Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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And sure enough, when God set out to even things up for Billy, he didn’t do the obvious thing. He didn’t let the nerves heal, he didn’t send the miracle of feeling, the blessing of pain into Billy’s empty legs. Instead God, who probably had a bet on with Satan about this one, gave Billy another gift entirely, an unlooked-for blessing that would break his heart.

Mother was wheeling Billy around the park. It was a fine summer day, which means that the humidity was so high that fish could live for days out of the water. Billy was dripping sweat, and he knew that when he got home he’d have a hell of a diaper rash, and Mother would say, “Oh you poor dear,” and Billy would grieve because it didn’t even itch. The river was flowing low and there were big rocks uncovered by the shore. Billy sat there watching the kids climb around on the rocks. His mother saw what he was watching and tried to take him away so he wouldn’t get depressed about how he couldn’t climb, but Billy wouldn’t let her. He just stayed and watched. He picked out one kid in particular, a pretty-faced body with a muscled chest, about two years older than Billy. Her watched everything that boy did, and pretended that he was doing it. That was a good thing to do, Billy would rather do that than anything, watch this boy play for him on the rocks.

But all the time there was this idiot girl watching Billy. She was on the grass, far back from the shore, where all the cripples have to stay. She walked like an inchworm almost, each step a major event, as if she was a big doll with a little driver inside working the controls, and the driver wasn’t very good at it yet. Billy tried to watch the golden body of the pretty-faced boy, but this spastic girl kept lurching around at the edges of his eyes.

“Make that retard go away,” Billy whispered.

“What?” asked Mother.

“I don’t want to look at that retard girl.”

“Then don’t look at her.”

“Make her go away. She keeps looking at me.”

Mother patted Billy’s shoulder. “Other people got rights, Billy. I can’t make her go away from the park. You want me to take you somewhere else?”

“No.” Not while the golden boy was standing tall on the rocks, extending himself to snatch frisbies out of the air without falling. Like God catching lightning and laughing in delight.

The spastic girl came closer and closer, in her sidewise way. And Billy grew more and more determined not to pay the slightest heed to her. It was obvious, though, that she was coming to him, that she meant to reach him, and as he sat there he grew afraid. What would she do? His greatest fear was of someone snatching his urine bag from between his legs and holding it up, the catheter tugging away at him, and everybody laughing and laughing. That was what he hated worst, living his life like a tire with a slow leak. He knew that she would grab between his legs for the urine bag under his lap robe, and probably spill it all over, she was such a spastic. But he said nothing of his fear, just waited, holding onto his lap robe, watching the golden boy jump from the highest rock into river in order to splash the kids who were perched on the lesser rocks.

Then the spastic girl touched him. Thumped her club of a hand into his arm and moaned loudly. Billy cried out, “Oh, God!” The girl shuddered and fell to the ground, weeping.

All at once every single person in the park ran over and leaned around, jostling and looking. Billy held tight to his lap robe, lest someone pull it away. The spastic girl’s parents were all apology, she’d never done anything like that, she usually just kept to herself, we’re so sorry, so terribly sorry. They lifted the girl to her feet, tried to lead her away, but she shrugged them off violently. She shuddered again, and formed her mouth elaborately to make a word. Her parents watched her lips intently, but when the words came, they were clear. “I am better,” she said.

Carefully she took a step, not toward her parents, but toward Billy. The step was not a lurch controlled by a clumsy little puppeteer. It was slow and uncertain, but it was a human step. “He healed me,” she said.

Step after step, each more deft than the last, and Billy forgot all about his lap robe. She was healed, she was whole. She had touched him and now she was cured.

“Praise God,” someone in the crowd said.

“It’s just like on TV,” someone else said.

“Saw it with my own two eyes.”

And the girl fell to her knees beside Billy and kissed his hand and wept and wept.

They started coming after that, as word spread. Just a shy-looking man at the front door, a pesky fat lady with a skinny brother, a mother with two mongoloid children. All the freaks in Billy’s town, all the sufferers, all the desperate seemed to find the way to his house. “No,” Billy told Mother again and again. “I don’t want to see nobody.”

“But it’s a little baby,” Mother said. “She’s so sweet. He’s been through so much pain.”

They came in, one by one, and demanded or begged or prayed or just timidly whispered to him, “Heal me.” Then Billy would sit there, trembling, as they reached out and touched him. When they knew that they were healed, and they always were, they cried and kissed and praised and thanked and offered money. Billy always refused the money and said precious little else. “Aren’t you going to give the glory to God?” asked one lady, whose son Billy healed of leukemia. But Billy just looked at his lap robe until she went away.

The first reporters came from the grocery store papers, the ones that always know about the UFOs. They kept asking him to prophesy the future, until Billy told Mother not to let them come in anymore. Mother tried to keep them out, but they even pretended to be cripples in order to get past the door. They wrote stories about the “crippled healer” and kept quoting Billy as saying things that he never said. They also published his address.

Hundreds of people came every day now, a constant stream all day. One lady with a gimp leg said, “Praise the Lord, it was worth the hundred dollars.”

“What hundred dollars?” asked Billy.

“The hundred dollars I give your mother. I give the doctors a thousand bucks and the government give them ten thousand more and they never done a damn thing for me.”

Billy called Mother. She came in. “This woman says she gave you a hundred dollars.”

“I didn’t ask for the money,” Mother said.

“Give it back,” Billy said.

Mother took the money out of her apron and gave it back. The woman clucked about how she didn’t mind either way and left.

“I ain’t no Bucky Fay,” Billy said.

“Of course you ain’t,” Mother said. “When people touch you, they get better.”

“No money, from nobody.”

“That’s real smart,” Mother said. “I lost my job last week, Billy. I’m home all day just keeping them away from you. How are we going to live?”

Billy just sat there, trying to think about it. “Don’t let them in anymore,” he said. “Lock the doors and go to work.”

Mother started to cry. “Billy, I can’t stand it if you don’t let them in. All those babies; all those twisted-up people, all those cancers and the fear of death in their faces, I can’t stand it except that somehow, by some miracle, when they come in your room and touch you, they come out whole. I don’t know how to turn them away. Jesus gave you a gift I didn’t think existed in the world, but it didn’t belong to you, Billy. It belongs to them.”

“I touch myself every day,” Billy whispered, “and I never get better.”

From then on Mother only took half of whatever people offered, and only after they were healed, so people wouldn’t get the idea that the healing depended on the money. That way she was able to scrape up enough to keep the roof over their heads and food on the table. “There’s a lot less thankful money than bribe money in the world,” she said to Billy. Billy just ate, being careful not to spill hot soup on his lap, because he’d never know if he scalded himself.

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