Дэвид Балдаччи - Wish You Well

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Precocious 12-year-old Louisa Mae Cardinal lives in the hectic New York City of 1940 with her family. Then tragedy strikes--and Lou and her younger brother, Oz, must go with their invalid mother to live on their great- grandmother's farm in the Virginia mountains.
Suddenly Lou finds herself coming of age in a new landscape, making her first true friend, and experiencing adventures tragic, comic, and audacious. But the forces of greed and justice are about to clash over her new home . . . and as their struggle is played out in a crowded Virginia courtroom, it will determine the future of two children, an entire town, and the mountains they love.
### Amazon.com Review
David Baldacci has made a name for himself crafting big, burly legal thrillers with larger-than-life plots. However, *Wish You Well* , set in his native Virginia, is a tale of hope and wonder and "something of a miracle" just itching to happen. This shift from contentious urbanites to homespun hill families may come as a surprise to some of Baldacci's fans--but they can rest assured: the author's sense of pacing and exuberant prose have made the leap as well.
The year is 1940. After a car accident kills 12-year-old Lou's and 7-year-old Oz's father and leaves their mother Amanda in a catatonic trance, the children find themselves sent from New York City to their great-grandmother Louisa's farm in Virginia. Louisa's hardscrabble existence comes as a profound shock to precocious Lou and her shy brother. Still struggling to absorb their abandonment, they enter gamely into a life that tests them at every turn--and offers unimaginable rewards. For Lou, who dreams of following in her father's literary footsteps, the misty, craggy Appalachians and the equally rugged individuals who make the mountains their home quickly become invested with an almost mythic significance:
> They took metal cups from nails on the wall and dipped them in the water, and then sat outside and drank. Louisa picked up the green leaves of a mountain spurge growing next to the springhouse, which revealed beautiful purple blossoms completely hidden underneath. "One of God's little secrets," she explained. Lou sat there, cup cradled between her dimpled knees, watching and listening to her great-grandmother in the pleasant shade...
Baldacci switches deftly between lovingly detailed character description (an area in which his debt to Laura Ingalls Wilder and Harper Lee seems evident) and patient development of the novel's central plot. If that plot is a trifle transparent--no one will be surprised by Amanda's miraculous recovery or by the children's eventual battle with the nefarious forces of industry in an attempt to save their great-grandmother's farm--neither reader nor character is the worse for it. After all, nostalgia is about remembering things one already knows. *--Kelly Flynn*
### From Publishers Weekly
Baldacci is writing what? That waspish question buzzed around publishing circles when Warner announced that the bestselling author of The Simple Truth, Absolute Power and other turbo-thrillers—an author generally esteemed more for his plots than for his characters or prose—was trying his hand at mainstream fiction, with a mid-century period novel set in the rural South, no less. Shades of John Grisham and A Painted House. But guess what? Clearly inspired by his subject—his maternal ancestors, he reveals in a foreword, hail from the mountain area he writes about here with such strength—Baldacci triumphs with his best novel yet, an utterly captivating drama centered on the difficult adjustment to rural life faced by two children when their New York City existence shatters in an auto accident. That tragedy, which opens the book with a flourish, sees acclaimed but impecunious riter Jack Cardinal dead, his wife in a coma and their daughter, Lou, 12, and son, Oz, seven, forced to move to the southwestern Virginia farm of their aged great-grandmother, Louisa. Several questions propel the subsequent story with vigor. Will the siblings learn to accept, even to love, their new life? Will their mother regain consciousness? And—in a development that takes the narrative into familiar Baldacci territory for a gripping legal showdown—will Louisa lose her land to industrial interests? Baldacci exults in high melodrama here, and it doesn't always work: the death of one major character will wring tears from the stoniest eyes, but the reappearance of another, though equally hanky-friendly, is outright manipulative. Even so, what the novel offers above all is bone-deep emotional truth, as its myriad characters—each, except for one cartoonish villain, as real as readers' own kin—grapple not just with issues of life and death but with the sufferings and joys of daily existence in a setting detailed with finely attuned attention and a warm sense of wonder. This novel has a huge heart—and millions of readers are going to love it. Agent, Aaron Priest. 600,000 first printing; 3-city author tour; simultaneous Time Warner Audiobook; foreign rights sold in the U.K., Bulgaria, Italy, Germany, Denmark, Norway, Sweden, Holland, Turkey; world Spanish rights sold. (One-day laydown, Oct. 24)
Copyright 2000 Reed Business Information, Inc.

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Walker smiled and gripped his gunbelt. “Y’all come on with me, children. Let Cotton go work his magic.”

Cotton said, “Thank you, Howard, but helping us might cost you some popularity in this town.”

“My daddy and brother died in those mines. Southern Valley can go to hell. Now, you get on in there and show them what a fine lawyer you are.”

After Cotton went back in, Walker took Lou and Oz in through a rear entrance and got them settled at a spot in the balcony reserved for special visitors, after receiving a solemn promise from Oz that he would not be heard from again.

Lou looked at her brother and whispered. “Oz, you were really brave to do that. I was afraid to.” He smiled at her. Then she realized what was missing. “Where’s the bear I bought you?”

