Fred Fred - The Five Knots

Something like a shadow seemed to flicker across the dim hall and then the strange visitant was lost to view. But was it substantial, real and tangible, or only the creature of the imagination? For at half-past four on a December afternoon, before the lamps are lighted one might easily be deceived, especially in an old place like Maldon Grange, the residence of Samuel Flower, the prosperous ship-owner. Some such thought as this flashed through Beatrice Galloway's mind and she laughed at her own fears. Doubtless it was all imagination. Still, she could not divest herself of the impression that a man had flitted quietly past her and concealed himself behind the banks of palms and ferns in the conservatory.

"How silly I am!" she murmured. "Of course there can be nobody there. But I should like – "

A footman entered and flashed up the score or so of lights in the big electrolier and Beatrice Galloway's fears vanished. Under such a dazzling blaze it was impossible to believe that she had seen anybody gliding towards the conservatory. Other lights were flashing up elsewhere, and all the treasures which Mr. Flower had gathered at Maldon Grange were exposed to the glance of envy or admiration. Apparently nothing was lacking to make the grand house absolutely perfect. Not that Samuel Flower cared for works of art and beauty, except in so far as they advertised his wealth and financial standing. Nothing in the mansion had been bought on his own responsibility or judgment. He had gone with open cheque-book to a famous decorative artist and given him carte blanche to adorn the house. The work had been a labour of love on the part of the artist, so that, in the course of time, Maldon Grange had become a show-place and the subject of eulogistic notices in the local guide-books. Some there were who sneered at Samuel Flower, saying there was nothing that interested him except a ship, and that if this same ship were unseaworthy and likely to go to the bottom when heavily over-insured, then Flower admired this type of craft above all others. The reputation of the Flower Line was a bad one in the City and amongst sea-faring men. People shook their heads when Flower's name was mentioned, but he was too big and too rich and too vindictive for folk to shout their suspicions on the housetops. For the rest of it, Flower stuck grimly to his desk for five days in the week, spending the Saturday and Sunday at Maldon Grange, where his niece, Beatrice Galloway, kept house for him.

Beatrice loved the place. She had watched it grow from a bare, brown shell to a bewitching dream of artistic beauty. Perhaps in all the vast establishment she liked the conservatory best. It was a modest name to give the superb winter garden which led out of the great hall. The latter structure had been the idea of the artist, and under his designs a dome-like fabric had arisen, rich with stained glass and marble and filled now with the choicest tropical flowers, the orchids alone being worth a fortune. From the far end a covered terrace communicated with the rose garden, which even at this time of year was so sheltered that a few delicate blooms yet remained. The orchids were Beatrice's special care and delight, and for the most part she tended them herself. She had quite forgotten her transient alarm. Her mind was full of her flowers to the exclusion of everything else. She stood amongst a luxuriant tangle of blossoms, red and gold and purple and white, hanging in dainty sprays like clouds of brilliant moths.

By and by Beatrice threw herself down into a seat to contemplate the beauty of the scene. The air was warm and languid as befitted those gorgeous flowers, and she felt half disposed to sleep as she lay in her comfortable chair. There would be plenty to do presently, for Flower was entertaining a large dinner party, and afterwards there was to be a reception of the leading people in the neighbourhood. Gradually the warmth of the place stole over her drowsy senses and for a few moments she lost consciousness.

She awoke with a start and an uneasy feeling of impending evil which she could not shake off. It was a sensation the like of which she had never experienced before, and wholly foreign to her healthy nature. But nothing was to be seen or heard. The atmosphere was saturated with fragrance and delicate blossoms fluttered in the lights like resplendent humming-birds. As she cast a glance around, her attention became riveted upon something so startling, so utterly unexpected, that her heart seemed to stand still.

The door leading on the terrace was locked, as she knew. It was a half-glass door, the upper part being formed of stained mosaics, leaded after the fashion of a cathedral window. And now one of the small panes over the latch had been forced in, and a hand, thrust through the opening, was fumbling for the catch.

The incident was sinister enough, but it did not end the mystery. The hand and the arm were bare, and Beatrice saw they were lean and lanky and brown, like the leg of a skinny fowl. From the long fingers with blackened nails depended a loop of string which the intruder was endeavouring to drop over the catch. Unnerved as Beatrice was, she did not lose her self-possession altogether. While she gazed in fascinated horror at that strange yellow claw, it flashed into her mind that the hand could not belong to a white man. Then, half unconsciously, she broke into a scream and the fingers were withdrawn. The string fell to the ground, where it lay unheeded.

Beatrice's cry for help rang out through the house, and a moment later hurried steps were heard coming towards the conservatory. It was Samuel Flower himself who burst into the room demanding to know what was amiss. At the sight of his stalwart frame and strong grim face Beatrice's fears abated.

"What is the matter?" he asked.

"The hand," Beatrice gasped. "A man's hand came through that hole in the glass door. He was trying to pass a loop of string over the latch. The light was falling fully on the door and I saw the hand distinctly."

"Some rascally tramp, I suppose," Flower growled.

"I don't think so," Beatrice said. "I am sure the man, whoever he was, was not an Englishman. The hand might have been that of a Hindoo or Chinaman, for it was yellow and shrivelled, like a monkey's paw."

Something like an oath crossed Flower's lips. His set face altered swiftly. Though alarmed and terrified, Beatrice did not fail to note the look of what was almost fear in the eyes of her uncle.

"What is the matter?" she said. "Have I said or done anything wrong?"

But Flower was waiting to hear no more. He dashed across the floor and threw the door open. Beatrice could hear his footsteps as he raced down the terrace. Then she seemed to hear voices in angry altercation, and presently there was a sound of breaking glass and the fall of a heavy body. It required all Beatrice's courage to enable her to go to the rescue, but she did not hesitate. She ran swiftly down the corridor, when, to her profound relief, she saw Flower coming back.

"Did you see him?" she exclaimed.

"I saw nothing," Flower panted. He spoke jerkily, as if he had just been undergoing a physical struggle. "I am certain no one was there. I slipped on the pavement and crashed into one of those glass screens of yours. I think I have cut my hand badly. Look!"

As coolly as if nothing had happened Flower held up his right hand from which the blood was dripping freely. It was a nasty gash, as Beatrice could tell at a glance.

"I am so sorry," she murmured, "Uncle, this must be attended to at once. There is danger in such a cut. I will send one of the servants into Oldborough."

"Perhaps it will be as well," Flower muttered. "I shall have to get this thing seen to before our friends turn up. Tell them to fetch the first doctor they can find."