Дэвид Балдаччи: Wish You Well

WISH YOU WELL

Also by David Baldacci

Absolute Power

Total Control

The Winner

The Simple Truth

Saving Faith

DAVID

BALDACCI

WISH YOU WELL

This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.

WISH YOU WELL. Copyright © 2000 by Columbus Rose, Ltd. All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means, including information storage or retrieval systems, without permission from the publisher in writing, except by a reviewer who may quote brief passages in a review. For information address Warner Books, Inc., Hachette Book Group, 237 Park Avenue, New York, NY 10017.

A Time Warner Company

ISBN: 978-0-7595-2012-7

A hardcover edition of this book was published in 2000 by Warner Books.

The “Warner Books” name and logo are trademarks of Hachette Book Group, Inc.

First eBook edition: October 2000.

Visit our Web site at www.HachetteBookGroup.com.

To my mother,

the inspiration for this novel

Contents

Author's Note

CHAPTER ONE

CHAPTER TWO

CHAPTER THREE

CHAPTER FOUR

CHAPTER FIVE

CHAPTER SIX

CHAPTER SEVEN

CHAPTER EIGHT

CHAPTER NINE

CHAPTER TEN

CHAPTER ELEVEN

CHAPTER TWELVE

CHAPTER THIRTEEN

CHAPTER FOURTEEN

CHAPTER FIFTEEN

CHAPTER SIXTEEN

CHAPTER SEVENTEEN

CHAPTER EIGHTEEN

CHAPTER NINETEEN

CHAPTER TWENTY

CHAPTER TWENTY-ONE

CHAPTER TWENTY-TWO

CHAPTER TWENTY-THREE

CHAPTER TWENTY-FOUR

CHAPTER TWENTY-FIVE

CHAPTER TWENTY-SIX

CHAPTER TWENTY-SEVEN

CHAPTER TWENTY-EIGHT

CHAPTER TWENTY-NINE

CHAPTER THIRTY

CHAPTER THIRTY-ONE

CHAPTER THIRTY-TWO

CHAPTER THIRTY-THREE

CHAPTER THIRTY-FOUR

CHAPTER THIRTY-FIVE

CHAPTER THIRTY-SIX

CHAPTER THIRTY-SEVEN

CHAPTER THIRTY-EIGHT

CHAPTER THIRTY-NINE

CHAPTER FORTY

TODAY

AUTHOR’S NOTE

The story in Wish You Well is fictional, but the setting, other than the place names, is not. I have been to those mountains, and also was fortunate to grow up with two women who called the high rock home for many years. My maternal grandmother, Cora Rose, lived with my family in Richmond for the last ten years of her life, but spent the prior six decades or so on the top of a mountain in southwestern Virginia. At her knee I learned about that land and the life there. My mother, the youngest of ten, lived on that mountain for the first seventeen years of her life, and while I was growing up she passed along to me many fascinating stories from her youth. Indeed, both the hardships and the adventures experienced by the characters in the novel would not be unfamiliar to her.

In addition to the stories I listened to as a child, I spent considerable time interviewing my mother in preparation for writing Wish You Well , and it was an enlightening time for me, on many levels. Once we reach adulthood, most of us assume we know all there is to know about our parents and other family members. However, if you take the time to ask questions and actually listen to the answers, you may find there is still much to learn about people so close to you. Thus this novel is, in part, an oral history of both where and how my mother grew up. Oral histories are a dying art, which is sad indeed, for they show appropriate respect for the lives and experiences of those who have come before. And, just as important, they document those remembrances, for once those lives are over, that personal knowledge is lost forever. Unfortunately, we live in a time now where everyone seems to be solely looking ahead, as though we deem nothing in the past worthy of our attention. The future is always fresh and exciting, and it has a pull on us that times past simply can never muster. Yet it may well be that our greatest wealth as human beings can be “discovered” by simply looking behind us.

Though I am known for my suspense novels, I have always been drawn to stories of the past in my native Virginia, and tales of people living in places that sharply limited their ambitions, yet provided them with a richness of knowledge and experience few have ever attained. Ironically, as a writer, I’ve spent the last twenty years or so hunting relentlessly for story material, and utterly failed to see a lumberyardful within my own family. However, while it came later than it probably should have, writing this novel was one of the most rewarding experiences of my life.

WISH YOU WELL

CHAPTER ONE

The air was moist, the coming rain telegraphed by plump, gray clouds, and the blue sky fast fading. The 1936 four-door Lincoln Zephyr sedan moved down the winding road at a decent, if unhurried, pace. The car’s interior was filled with the inviting aromas of warm sourdough bread, baked chicken, and peach and cinnamon pie from the picnic basket that sat so temptingly between the two children in the backseat.

Louisa Mae Cardinal, twelve years old, tall and rangy, her hair the color of sun-dappled straw and her eyes blue, was known simply as Lou. She was a pretty girl who would almost certainly grow into a beautiful woman. But Lou would fight tea parties, pigtails, and frilly dresses to the death. And somehow win. It was just her nature.

The notebook was open on her lap, and Lou was filling the blank pages with writings of importance to her, as a fisherman does his net. And from the girl’s pleased look, she was landing fat cod with every pitch and catch. As always, she was very intent on her writing. Lou came by that trait honestly, as her father had such fever to an even greater degree than his daughter.

On the other side of the picnic basket was Lou’s brother, Oz. The name was a contraction of his given one, Oscar. He was seven, small for his age, though there was the promise of height in his long feet. He did not possess the lanky limbs and athletic grace of his sister. Oz also lacked the confidence that so plainly burned in Lou’s eyes. And yet he held his worn stuffed bear with the unbreakable clench of a wrestler, and he had a way about him that naturally warmed other’s souls. After meeting Oz Cardinal, one came away convinced that he was a little boy with a heart as big and giving as God could bestow on lowly, conflicted mortals.

Jack Cardinal was driving. He seemed unaware of the approaching storm, or even the car’s other occupants. His slender fingers drummed on the steering wheel. The tips of his fingers were callused from years of punching the typewriter keys, and there was a permanent groove in the middle finger of his right hand where the pen pressed against it. Badges of honor, he often said.

As a writer, Jack assembled vivid landscapes densely populated with flawed characters who, with each turn of the page, seemed more real than one’s family. Readers would often weep as a beloved character perished under the writer’s nib, yet the distinct beauty of the language never overshadowed the blunt force of the story, for the themes imbedded in Jack Cardinal’s tales were powerful indeed. But then an especially well-tooled line would come along and make one smile and perhaps even laugh aloud, because a bit of humor was often the most effective tool for painlessly driving home a serious point.

Jack Cardinal’s talents as a writer had brought him much critical acclaim, and very little money. The Lincoln Zephyr did not belong to him, for luxuries such as automobiles, fancy or plain, seemed forever beyond his reach. The car had been borrowed for this special outing from a friend and admirer of Jack’s work. Certainly the woman sitting next to him had not married Jack Cardinal for money.