Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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So they came, more and more of them. Mother had to quit her job again. All day Billy waited in his bedroom for them to come in. They always looked so distant, guarding themselves against another disillusionment. Billy, too, was afraid, waiting for the day when someone would place a baby in his arms and the child would die, the healing power gone out of him. But it didn’t happen, day after day it didn’t happen, and the people kept coming fearful and departing in joy.

Mother and Billy lived pretty poorly, since they only took money that came from gratitude instead of money meant to buy. But Billy had a decent life, if you don’t mind being paralyzed and stuck home all the time, and Mother didn’t mind too much either, since there was always the sight of the blind seeing and the crippled walking and those withered-up children coming out whole and strong.

Then one day after quite a few years there came a young woman who wasn’t sick. She was healthy and tall and nice-looking, in a kitcheny kind of way. She had rolled-up sleeves and hands that looked like they’d met dishwater before, and she walked right into the house and said, “Make room, I’m moving in.”

“Now, girl,” said Mother, “we got a small house and no room to put you up. I think you got the wrong idea of what kind of Christian charity we offer here.”

“Yes, Ma’am. I know just what you do. Because I am the little girl who touched Billy that day by the riverside and started all your misery.”

“Now, girl, you know that didn’t start our misery.”

“I’ve never forgotten. I grew up and went through two husbands and had no children and no memory of real love except for what I saw in the face of a crippled boy at the riverside, and I thought, ‘He needs me, and I need him.’ So here I am, I’m here to help, tell me what to do and step aside.”

Her name was Madeleine and she stayed from then on. She wasn’t noisy and she wasn’t bossy, she just worked her share and got along. It was hard to know for sure why it was so, but with Madeleine there, even with no money and no legs, Billy’s life was good. They sang a lot of songs, Mother and Billy and Madeleine, sang and played games and talked about a lot of things, when the visitors gave them time. And only once in all those years did Madeleine ever talk to Billy about religion. And then it was just a question.

“Billy,” asked Madeleine, “are you God?”

Billy shook his head. “God ain’t no cripple.”

EYE FOR EYE

Just talk, Mick. Tell us everything. We’ll listen.

Well to start with I know I was doing terrible things. If you’re a halfway decent person, you don’t go looking to kill people. Even if you can do it without touching them. Even if you can do it so as nobody even guesses they was murdered, you still got to try not to do it.

Who taught you that?

Nobody. I mean it wasn’t in the books in the Baptist Sunday School—they spent all their time telling us not to lie or break the sabbath or drink liquor. Never did mention killing. Near as I can figure, the Lord thought killing was pretty smart sometimes, like when Samson done it with a donkey’s jaw. A thousand guys dead, but that was okay cause they was Philistines. And lighting foxes’ tails on fire. Samson was a sicko, but he still got his pages in the Bible.

I figure Jesus was about the only guy got much space in the Bible telling people not to kill. And even then, there’s that story about how the Lord struck down a guy and his wife cause they held back on their offerings to the Christian church. Oh, Lord, the TV preachers did go on about that. No, it wasn’t cause I got religion that I figured out not to kill people.

You know what I think it was? I think it was Vondel Cone’s elbow. At the Baptist Children’s Home in Eden, North Carolina, we played basketball all the time. On a bumpy dirt court, but we figured it was part of the game, never knowing which way the ball would bounce. Those boys in the NBA, they play a sissy game on that flat smooth floor.

We played basketball because there wasn’t a lot else to do. Only thing they ever had on TV was the preachers. We got it all cabled in—Falwell from up in Lynchburg, Jim and Tammy from Charlotte, Jimmy Swaggart looking hot, Ernest Ainglee looking carpeted, Billy Graham looking like God’s executive vice-president—that was all our TV ever showed, so no wonder we lived on the basketball court all year.

Anyway, Vondel Cone wasn’t particularly tall and he wasn’t particularly good at shooting and on the court nobody was even halfway good at dribbling. But he had elbows. Other guys, when they hit you it was an accident. But when Vondel’s elbow met up with your face, he like to pushed your nose out your ear. You can bet we all learned real quick to give him room. He got to take all the shots and get all the rebounds he wanted.

But we got even. We just didn’t count his points. We’d call out the score, and any basket he made it was like it never happened. He’d scream and he’d argue and we’d all stand there and nod and agree so he wouldn’t punch us out, and then as soon as the next basket was made, we’d call out the score—still not counting Vondel’s points. Drove that boy crazy. He screamed till his eyes bugged out, but nobody ever counted his cheating points.

Vondel died of leukemia at the age of fourteen. You see, I never did like that boy.

But I learned something from him. I learned how unfair it was for somebody to get his way just because he didn’t care how much he hurt other people. And when I finally realized that I was just about the most hurtful person in the whole world, I knew then and there that it just wasn’t right. I mean, even in the Old Testament, Moses said the punishment should fit the crime. Eye for eye, tooth for tooth. Even Steven, that’s what Old Peleg said before I killed him of prostate cancer. It was when Peleg got took to the hospital that I left the Eden Baptist Children’s Home. Cause I wasn’t Vondel. I did care how much I hurt folks.

But that doesn’t have nothing to do with anything. I don’t know what all you want me to talk about.

Just talk, Mick. Tell us whatever you want.

Well I don’t aim to tell you my whole life story. I mean I didn’t really start to figure out anything till I got on that bus in Roanoke, and so I can pretty much start there I guess. I remember being careful not to get annoyed when the lady in front of me didn’t have the right change for the bus. And I didn’t get angry when the bus driver got all snotty and told the lady to get off. It just wasn’t worth killing for. That’s what I always tell myself when I get mad. It isn’t worth killing for, and it helps me calm myself down. So anyway I reached past her and pushed a dollar bill through the slot.

“This is for both of us,” I says.

“I don’t make change,” says he.

I could’ve just said “Fine” and left it at that, but he was being such a prick that I had to do something to make him see how ignorant he was. So I put another nickel in the slot and said, “That’s thirty-five for me, thirty-five for her, and thirty-five for the next guy gets on without no change.”

So maybe I provoked him. I’m sorry for that, but I’m human, too, I figure. Anyway he was mad. “Don’t you smart off with me, boy. I don’t have to let you ride, fare or no fare.”

Well, fact was he did, that’s the law, and anyway I was white and my hair was short so his boss would probably do something if I complained. I could have told him what for and shut his mouth up tight. Except that if I did, I would have gotten too mad, and no man deserves to die just for being a prick. So I looked down at the floor and said, “Sorry, sir.” I didn’t say “Sorry sir” or anything snotty like that. I said it all quiet and sincere.

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