Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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“Yes.”

“We knew you’d come back.”

“Did you? I vowed I never would.”

“But we know you. You are well known to us all, Mr. Crane. There are billions of gods on Earth for us to worship, but you are the noblest of them all.”

“I am?”

“Because only you have thought to do us the kindest gift. Only you are willing to let us watch your death.”

And a tear leaped from the old man’s eye as he blinked heavily.

“Is that why I came?”

“Isn’t it?”

“I thought I came to damn your souls to hell, that’s why I came, you bastards, coming to taunt me in the final hours of my life.”

“You came to us.”

“I wanted to show you how ugly death is.”

“Please. Do.”

And, seemingly eager to oblige them, Willard’s heart stopped and he, in brief agony, slumped to the floor in the temple.

The aliens all slithered in, all gathered around closely, watching him rattle for breath.

“I will not die!” he savagely whispered, each breath an agony, his face fierce with the heroism of struggle.

And then his body shuddered and he was still.

The aliens knelt there for hours in silent worship as the body became cold. And then, at last, because they had learned this from their gods—that words must be said to be remembered—one of them spoke:

“Beautiful,” he said tenderly. “Oh Lord my God,” he said worshipfully.

And they were gnawed within by the grief of knowing that this greatest gift of all gifts was forever out of their reach.

SAVING GRACE

And he looked into her eyes, and lo!
when her gaze fell upon him
he did verily turn to stone,
for her visage was wondrous ugly.
Praise the Lard.

Mother came home depressed as hell with a bag full of groceries and a headache fit to make her hair turn to snakes. Billy, he knew when Mommy was like that, he could tell as soon as she grumped through the living room. But if she was full of hellfire, he had the light of heaven, and so he said, “Don’t be sad, Mother, Jesus loves you.”

Mother put the margarine into the fridge and wiped the graham cracker crumbs off the table and dumped them in the sink even though the disposal hadn’t worked for years. “Billy,” she said quietly, “you been saved again?”

“I only was just going to look inside.”

“Ought to sue those bastards. Burn down their tent or something. Why can’t they do their show from a studio like everybody else?”

“I felt my sins just weighing me down and then he reached out and Jesus come into my heart and I had to be baptized.”

At the word baptized, Mommy slammed the kitchen counter. The mixing bowl bounced. “Not again, you damn near got pneumonia the last time!”

“This time I dried my hair.”

“It isn’t sanitary!”

“I was the first one in. Everybody was crying.”

“Well, you just listen! I tell you not to go there, and I mean it! You look at me when I’m talking to you, young man.”

Her irresistible fingers lifted up his chin. Billy felt like he was living in a Bible story. He could almost hear Bucky Fay himself telling the tale: And he looked into her eyes, and lo! when her gaze fell upon him he did verily turn to stone, and he could not move though he sorely feared that he might wet his pants, for her visage was wondrous ugly. Praise the Lord.

“Now you promise me you won’t go into that tent anymore, ever, because you got no resistance at all, you just come straight home, you hear me?”

He could not move until at last she despaired and looked away, and then he found his voice and said, “What else am I supposed to do after school?”

Today was different from all the other times they had this argument: this time his mother leaned on the counter and sobbed into the waffle mix. Billy came and put his arm around her and leaned his head on her hip. She turned and held him close and said, “If that son-of-a-bitch hadn’t left me you might’ve had some brothers and sisters to come home to.” They made waffles together, and while Billy pried pieces of overcooked waffle out of the waffle iron with a bent table knife, he vowed that he would not cause his mother such distress again. The revival tent could flap its wings and lift up its microwave dish to take part in the largess of heaven, but Billy would look the other way for his mother’s sake, for she had suffered enough.

Yet he couldn’t keep his thoughts away from the tent, because when they were telling what was coming up soon they had said that Bucky Fay was coming. Bucky Fay, the healer of channel 49, who had been known to exorcise that demon cancer and cast out kidney stones in the name of the Lord; Bucky Fay, who looked to Billy like the picture Mommy kept hidden in the back of her top drawer, the picture of his father, the son-of-a-bitch. Billy wanted to see the man with the healing hands, see him in the flesh.

“Mommy,” he said. On TV the skinny people were praising Diet Pepsi.

“Mm?” Mommy didn’t look up.

“I wish my foot was all twisted up so I couldn’t walk.”

Now she looked up. “My Lord, what for!”

“So Jesus could turn it around.”

“Billy, that’s disgusting.”

“When the miracle goes through you, Mommy, it knocks you on the head and then you fall down and get all better. A little girl with no arm got a new arm from God. They said so.”

“Child, they’ve turned you superstitious.”

“I wish I had a club foot, so Jesus would do a miracle on me.”

God moves in mysterious ways, but this time he was pretty direct. Of all the half-assed wishes that got made and prayers that got said, Billy’s got answered. Billy’s mother was brooding about how the boy was going off the deep end. She decided she had to get him out doing things that normal kids do. The movie playing at the local family-oriented moviehouse was the latest go-round of Pollyanna. They went and watched and Billy learned a lesson. Billy saw how good this little girl was, and how preachers liked her, and first thing you know he was up on the roof, figuring out how to fall off just right so you smash your legs but don’t break your back.

Never did get it right. Broke his back, clean as could be, spinal cord severed just below the shoulders, and there he was in a wheelchair, wearing diapers and pissing into a plastic bag. In the hospital he watched TV, a religious station that had God’s chosen servants on all day, praising and praying and saving. And they had Bucky Fay himself, praise the Lord, Bucky Fay himself making the deaf to hear and the arthritic to move around and the audience to be generous, and there sat Billy, more excited than he had ever been before, because now he was ripe and ready for a miracle.

“Not a chance in the world,” his mother said. “By God I’m going to get you uncrazy, and the last place I’m going to take you is anywhere in earshot of those lying cheating hypocritical so-called healers.”

But there’s not many people in the world can say no more than two or three times to a paralyzed kid in a wheelchair, especially if he’s crying, and besides, Mommy thought, maybe there’s something to faith. Lord knows the boy’s got that, even if he doesn’t have a single nerve in his legs. And if there’s even a chance of maybe giving him back some of his body, what harm Can it do?

Once inside the tent, of course, she thought of other things. What if it is a fraud, which of course it is, and what happens when the boy finds out? What then? So she whispered to him, “Billy, now don’t go expecting too much.”

“I’m not.” Just a miracle, that’s all. They do them all the time, Mommy.

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