Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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If he just dropped it, everything would have been fine, you know? I was mad, yes, but I’d gotten okay at bottling it in, just kind of holding it tight and then waiting for it to ooze away where it wouldn’t hurt nobody. But just as I turned to head back toward a seat, he lurched that bus forward so hard that it flung me down and I only caught myself from hitting the floor by catching the handhold on a seatback and half-smashing the poor lady sitting there.

Some other people said, “Hey!” kind of mad, and I realize now that they was saying it to the driver, cause they was on my side. But at the time I thought they was mad at me, and that plus the scare of nearly falling and how mad I already was, well, I lost control of myself. I could just feel it in me, like sparklers in my blood veins, spinning around my whole body and then throwing off this pulse that went and hit that bus driver. He was behind me, so I didn’t see it with my eyes. But I could feel that sparkiness connect up with him, and twist him around inside, and then finally it came loose from me, I didn’t feel it no more. I wasn’t mad no more. But I knew I’d done him already.

I even knew where. It was in his liver. I was a real expert on cancer by now. Hadn’t I seen everybody I ever knew die of it? Hadn’t I read every book in the Eden Public Library on cancer? You can live without kidneys, you can cut out a lung, you can take out a colon and live with a bag in your pants, but you can’t live without a liver and they can’t transplant it either. That man was dead. Two years at the most, I gave him. Two years, all because he was in a bad mood and lurched his bus to trip up a smartmouth kid.

I felt like piss on a flat rock. On that day I had gone nearly eight months, since before Christmas, the whole year so far without hurting anybody. It was the best I’d ever done, and I thought I’d licked it. I stepped across the lady I smashed into and sat by the window, looking out, not seeing anything. All I could think was I’m sorry I’m sorry I’m sorry. Did he have a wife and kids? Well, they’d be a widow and orphans soon enough, because of me. I could feel him from clear over here. The sparkiness of his belly, making the cancer grow and keeping his body’s own natural fire from burning it out. I wanted with all my heart to take it back, but I couldn’t. And like so many times before, I thought to myself that if I had any guts I’d kill myself. I couldn’t figure why I hadn’t died of my own cancer already. I sure enough hated myself a lot worse than I ever hated anybody else.

The lady beside me starts to talk. “People like that are so annoying, aren’t they?”

I didn’t want to talk to anybody, so I just grunted and turned away.

“That was very kind of you to help me,” she says.

That’s when I realized she was the same lady who didn’t have the right fare. “Nothing,” I says.

“No, you didn’t have to do that.” She touched my jeans.

I turned to look at her. She was older, about twenty-five maybe, and her face looked kind of sweet. She was dressed nice enough that I could tell it wasn’t cause she was poor that she didn’t have bus fare. She also didn’t take her hand off my knee, which made me nervous, because the bad thing I do is a lot stronger when I’m actually touching a person, and so I mostly don’t touch folks and I don’t feel safe when they touch me. The fastest I ever killed a man was when he felt me up in a bathroom at a rest stop on I-85. He was coughing blood when I left that place, I really tore him up that time, I still have nightmares about him gasping for breath there with his hand on me.

So anyway that’s why I felt real nervous her touching me there on the bus, even though there was no harm in it. Or anyway that’s half why I was nervous, and the other half was that her hand was real light on my leg and out of the corner of my eye I could see how her chest moved when she breathed, and after all I’m seventeen and normal most ways. So when I wished she’d move her hand, I only half wished she’d move it back to her own lap.

That was up till she smiles at me and says, “Mick, I want to help you.”

It took me a second to realize she spoke my name. I didn’t know many people in Roanoke, and she sure wasn’t one of them. Maybe she was one of Mr. Kaiser’s customers, I thought. But they hardly ever knew my name. I kind of thought, for a second, that maybe she had seen me working in the warehouse and asked Mr. Kaiser all about me or something. So I says, “Are you one of Mr. Kaiser’s customers?”

“Mick Winger,” she says. “You got your first name from a note pinned to your blanket when you were left at the door of the sewage plant in Eden. You chose your last name when you ran away from the Eden Baptist Children’s Home, and you probably chose it because the first movie you ever saw was An Officer and a Gentleman. You were fifteen then, and now you’re seventeen, and you’ve killed more people in your life than Al Capone.”

I got nervous when she knew my whole name and how I got it, cause the only way she could know that stuff was if she’d been following me for years. But when she let on she knew I killed people, I forgot all about feeling mad or guilty or horny. I pulled the cord on the bus, practically crawled over her to get out, and in about three seconds I was off that bus and hit the ground running. I’d been afraid of it for years, somebody finding out about me. But it was all the more scary seeing how she must have known about me for so long. It made me feel like somebody’d been peeking in the bathroom window all my life and I only just now found out about it.

I ran for a long time, which isn’t easy because of all the hills in Roanoke. I ran mostly downhill, though, into town, where I could dodge into buildings and out their back doors. I didn’t know if she was following me, but she’d been following me for a long time, or someone had, and I never even guessed it, so how did I know if they was following me now or not?

And while I ran, I tried to figure where I could go now. I had to leave town, that was sure. I couldn’t go back to the warehouse, not even to say good-bye, and that made me feel real bad, cause Mr. Kaiser would think I just ran off for no reason, like some kid who didn’t care nothing about people counting on him. He might even worry about me, never coming to pick up my spare clothes from the room he let me sleep in.

Thinking about what Mr. Kaiser might think about me going was pretty strange. Leaving Roanoke wasn’t going to be like leaving the orphanage, and then leaving Eden, and finally leaving North Carolina. I never had much to let go of in those places. But Mr. Kaiser had always been real straight with me, a nice steady old guy, never bossed me, never tried to take me down, even stuck up for me in a quiet kind of way by letting it be known that he didn’t want nobody teasing me. Hired me a year and a half ago, even though I was lying about being sixteen and he must’ve known it. And in all that time, I never once got mad at work, or at least not so mad I couldn’t stop myself from hurting people. I worked hard, built up muscles I never thought I’d have, and I also must’ve grown five inches, my pants kept getting so short. I sweated and I ached most days after work, but I earned my pay and kept up with the older guys, and Mr. Kaiser never once made me feel like he took me on for charity, the way the orphanage people always did, like I should thank them for not letting me starve. Kaiser’s Furniture Warehouse was the first peaceful place I ever spent time, the first place where nobody died who was my fault.

I knew all that before, but right till I started running I never realized how bad I’d feel about leaving Roanoke. Like somebody dying. It got so bad that for a while I couldn’t hardly see which way I was going, not that I out-and-out cried or nothing.

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