Дэвид Балдаччи - Wish You Well

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Precocious 12-year-old Louisa Mae Cardinal lives in the hectic New York City of 1940 with her family. Then tragedy strikes--and Lou and her younger brother, Oz, must go with their invalid mother to live on their great- grandmother's farm in the Virginia mountains.
Suddenly Lou finds herself coming of age in a new landscape, making her first true friend, and experiencing adventures tragic, comic, and audacious. But the forces of greed and justice are about to clash over her new home . . . and as their struggle is played out in a crowded Virginia courtroom, it will determine the future of two children, an entire town, and the mountains they love.
### Amazon.com Review
David Baldacci has made a name for himself crafting big, burly legal thrillers with larger-than-life plots. However, *Wish You Well* , set in his native Virginia, is a tale of hope and wonder and "something of a miracle" just itching to happen. This shift from contentious urbanites to homespun hill families may come as a surprise to some of Baldacci's fans--but they can rest assured: the author's sense of pacing and exuberant prose have made the leap as well.
The year is 1940. After a car accident kills 12-year-old Lou's and 7-year-old Oz's father and leaves their mother Amanda in a catatonic trance, the children find themselves sent from New York City to their great-grandmother Louisa's farm in Virginia. Louisa's hardscrabble existence comes as a profound shock to precocious Lou and her shy brother. Still struggling to absorb their abandonment, they enter gamely into a life that tests them at every turn--and offers unimaginable rewards. For Lou, who dreams of following in her father's literary footsteps, the misty, craggy Appalachians and the equally rugged individuals who make the mountains their home quickly become invested with an almost mythic significance:
> They took metal cups from nails on the wall and dipped them in the water, and then sat outside and drank. Louisa picked up the green leaves of a mountain spurge growing next to the springhouse, which revealed beautiful purple blossoms completely hidden underneath. "One of God's little secrets," she explained. Lou sat there, cup cradled between her dimpled knees, watching and listening to her great-grandmother in the pleasant shade...
Baldacci switches deftly between lovingly detailed character description (an area in which his debt to Laura Ingalls Wilder and Harper Lee seems evident) and patient development of the novel's central plot. If that plot is a trifle transparent--no one will be surprised by Amanda's miraculous recovery or by the children's eventual battle with the nefarious forces of industry in an attempt to save their great-grandmother's farm--neither reader nor character is the worse for it. After all, nostalgia is about remembering things one already knows. *--Kelly Flynn*
### From Publishers Weekly
Baldacci is writing what? That waspish question buzzed around publishing circles when Warner announced that the bestselling author of The Simple Truth, Absolute Power and other turbo-thrillers—an author generally esteemed more for his plots than for his characters or prose—was trying his hand at mainstream fiction, with a mid-century period novel set in the rural South, no less. Shades of John Grisham and A Painted House. But guess what? Clearly inspired by his subject—his maternal ancestors, he reveals in a foreword, hail from the mountain area he writes about here with such strength—Baldacci triumphs with his best novel yet, an utterly captivating drama centered on the difficult adjustment to rural life faced by two children when their New York City existence shatters in an auto accident. That tragedy, which opens the book with a flourish, sees acclaimed but impecunious riter Jack Cardinal dead, his wife in a coma and their daughter, Lou, 12, and son, Oz, seven, forced to move to the southwestern Virginia farm of their aged great-grandmother, Louisa. Several questions propel the subsequent story with vigor. Will the siblings learn to accept, even to love, their new life? Will their mother regain consciousness? And—in a development that takes the narrative into familiar Baldacci territory for a gripping legal showdown—will Louisa lose her land to industrial interests? Baldacci exults in high melodrama here, and it doesn't always work: the death of one major character will wring tears from the stoniest eyes, but the reappearance of another, though equally hanky-friendly, is outright manipulative. Even so, what the novel offers above all is bone-deep emotional truth, as its myriad characters—each, except for one cartoonish villain, as real as readers' own kin—grapple not just with issues of life and death but with the sufferings and joys of daily existence in a setting detailed with finely attuned attention and a warm sense of wonder. This novel has a huge heart—and millions of readers are going to love it. Agent, Aaron Priest. 600,000 first printing; 3-city author tour; simultaneous Time Warner Audiobook; foreign rights sold in the U.K., Bulgaria, Italy, Germany, Denmark, Norway, Sweden, Holland, Turkey; world Spanish rights sold. (One-day laydown, Oct. 24)
Copyright 2000 Reed Business Information, Inc.

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Lou made supper for Oz and Eugene, and then went to feed her mother. After that she sat in front of the fire for a long time while she thought things through. Though it was very cold, she led Sue out of the barn and rode the mare up to the knoll behind the house. She said prayers in front of each grave, taking the longest at the smallest: Annie’s. Had she lived, Annie would have been Lou’s great-aunt. Lou wished mightily that she could have known what the tiny baby looked like, and she felt miserable that such a thing was now impossible. The stars were fine tonight, and Lou looked around at the mountains painted white, the glitter of ice on branch nearly magical when multiplied as it was ten thousand times. The land could offer Lou no help now, but there was something she could do all on her own. It should have been done long ago, she knew. Yet a mistake was only a mistake if it remained uncorrected.

She rode Sue back, put the mare down for the night, and went into her mother’s room. She sat on the bed and took Amanda’s hand and didn’t move for a bit. Finally, Lou leaned over and kissed her mother’s cheek, as the tears started to trickle down the girl’s face. “Whatever happens we’ll always be together. I promise. You will always have me and Oz. Always.” She rubbed at her tears. “I miss you so much.” Lou kissed her again. “I love you, Mom.” She fled the room, and so Lou never saw the solitary tear leave her mother’s eye.

