Fred Hoyle - Element 79

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Element 79: краткое содержание, описание и аннотация

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Can immortal man ever outwit the airlines?
What if dumb animals could be trained to “appreciate” the communications media of the human world?
How does agent Number 38, Zone 11, respond when he sights a U.F.O.?
What happens to Slippage City when the Devil decides to think big?
These—plus a remarkable sex comedy—are some of the intriguing themes of
the new Hoyle galaxy that ranges the full scientific spectrum and beyond into the furthest reaches of the imagination. Author Fred Hoyle is an internationally renowned astronomer and much of his fiction is rooted in the realm of what is possible—scientifically and psychologically—on earth and in space, in the present and the future. His vision of his fellow humans is disquieting, hilarious, and sometimes frightening; his social commentary is often etched in acid. In
Mr. Hoyle steps forward to take a backward glance at our world—deftly balancing his followers between the unreal and the real, between a chuckle and a shudder.

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In the second act he’d pull out all the stops, twisting things in a way nobody expected. My God, what a story it was, when he came to think about it dispassionately. Two Lesbians, both pregnant by the same man, with the delicious idea of one of them trading herself to him in order to get at the other. It had never been thought of before, not even by the great men, not even by Boccaccio, so far as he could remember, let alone by the ordinary run of modern writers. It was brilliant, even if he said it only to himself. Another thing, wasn’t it superb the way he needed only three characters? It should be possible for any theater to afford the hundred-and-fifty-a-week class. This would take a lot of the strain off, because actors and actresses in that class can make bricks out of straw, not that there need be much straw in this thing. It couldn’t miss, not with the sex craze in the theater running so strongly. He could see it just running and running, maybe five years?

In a fine frenzy, the author rushed back to his desk. On a new pad he began rapidly to sketch in the opening of his first act. It never occurred to him that his characters supplied a subconscious need for something to dominate. The writer interested in plot follows the path of structure and order. The writer interested in the pathological aspects of humanity has rarely anything of logic or of structure. He is seeking to satisfy the basic human instinct to dominate, if not real flesh and blood, well, at least the figments of his own imagination.

Cattle Trucks

Dionysus was the first to awaken. It hadn’t been at all bad, the life of a god in ancient Greece. But when Rome took over, mere existence became a desperate bore. So the gods all retired to Olympus, to “sleep it out.” It was hoped things would be better after a few millennia had slipped away.

Dionysus was all agog to take a quick first look around. He decided on a complete circumnavigation of the world. His flight took him across the great waters to the west of the Pillars of Hercules, to the continent now known as America. Here he gorged himself in astonishment.

One afternoon, in a place called California, he thought he would try out for himself one of the amazing little boxes, constructed, it seemed, from glass and metal, in which the mortals were now everlastingly scurrying around. He could see them below him, moving in almost continuous streams along a vast network of roads. From above, it all looked utterly aimless, like a big mound of ants. But there must be something to it, to all this commotion, Dionysus supposed.

The god slid unobtrusively into the first empty automobile he could find. To make the thing move demanded more ingenuity than he had expected. When at last he had the trick of it, he drove at a moderate pace onto a nearby highway. He soon mastered the standard practice of directing the box between two of the lines marked on the road. So what? He couldn’t imagine why anybody, even a mortal, would want to behave in this fashion. He felt there had to be more zip in it somewhere. He must be missing something. But the best he could find to do was to press the pedal harder and harder, the pedal that made the box go faster and faster. Even so, it was tame stuff.

There came a great whining noise. In fact, the noise gave Dionysus quite an ungodlike start. It issued apparently from another moving box, one that had suddenly come up close behind. On top of this other box a red light flashed unceasingly. Howling like Cerberus, the watchdog of Hades, the box went past him and then began to slow down. So Dionysus in turn went past the flashing box, which then immediately picked up speed. It seemed the other box was intent on playing some kind of game, a strange game, it was true. Dionysus wondered if his box should also be displaying a flashing light and if there was some way in which it could be made to howl in this outrageous manner, A dozen times or more he went past the thing, his foot stamped flat on the pedal, the one that made his box go faster. Then the other box began to crowd him to the roadside. He thought about giving it a block which would send it in a great arc through the air. Then he thought there might be some interest in stopping, to find out what it was that could howl so long and so loud.

Unfortunately, just when he expected to get to the bottom of the business, the howling stopped, although the light went on flashing. Dionysus saw a man coming toward him and felt an intense wonderment. The man was wearing a huge hat, there were black patches over his eyes—to shield them from the Sun, it seemed—and his gait would have befitted the god of Insolence. “You aiming to fly?”

“Yes, I am intending to fly.”

“Well, you’re doing no more flying today. See here, Charlie, I’m arresting you right now. You can fly after you’ve talked to the judge. Your license, Mac.”

“License?”

“You’re going to get the book, sweetie, oh, how you’re going to get the book. Maybe you’ve got a name?”

“Dionysus.”

“Dionysus what?”

“Dionysus nothing.”

“Okay, Dionysus Q. Squirt, you’re coming with me. We’ll straighten out the car and the license afterward. Come on, Mr. Wise Guy, make it snappy.”

As Dionysus climbed from the car, the cop put a hand over his gun. The god had previously adjusted his height to fit the car. Now he adjusted it to fit this new situation. He stood a head taller than the cop. With a swoop, faster than lightning, he picked the man up, swung him over the front of the box, and fastened him securely there. Then he drove back onto the highway, leaving the prowl car with its flashing light abandoned by the roadside.

An hour later Dionysus found himself approaching a large airport. The road took him right into it. The many people thronging Los Angeles Airport were intrigued by the big man with a curly golden beard who walked majestically into one of the airline buildings, leaving his car triple-parked outside. They were intrigued by the big buck deer strapped across its front. The deer turned out to be alive. Unwisely, three porters released the animal, whereupon it raced after the bearded man, emitting a bellow that sounded uncannily like “Hi, Mac.” As the prancing deer spread the utmost confusion, everybody looked for the strange hunter with the golden beard, but Dionysus had slipped invisibly onto a plane just taking off for New York.

Once inside the plane, Dionysus became visible again. Nobody took any particular notice as he moved into an empty seat. A tinny, glutinous sound was coming from some place immediately above his head. Music he supposed it was, but of an utterly commonplace quality, so commonplace as to be scarcely credible. It was his first experience of actual physical nausea, for in the ordinary way of things gods are never sick. These appalling sounds made him feel as if he were going to throw up.

Mercifully, the music stopped once the plane had lifted off the ground, once, miraculously, they were flying. Mortals were flying, ordinary mortals. Dionysus thought he had never seen so many ordinary mortals. They were packed together like cattle, five in a row, row after row of the creatures. The mere sight of them all, sitting there like so many huge pumpkins, depressed him. He considered how things might be livened up a bit. He tried singing in a tremendous bass voice, but nobody noticed it. They were all staring at little flickering pictures, their ears plugged solid with some device or other. Dionysus tried it himself. He heard more music, this time distantly projected against the roar of the plane. It had the quality of a sludge pump.

Without warning, there was a harsh crackle above his head. A disembodied voice began, “Well, folks, this is your captain.” The volume was enormous, almost sufficient to shatter his eardrums. The voice went on to advise them to look out of the plane on the right-hand side. Dionysus gathered from the announcement that something quite stupendous was to be seen, so he tried to look out just as the captain had advised, found the window so small that almost nothing was visible.

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