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Fred Hoyle: Element 79

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Fred Hoyle Element 79

Element 79: краткое содержание, описание и аннотация

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Can immortal man ever outwit the airlines? What if dumb animals could be trained to “appreciate” the communications media of the human world? How does agent Number 38, Zone 11, respond when he sights a U.F.O.? What happens to Slippage City when the Devil decides to think big? These—plus a remarkable sex comedy—are some of the intriguing themes of the new Hoyle galaxy that ranges the full scientific spectrum and beyond into the furthest reaches of the imagination. Author Fred Hoyle is an internationally renowned astronomer and much of his fiction is rooted in the realm of what is possible—scientifically and psychologically—on earth and in space, in the present and the future. His vision of his fellow humans is disquieting, hilarious, and sometimes frightening; his social commentary is often etched in acid. In Mr. Hoyle steps forward to take a backward glance at our world—deftly balancing his followers between the unreal and the real, between a chuckle and a shudder.

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Fred Hoyle

ELEMENT 79

Zoomen

In the second half of July I was able to get away on a two-week vacation. I decided to go off “Munro-bagging” in the Scottish Highlands. Hotel accommodation being difficult in the Highlands in the summer, especially for a single person, I hired a caravan with a car to match. Driving north the first day, I got precisely to the Scottish border immediately south of Jedburgh. The evening was beautifully fine. I argued I didn’t want to spend the whole of the morrow driving, if indeed the morrow was going to be as clear as this. The obvious tactic was to be away at the first light of dawn. By ten o’clock I could be well across the Lowlands. Then I could spend the afternoon “doing” one of the southern peaks, perhaps in the Ben Lawers range.

It fell out as I had planned. I reached Killin not much after ten a.m., found a caravan site, bought fresh meat and other provisions in the town, and set off for Glen Lyon, with the intention of walking up Meall Ghaordie. The afternoon was as fine and beautiful as it could possibly be. I quitted the car at the nearest point to my mountain and set off across the lower bogland. I moved upward at a deliberately slow pace, in part because this was my first day on the hills, in part because the sun was hot. I remember the myriads of tiny colored flowers under my feet. It took about two hours to the summit. I sat down there and munched a couple of apples. Then I laid myself flat on a grassy knoll, using my rucksack for a pillow. The early start and the warm day together had made me distinctly sleepy. It was not more than a minute, I suppose, before I nodded off.

I have fallen asleep quite a number of times on a mountain top. The wakening always produces a slight shock, presumably because you are heavily conditioned to waking indoors. There is always a perceptible moment during which you hunt for your bearings. It was so on this occasion, except the shock was deeper. There was a first moment when I expected to be in a normal bedroom, then a moment in which I remembered that by rights I should be on the summit of a mountain, then a moment when I had become aware of the place where I had in fact awakened and knew it was not at all the right place, not the summit of Meall Ghaordie.

The room I was in was a large rectangular box. I scrambled to my feet and started to inspect the place. Perhaps it may seem absurd to imply that a boxlike room needed inspection, particularly when it was quite empty. Yet there were two very queer things about it. The light was artificial, for the box was wholly opaque and closed, except where a passageway opened out of one of the walls. The distribution of the light was strange. For the life of me I simply could not determine where it was coming from. There were no obvious bulbs or tubes. It almost seemed as if the walls themselves were aglow. They were composed of some material which looked to my inexpert eye merely like one of the many new forms of plastic. But in that case how could light be coming out of such a material?

The box was not nearly as large as I had at first thought. The dimensions in fact were roughly thirty by fifty feet, the height about twenty feet. The lighting produced the impression of a place the size of a cathedral, an effect I have noticed before in underground caves.

The second strange thing was my sense of balance. Not that I found it difficult to stand or anything crude like that. When climbing a mountain the legs quickly become sensitive to balance. If I had not just come off a mountain, it is likely the difference would have passed unnoticed. Yet I could feel a difference of some kind, slight but definite.

