Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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Then one day the TV cameras came, and the movie cameras, and set up on the lawn and in the street outside.

“What the hell are you doing?” demanded Billy’s mother.

“Bucky Fay’s coming to meet the crippled healer,” said the movie man. “We want to have this for Bucky Fay’s show.”

“If you try to bring one little camera inside our house I’ll have the police on you.”

“The public’s got a right to know,” said the man, pointing the camera at her. .

“The public’s got a right to kiss my ass,” said Mother, and she went back into the house and told everybody to go away and come back tomorrow, they were locking up the house for the day.

Mother and Billy watched through the lacy curtains while Bucky Fay got out of his limousine and waved at the cameras and the people crowded around in the street.

“Don’t let him in, Mother,” said Billy.

Bucky Fay knocked on the door.

“Don’t answer,” said Billy.

Bucky Fay knocked and knocked. Then he gestured to the cameramen and they all went back to their vans and all of Bucky Fay’s helpers went back to their cars and the police held the crowd far away, and Bucky Fay started talking.

“Billy,” said Bucky Fay, “I don’t aim to hurt you. You’re a true healer, I just want to shake your hand.”

“Don’t let him touch me again,” said Billy. Mother shook her head.

“If you let me help you, you can heal hundreds and hundreds more people, all around the world, and bring millions of TV viewers to Jesus.”

“The boy don’t want you,” Mother said.

“Why are you afraid of me? I didn’t give you your gift, God did.”

“Go away!” Billy shouted.

There was silence for a moment outside the door. Then Bucky Fay’s voice came again, softer, and it sounded like he was holding back a sob. “Billy, why do you think I come to you? I am the worst son-of-a-bitch I know, and I come for you to heal me.”

That was not a thing that Billy had ever thought to hear from Bucky Fay.

Bucky Fay was talking soft now, so it was sometimes hard to understand him. “In the name of Jesus, boy, do you think I woke up one morning and said to myself, ‘Bucky Fay, go out and be a healer and you’ll get rich’? Think I said that? No sir. I had a gift once. Like yours, I had a gift. I found it one day when I was swimming at the water hole with my big brother Jeddy. Jeddy, he was a show-off, he was always tempting Death to come for him, and that day he dove right down from the highest branch and plunked his head smack in the softest, stickiest mud on the bottom of Pachuckamunkey River. Took fifteen minutes just to get his head loose. They brought him to shore and he was dead, his face all covered with mud. And I screamed and cried out loud, ‘God, you ain’t got no right!’ and then I touched my brother, and smacked him on the head, I said, ‘God damn you, Jeddy, you pin-headed jackass, you ain’t dead, get up and walk!’ And that was when I discovered I had the gift. Because Jeddy reached up and wiped the mud off his eyes and rolled over and puked the black Pachukey water all over grass there. Thank you Jesus,’ I said. In those days I could lay hands on mules with bent legs and they’d go straight. A baby with measles, and his spots would go. I had a good heart then. I healed colored people, and in those days even the doctors wouldn’t go so far as that. But then they offered me money, and I took it, and they asked me to preach even though I didn’t know a damn thing, and so I preached, and pretty soon I found myself in a jet airplane that I owned flying over an airstrip that I owned heading for a TV station that I owned and I said to myself, Bucky Fay, you haven’t healed a soul in twenty years. A few folks have gotten better because of their own faith, but you lost the gift. You threw it away for the sake of money.” On the other side of the door Bucky Fay wailed in anguish. “Oh, God in heaven, let me in this door or I will die!”

Billy nodded, tears in his eyes, and Mother opened the door. Bucky Fay was on his knees leaning against the door so he nearly fell into the room. He didn’t even stand up to walk over to Billy, just crawled most of the way and then said, “Billy, the light of God is in your eyes. Heal me of my affliction! My disease is love of money! My disease is forgetting the Lord God of heaven! Heal me and let me have my gift back again, and I will never stray, not ever so long as I live!”

Billy reached out his hand. Slow and trembling, Bucky Fay gently took that hand and kissed it, and touched it to the tears hot and wet on his cheeks. “You have given me,” he said, “you have given me this day a gift that I never thought to have again. I am whole!” He got up, kissed Billy on both cheeks, then stepped back. “Oh, my child, I will pray for you. With all my heart I will pray that God will remove your paralysis from your legs. For I believe he gave you your paralysis to teach you compassion for the cripple, just as he gave me temptation to teach me compassion for the sinner. God bless you, Billy, Hallelujah!”

“Hallelujah,” said Billy softly. He was crying too—couldn’t help it, he felt so good. He had longed for vengeance, and instead he had forgiven, and he felt holy.

That is, until he realized that the TV cameras had come in right behind Bucky Fay, and were taking a close-up of Billy’s tear-stained face, of Mother wringing her hands and weeping. Bucky Fay walked out the door, his clenched fist high above his head, and the crowd outside greeted him with a cheer. “Hallelujah!” shouted Bucky. “Jesus has made me whole!”

It played real well on the religious station. Bucky Fay’s repentance—oh, how the crowds in the studio audience gasped at his confession. How the people wept at the moment when Billy reached out his hand. It was a fine show. And at the end, Bucky Fay wept again. “Oh, my friends who have trusted me, you have seen the mighty change in my heart. From now on I will wear the one suit that you see me wearing now. I have forsaken my diamond cuff links and my Lear jet and my golf course in Louisiana. I am so ashamed of what I was before God healed me with the hands of that little crippled boy. I tell all of you—send me no more money! Don’t send me a single dime to post office box eight three nine, Christian City, Louisiana 70539. I am not fit to have your money. Contribute your tithes and offerings to worthier men than I. Send me nothingl —”

Then he knelt and bowed his head for a moment, and then looked up again, out into the audience, into the cameras, tears flowing down his face. “Unless. Unless you forgive me. Unless you believe that Jesus has changed me before your very eyes.”

Mother switched off the TV savagely.

“After seeing all those other people get better,” Billy whispered. “I thought he might’ve gotten better, too.”

Mother shook her head and looked away. “What he got isn’t a disease.” Then she bent over the wheelchair and hugged him. “I feel so bad, Billy!”

“I don’t feel bad,” Billy said. “Jesus cured the blind people and the deaf people and the crippled people and the lepers. But as far as I remember, the Bible don’t say he ever cured even one son-of-a-bitch.”

She was still hugging him, which he didn’t mind even though he near smothered in her bosom. Now she chuckled. It was all right, if Mother chuckled about it. “Guess you’re right about that,” Mother said. “Even Jesus did no better.”

For a while they had a rest, because the people who believed went to Bucky Fay and the doubters figured that Billy was no better. The newspaper and TV people stopped coming around, too, because Billy never put on a show for them and never said anything that people would pay money to read. Then, after a while, the sick people started coming back, just a few a week at first, and then more and more. They were uncertain, skeptical. They hadn’t heard of Billy on TV lately, hadn’t read about him either, and he lived in such a poor neighborhood, with no signs or anything. More than once a car with out-of-state plates drove back and forth in front of the house before it stopped and someone came in. The ones who came were those who had lost all other hope, who were willing to try anything, even something as unlikely as this. They had heard a rumor, someone had a cousin whose best friend was healed. They always felt like such damn fools visiting this crippled kid, but it was better than sitting home waiting for death.

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