Lou was lying on her bed, quietly sobbing, when Oz came in. Lou did not even make an attempt to stop her weeping. Oz crawled on the bed with her and hugged his sister.

“It’ll be okay, Lou, you’ll see.”

Lou sat up, wiped her face, and looked at him. “I guess all we need is a miracle.”

“I could give the wishing well another try,” he said.

Lou shook her head. “What do we have to give up for a wish? We’ve already lost everything.”

They sat for some minutes in silence until Oz saw the stack of letters on Lou’s desk. “Have you read all of them?” Lou nodded. “Did you like them?” he asked.

Lou looked as though she might start bawling again. “They’re wonderful, Oz. Dad wasn’t the only writer in the family.”

“Can you read some more of them to me? Please?”

Lou finally said all right, she would, and Oz settled in and closed his eyes tightly.

“Why are you doing that?” she asked.

“If I close my eyes when you read the letters it’s like Mom is right here talking to me.”

Lou looked at the letters as though she held gold. “Oz, you are a genius!”

“I am? Why? What’d I do?”

“You just found our miracle.”

Dense clouds had settled over the mountains with no apparent intention to move along anytime soon. Under a freezing rain, Lou, Oz, and Jeb raced along. Chilled to the bone, they reached the clearing, with the old well dead ahead. They ran up to it. Oz’s bear and the photo still lay there, soaked and fouled by weather. Oz looked at the photograph and then smiled at his sister. She bent down and took the bear, handing it to Oz.

“Take your bear back,” she said tenderly. “Even if you’re all grown now.”

She put the photo in the bag she carried and then reached inside and pulled out the letters. “Okay, Diamond said we had to give up the most important thing we have in the whole world for the wishing well to work. I can’t think of anything more important than Mom’s letters. So here goes.”

Lou carefully placed the bundle on the edge of the well and set a large rock against it to hold it tight against the wind.

“Now we have to wish.”

“For Mom to come back?”

Lou slowly shook her head. “Oz, we have to wish for Louisa to go down to that courthouse. Like Cotton said, it’s the only way she’ll keep her home.”

Oz looked stricken. “But what about Mom? We might not get another chance to wish.”

Lou hugged him. “I know, but after all she’s done for us, we’ve got to do this for Louisa. She’s our family too. And the mountain means everything to her.”

Oz finally nodded sadly in agreement. “You say it then.”

Lou held Oz’s hand, closed her eyes, and he did too. “We wish that Louisa Mae Cardinal will get up from her bed and show everyone that she’s just fine.”

Together they said, “Amen, Jesus.” And then they ran as fast as they could away from that place, both hoping and praying that there was just one wish left in that pile of old brick and stagnant water.

Late that night Cotton walked along the deserted main street of Dickens, hands stuffed into his pockets, the loneliest man in the world. Cold rain fell steadily, but he was oblivious to it. He sat on a covered bench and eyed the flicker of the street’s gas lamps behind the fall of rain. The nameplate on the lamp post was bold and clear: “Southern Valley Coal and Gas.” An empty coal truck drifted down the street. A backfire resounded from its tailpipe; the small explosion violently broke the silence of the night.

Cotton watched the truck go by and then slumped down. Yet as his gaze once again caught the flicker of the gas lamp, a flicker of an idea seeped into his mind. He sat up, stared after that coal truck, and then back at that gas lamp. That’s when the flicker became a firm idea. And then a rain-soaked Cotton Longfellow stood tall and clapped his hands together, and it sounded like the mighty smack of thunder, for the firm idea had become a miracle of his own.

Minutes later Cotton came into Louisa’s room. He stood by the bed and gripped the unconscious woman’s hand. “I swear to you, Louisa Mae Cardinal, you will not lose your land.”

CHAPTER THIRTY-NINE

The courtroom door swung open and Cotton strode in with concentrated purpose. Goode, Miller, and Wheeler were already there. And along with this triumvirate, the entire population of the mountain and town had apparently managed to lever itself into the courtroom. A half-million dollars at stake had stirred feelings in folks that had not been touched in many years. Even one elderly gentleman who had long claimed to be the oldest surviving Rebel soldier of the Civil War had come to experience the final round of this legal battle. He clumped in on an oak timber-toe with a capped stump for a right arm, snowy beard down to his belt, and wearing the glorious butternut colors of the Confederate soldier. Those sitting in the front row respectfully made a space for him.

It was cold and damp outside, though the mountains had grown weary of the rain and had finally broken up the clouds and sent them on their way. In the courtroom, the accumulation of body heat was fierce, the humidity high enough to fog the windows. And yet every spectator’s body was tense against his neighbor, seat or wall.

“I guess it’s about time to bring down the curtain on this show,” Goode said amiably enough to Cotton. But what Cotton saw was a man with the satisfied look of a professional killer about to blow the smoke off his six-shooter’s barrel and then wink at the body lying in the street.

“I think it’s just getting started” was Cotton’s bludgeoning response.

As soon as the judge was announced and the jury had filed in, Cotton stood. “Your Honor, I would like to make an offer to the Commonwealth.”

“Offer? What are you getting at, Cotton?” said Atkins.

“We all know why we’re here. It’s not about whether Louisa Mae Cardinal is competent or not. It’s about gas.”

Goode lurched to his feet. “The Commonwealth has a vested interest in seeing that Miss Cardinal’s business—”

Cotton interrupted. “The only business Miss Cardinal has is deciding whether to sell her land.”

Atkins looked intrigued. “What’s your offer?”

“I am prepared to concede that Miss Cardinal is mentally unfit.”

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