Дэвид Балдаччи - Wish You Well

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Precocious 12-year-old Louisa Mae Cardinal lives in the hectic New York City of 1940 with her family. Then tragedy strikes--and Lou and her younger brother, Oz, must go with their invalid mother to live on their great- grandmother's farm in the Virginia mountains.
Suddenly Lou finds herself coming of age in a new landscape, making her first true friend, and experiencing adventures tragic, comic, and audacious. But the forces of greed and justice are about to clash over her new home . . . and as their struggle is played out in a crowded Virginia courtroom, it will determine the future of two children, an entire town, and the mountains they love.
### Amazon.com Review
David Baldacci has made a name for himself crafting big, burly legal thrillers with larger-than-life plots. However, *Wish You Well* , set in his native Virginia, is a tale of hope and wonder and "something of a miracle" just itching to happen. This shift from contentious urbanites to homespun hill families may come as a surprise to some of Baldacci's fans--but they can rest assured: the author's sense of pacing and exuberant prose have made the leap as well.
The year is 1940. After a car accident kills 12-year-old Lou's and 7-year-old Oz's father and leaves their mother Amanda in a catatonic trance, the children find themselves sent from New York City to their great-grandmother Louisa's farm in Virginia. Louisa's hardscrabble existence comes as a profound shock to precocious Lou and her shy brother. Still struggling to absorb their abandonment, they enter gamely into a life that tests them at every turn--and offers unimaginable rewards. For Lou, who dreams of following in her father's literary footsteps, the misty, craggy Appalachians and the equally rugged individuals who make the mountains their home quickly become invested with an almost mythic significance:
> They took metal cups from nails on the wall and dipped them in the water, and then sat outside and drank. Louisa picked up the green leaves of a mountain spurge growing next to the springhouse, which revealed beautiful purple blossoms completely hidden underneath. "One of God's little secrets," she explained. Lou sat there, cup cradled between her dimpled knees, watching and listening to her great-grandmother in the pleasant shade...
Baldacci switches deftly between lovingly detailed character description (an area in which his debt to Laura Ingalls Wilder and Harper Lee seems evident) and patient development of the novel's central plot. If that plot is a trifle transparent--no one will be surprised by Amanda's miraculous recovery or by the children's eventual battle with the nefarious forces of industry in an attempt to save their great-grandmother's farm--neither reader nor character is the worse for it. After all, nostalgia is about remembering things one already knows. *--Kelly Flynn*
### From Publishers Weekly
Baldacci is writing what? That waspish question buzzed around publishing circles when Warner announced that the bestselling author of The Simple Truth, Absolute Power and other turbo-thrillers—an author generally esteemed more for his plots than for his characters or prose—was trying his hand at mainstream fiction, with a mid-century period novel set in the rural South, no less. Shades of John Grisham and A Painted House. But guess what? Clearly inspired by his subject—his maternal ancestors, he reveals in a foreword, hail from the mountain area he writes about here with such strength—Baldacci triumphs with his best novel yet, an utterly captivating drama centered on the difficult adjustment to rural life faced by two children when their New York City existence shatters in an auto accident. That tragedy, which opens the book with a flourish, sees acclaimed but impecunious riter Jack Cardinal dead, his wife in a coma and their daughter, Lou, 12, and son, Oz, seven, forced to move to the southwestern Virginia farm of their aged great-grandmother, Louisa. Several questions propel the subsequent story with vigor. Will the siblings learn to accept, even to love, their new life? Will their mother regain consciousness? And—in a development that takes the narrative into familiar Baldacci territory for a gripping legal showdown—will Louisa lose her land to industrial interests? Baldacci exults in high melodrama here, and it doesn't always work: the death of one major character will wring tears from the stoniest eyes, but the reappearance of another, though equally hanky-friendly, is outright manipulative. Even so, what the novel offers above all is bone-deep emotional truth, as its myriad characters—each, except for one cartoonish villain, as real as readers' own kin—grapple not just with issues of life and death but with the sufferings and joys of daily existence in a setting detailed with finely attuned attention and a warm sense of wonder. This novel has a huge heart—and millions of readers are going to love it. Agent, Aaron Priest. 600,000 first printing; 3-city author tour; simultaneous Time Warner Audiobook; foreign rights sold in the U.K., Bulgaria, Italy, Germany, Denmark, Norway, Sweden, Holland, Turkey; world Spanish rights sold. (One-day laydown, Oct. 24)
Copyright 2000 Reed Business Information, Inc.

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“I bet it can. In fact, on the day in question, you did go outside. Right?”

“Yes, suh.”

“And then you went back inside to get Jimmy, but were unsuccessful.”

“Yes, suh,” Eugene answered, looking down.

“Was that the first time you’d been in the mine in a while?”

“Yes, suh. Since the first of the year. Past winter ain’t that bad.”

“Okay. Now, when the explosion went off, where were you?”

“Eighty feet in. Not to the first curve. Got me the bad leg, ain’t moving fast no more.”

“What happened to you when the explosion occurred?”

“Throwed me ten feet. Hit the wall. Thought I be dead. Held on to my lantern, though. Ain’t know how.”

“Good Lord. Ten feet? A big man like you? Now, do you remember where you put the dynamite charge?”

“Don’t never forget that, Mr. Cotton. Past the second curve. Three hunnerd feet in. Good vein of coal there.”

Cotton feigned confusion. “I’m not getting something here, Eugene. Now, you testified that on occasion you would actually stay in the mine when the dynamite went off. And you weren’t injured then. And yet here, how is it that you were over two hundred feet from the dynamite charge, around not just one but two shaft curves, and the explosion still knocked you ten feet in the air? If you were any closer, you probably would’ve been killed. How do you explain that?”

