fault, Leyel. It’s who she is. She belongs on Trantor, not on Terminus. And you belong with her. It’s a fact, not a decision. We’ll never discuss this again.”

“No,” said Leyel.

They sat there for a long minute, gazing steadily at each other. Leyel wondered if he and Hari would ever speak again. No. Never again. I don’t ever want to see you again, Hari Seldon. You’ve made me regret the one unregrettable decision of my life—Deet. You’ve made me wish, somewhere in my heart, that I’d never married her. Which is like making me wish I’d never been born.

Leyel got up from his chair and left the room without a word. When he got outside, he turned to the reception room in general, where several people were waiting to see Seldon. “Which of you are mine?” he asked.

Two women and one man stood up immediately.

“Fetch me a secure car and a driver.”

Without a glance at each other, one of them left on the errand. The others fell in step beside Leyel. Subtlety and discretion were over for the moment. Leyel had no wish to mingle with the people of Trantor now. He only wanted to go home.

Hari Seldon left his office by the back way and soon found his way to Chandrakar Matt’s cubicle in the Department of Library Relations. Chanda looked up and waved, then effortlessly slid her chair back until it was in the exact position required. Hari picked up a chair from the neighboring cubicle and, again without showing any particular care, set it exactly where it had to be.

Immediately the computer installed inside Chanda’s lector recognized the configuration. It recorded Hari’s costume of the day from three angles and superimposed the information on a long-stored holoimage of Chanda and Hari conversing pleasantly. Then, once Hari was seated, it began displaying the hologram. The hologram exactly matched the positions of the real Hari and Chanda, so that infrared sensors would show no discrepancy between image and fact. The only thing different was the faces—the movement of lips, blinking of eyes, the expressions. Instead of matching the words Hari and Chanda were actually saying, they matched the words being pushed into the air outside the cubicle—a harmless, randomly chosen series of remarks that took into account recent events so that no one would suspect that it was a canned conversation.

It was one of Hari’s few opportunities for candid conversation that the Pubs would not overhear, and he and Chanda protected it carefully. They never spoke long enough or often enough that the Pubs would wonder at their devotion to such empty conversations. Much of their communication was subliminal—a sentence would stand for a paragraph, a word for a sentence, a gesture for a word. But when the conversation was done, Chanda knew where to go from there, what to do next; and Hari was reassured that his most important work was going on behind the smokescreen of the Foundation.

“For a moment I thought he might actually leave her.”

“Don’t underestimate the lure of the Encyclopedia.”

“I fear I’ve wrought too well, Chanda. Do you think someday the Encyclopedia Galactica might actually exist?”

“It’s a good idea. Good people are inspired by it. It wouldn’t serve its purpose if they weren’t. What should I tell Deet?”

“Nothing, Chanda. The fact that Leyel is staying, that’s enough for her.”

“If he changes his mind, will you actually let him go to Terminus?”

“If he changes his mind, then he must go, because if he would leave Deet, he’s not the man for us.”

“Why not just tell him? Invite him?”

“He must become part of the Second Foundation without realizing it. He must do it by natural inclination, not by a summons from me, and above all not by his own ambition.”

“Your standards are so high, Hari, it’s no wonder so few measure up. Most people in the Second Foundation don’t even know that’s what it is. They think they’re librarians. Bureaucrats. They think Deet is an anthropologist who works among them in order to study them.”

“Not so. They once thought that, but now they think of Deet as one of them. As one of the best of them. She’s defining what it means to be a librarian. She’s making them proud of the name.”

“Aren’t you ever troubled, Hari, by the fact that in the practice of your art—”

“My science.”

“Your meddlesome magical craft, you old wizard, you don’t fool me with all your talk of science. I’ve seen the scripts of the holographs you’re preparing for the vault on Terminus.”

“That’s all a pose.”

“I can just imagine you saying those words. Looking perfectly satisfied with yourself. ‘If you care to smoke, I wouldn’t mind… Pause for chuckle… Why should I? I’m not really here.’ Pure showmanship.”

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