My explorations naturally led to the passageway, which didn’t go straight for very far. Round a bend I came to a forking point. I paused to remember the division. There were more twists and turns, so that soon I had the strong impression of being in a maze. It gave me the usual moment of panic, of feeling I had lost my way. Then I reflected I had no “way” to lose. Instantly I became calm again and simply strolled where my fancy dictated. The passage eventually brought me back to the large boxlike room. There in the middle of it was my rucksack, the rucksack against which I had laid my head on the summit of Meall Ghaordie. I tried several times and always I came back to the boxlike room. Although the passages had the semblance of a multitude of branches, this also was an illusion. In fact there were eight distinct ways through the system. I managed to get the time required for a single “transit” of the passageways down to about ninety seconds, so the whole arrangement, if not actually poky, was not very large in size. It was just that it was made to seem large.

I did still another turn through the passageways and was startled on this occasion to hear running feet ahead of me. My heart thumped madly, for although I might have seemed calm outwardly, fear was never very far from my side. Around the corner ahead burst a girl of about eighteen or so clad in a dressing gown. At the sight of me, standing there blocking the passageway, she let out a nerve-shattering scream. She stood for twenty or thirty seconds and then flung herself with extreme violence into my arms. “Where are we?” she sobbed, “where are we?” She went on repeating her question, clutching me with a good, powerful muscular grip. Without in any way exceeding natural propriety, I held her closely; it was a natural enough thing to do in the circumstances. Suddenly I felt an acute nausea sweep through me, akin to the late stages of seasickness. The clinch between us dissolved in a flash, for the girl must have felt the same sickness, since she instantly burst out with a violent fit of vomiting.

We both stood there panting. I steadied myself against the wall of the passageway for my knees felt weak. “And who might you be?”

“Giselda Horne,” she answered. The voice was American.

“You’d better take that thing off,” I said, indicating the dressing gown, now the worse for wear from the sickness.

“I suppose so. I was in a room down here when I came to.” The girl led the way to a box, precisely square as far as I could tell, opening out of the very passageway. I felt certain I must have passed this spot many times, but there had been no opening before. Giselda Horne staggered into the box, moaning slightly. I made to follow but soon stopped. I was only just inside when another wave of sickness hit me in the pit of the stomach. Some instinct prompted me to step back into the passage. As I did so, silently and rapidly a panel slid back closing off the box. With the double attack I was hard put to it to take any action, but I did manage to shout through to the girl and to bang my fist on the panel. If she made any answer I was unable to hear it. I tried to walk off the sickness by touring through and through the system of passages, but to no avail. I felt just as rotten as before. At quite some length, for I must have gone through the system many times by other routes before I found it, I came on exactly such a square box as Giselda Horne had gone into. With some apprehension I stepped inside it. Two things happened. A similar panel slid closed behind me, and within thirty seconds the sickness had gone.

This box was a cube with sides about twelve feet. It contained absolutely nothing except a heavy metal door, let into one of the walls, which opened to a moderate tug. Inside was a volume about the size of a fairish oven, in which I found a platter covered with stuff. Before I could examine it further the nausea started again. This time it seemed as if I too would reach the vomiting stage. Just in time the panel slid open and I staggered into the passage with the irrational thought that I must reach the toilet before my stomach hit the roof. Out in the passage the sickness dropped steeply away. In minutes I felt quite normal again. Then suddenly it started up once more, the paneling opened, as if to invite me back into the box, and once inside the sickness was gone. The process was repeated thrice more, in and out of the box. Long before the end of the lesson I knew exactly what it meant—move in, move out, to orders. From where? I had no idea, but one thing the lesson had done for me, my fears had quite gone. Manifestly I was under some kind of surveillance, a surveillance whose mode of operation I couldn’t remotely guess. Yet instead of my fears being increased, the exact opposite happened. From this point on, I was not only outwardly calm but I was inwardly master of myself.

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