Eugene too was thoroughly bewildered now. “I can’t, Mr. Cotton. But it done happened. I swear.”

“I believe you. Now, you’ve heard Lou testify as to being knocked down while she was outside the mine. Whenever you were waiting outside the mine, that ever happen to you when the dynamite went off ?”

Eugene was shaking his head before Cotton finished his question. “Little bit of dynamite I used ain’t have nowhere near that kind’a kick. Just getting me some for the bucket. Use more dynamite come winter when I take the sled and mules down, but even that wouldn’t come out the mine like that. Lord, you talking three hunnerd feet in and round two curves.”

“You found Jimmy’s body. Was there rock and stone on it? Had the mine collapsed?”

“No, suh. But I know he dead. He ain’t got no lantern, see. You in that mine with no light, you ain’t know which way in or out. Mind play tricks on you. He ain’t prob’ly even see Jeb pass him heading out.”

“Can you tell us exactly where you found Jimmy?”

“ ’Nuther hunnerd twenty feet in. Past the first curve, but not the second.”

Farmer and merchant sat and stood side by side as they watched Cotton work. Miller fiddled with his hat and then leaned forward and whispered into Goode’s ear. Goode nodded, looked at Eugene, and then smiled and nodded again.

“Well, let’s assume,” said Cotton, “that Jimmy was close to the dynamite charge when it went off. It could have thrown his body a good ways, couldn’t it?”

“If’n he close, sure could.”

“But his body wasn’t past the second curve?”

Goode stood up. “That’s easily explained. The dynamite explosion could have thrown the boy past the second curve.”

Cotton looked at the jury. “I fail to see how a body in flight can negotiate a ninety-degree curve and then proceed on before coming to rest. Unless Mr. Goode is maintaining that Jimmy Skinner could fly of his own accord.”

Ripples of laughter floated across the courtroom. Atkins creaked back in his chair, yet did not smack his gavel to stop the sounds. “Go on, Cotton. This is getting kind’a interesting.”

“Eugene, you remember feeling bad when you were in the mine that day?”

Eugene thought about this. “Hard to recollect. Maybe a little pain in the head.”

“Okay, now, in your expert opinion, could the dynamite explosion alone have caused Jimmy Skinner’s body to end up where it did?”

Eugene looked over at the jury and took his time in eyeing them one by one. “No, suh!”

“Thank you, Eugene. No further questions.”

Goode approached and put the palms of his hands on the witness box and leaned close to Eugene.

“Boy, you live with Miss Cardinal in her house, don’t you?”

Eugene sat back a bit, his gaze steady on the man. “Yes, suh.”

Goode gave the jury a pointed look. “A colored man and a white woman in the same house?”

Cotton was on his feet before Goode finished his question. “Judge, you can’t let him do that.”

“Mr. Goode,” said Atkins, “y’all might do that sort of thing on down Richmond way, but we don’t in my courtroom. If you got something to ask the man about this case, then you do it, or else sit yourself down. And last time I checked, his name was Mr. Eugene Randall, not ‘boy.’ ”

“Right, Your Honor, certainly.” Goode cleared his throat, stepped back, and slid his hands in his pockets. “Now, Mister Eugene Randall, you said in your expert opinion that you were two hundred feet or so from the charge, and that Mr. Skinner was about half that distance from the dynamite and such. You remember saying all that?”

“No, suh. I says I was eighty feet in the mine, so’s I was two hunnerd and twenty feet from the charge. And I says I found Diamond a hunnerd and twenty feet from where I was. That mean he be a hunnerd feet from where I set the dynamite. I ain’t got no way to tell how far he got blowed.”

“Right, right. Now, you ever been to school?”

“No.”

“Never?”

“No, suh.”

“So you never took math, never did any adding and subtracting. And yet you’re sitting up here testifying under oath to all these exact distances.”

“Yep.”

“So how can that be for an uneducated colored man such as yourself? Who’s never even added one plus one under the eye of a teacher? Why should this good jury believe you up here spouting all these big numbers?”

Eugene’s gaze never left Goode’s confident features. “Knowed my numbers real good. Cipher and all. Takeaway. Miss Louisa done taught me. And I right handy with nail and saw. I hepped many a folk on the mountain raise barns. You a carpenter, you got to know numbers. You cut a three-foot board to fill a four-foot space, what ’xactly have you done?”

Laughter floated across the room again, and again Atkins let it go.

“Fine,” said Goode, “so you can cut a board. But in a pitch-dark twisting mine how can you be so sure of what you’re saying? Come on now, Mister Eugene Randall, tell us.” Goode looked at the jury as he said this, a smile playing across his lips.

“ ’Cause it be right there on the wall,” said Eugene.

Goode stared at him. “Excuse me?”

“I done marked the walls in that mine with whitewash in ten-foot parcels over four hunnerd feet in. Lotta folk up here do that. You blasting in a mine, you better durn sure know how fer you got to go to get out. I knowed I do ’cause I got me the bad leg. And that way I ’member where the good coal veins are. You get yourself on down to the mine right now with a lantern, mister lawyer, you see them marks clear as the day. So’s you can put down what I done said here as the word of the Lord.”

Cotton glanced at Goode. To him the Commonwealth’s attorney looked as though someone had just informed him that heaven did not admit members of the legal Bar.

“Any further questions?” Atkins asked Goode. The man said nothing in response but merely drifted back to his table like an errant cloud and collapsed in the chair.

“Mr. Randall,” said Atkins, “you’re excused, sir, and the court wants to thank you for your expert testimony.”

Eugene stood and walked back to his seat. From the balcony Lou observed that his limp was hardly noticeable.

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