“Shoot, Lou, I’m too old for bears and thumb sucking.”

Lou looked at her brother and suddenly realized that this was true. And a tear clutched at her eye, for she suddenly had an image of her brother grown tall and strong and no longer in need of his big sister.

Down below, Cotton and Goode were having a heated sidebar with Judge Atkins at the bench.

“Now look here, Cotton,” said Atkins. “I’m not unmindful of what you’re saying about George Davis, and your objection is duly noted for the record, but Louisa delivered two of those jurors into this world, and the Commonwealth didn’t object to that.” He looked over at Goode. “Mr. Goode, will you excuse us for a minute here?”

The lawyer looked shocked. “Your Honor, an ex parte contact with counsel? We don’t do those sorts of things in Richmond.”

“Well, damn good thing this ain’t Richmond then. Now, just take yourself on over there for a bit.” Atkins waved his hand like he was flicking at flies, and Goode reluctantly moved back to his counsel table.

“Cotton,” said Atkins, “we both know there’s a lot of interest in this case, and we both know why: money. Now, we got Louisa laying over to hospital and most folks thinking she’s not going to make it anyway. And then we got us Southern Valley cash staring folks in the face.”

Cotton nodded. “So you’re thinking the jury is going to go against us despite the merits of the case?”

“Well, I can’t really say, but if you do lose here—”

“Then having George Davis on the jury gives me real good grounds for appeal,” finished Cotton.

Atkins looked very pleased that Cotton had seized upon this strategy so readily. “Why, I never thought of that. Real glad you did. Now let’s get this show on the road.”

Cotton moved back to his counsel table while Atkins smacked his gavel and announced, “Jury is hereby impaneled. Be seated.”

The jury collectively sat itself down.

Atkins looked them over slowly before his gaze came to rest on Davis. “One more thing now before we start. I’ve had my backside on this here bench for thirty-four years, and there’s never been anything close to jury tampering or messing around along those lines in my courtroom. And there’s never going to be such, for if there ever was, the folks that did it will think spending their whole lives in the coal mines a birthday party compared to what I’ll do to them.” He gave Davis one more good stare, fired similar broadsides at both Goode and Miller, and then said, “Now the parties have waived their opening statements. So Commonwealth, call your first witness.”

“Commonwealth calls Dr. Luther Ross,” said Goode.

The ponderous Dr. Ross rose and went to the witness stand. He had the gravity lawyers liked, when he was on their side; otherwise he was just a well-paid liar.

Fred swore him in. “Raise your right hand, put your left one on the Bible. Do you solemnly swear to tell the truth, the whole truth, and nothing but the truth so help you God?”

Ross said he most certainly would tell the truth and nothing but, and wedged himself into the witness chair.

Fred retreated and Goode approached.

“Dr. Ross, sir, would you state your mighty fine credentials for the jury please?”

“I’m chief of the asylum down over to Roanoke. I’ve taught courses in mental evaluation at the Medical College in Richmond, and at the University of Virginia. And I’ve personally handled over two thousand cases like this one.”

“Well now, I am sure Mr. Longfellow and this court would agree that you are truly an expert in your field. In fact, you may be the number-one expert in your field, and I would say this jury deserves to hear nothing less.”

“Objection, Your Honor!” said Cotton. “I don’t believe there’s any proof that Mr. Goode is an expert in ranking experts.”

“Sustained, Cotton,” said Atkins. “Get on with it, Mr. Goode.”

Goode smiled benignly, as though this tiny skirmish had been a way for him to evaluate Cotton’s mettle. “Now, Mr. Ross,” said Goode, “have you had occasion to examine Louisa Mae Cardinal?”

“I have.”

“And what is your expert opinion on her mental competence?”

Ross smacked the frame of the witness box with one of his flabby hands. “She is not mentally competent. In fact, my considered opinion is she should be institutionalized.”

There came a loud buzz from the crowd, and Atkins impatiently pounded his gavel. “Quiet down,” said he.

Goode continued. “Institutionalized? My, my. That’s some serious business. So you’re saying she’s in no shape to handle her own affairs? Say, for the sale of her property?”

“Absolutely not. She could be easily taken advantage of. Why, that poor woman can’t even sign her own name. Probably doesn’t know what her name is.” He eyed the jury with a most commanding look. “Institutionalized,” he said again in the projected voice of a stage actor.

Goode asked a series of carefully crafted questions, and to each he got the answers he wanted: Louisa Mae was undoubtedly mentally unfit, according to the esteemed expert Dr. Luther Ross.

“No further questions,” Goode finally said.

“Mr. Longfellow?” said Atkins. “I suspect you want to have a go.”

Cotton got up, took off his glasses, and dangled them by his side as he addressed the witness.

“You say you’ve examined over two thousand people?”

“That’s correct,” Ross said with a lift of his chest.

“And how many did you find incompetent, sir?”

Ross’s chest immediately deflated, for he clearly hadn’t expected that inquiry. “Uh, well, it’s hard to say.”

Cotton glanced at the jury and moved toward him. “No, it’s really not. You just have to say it. Let me help you a little. A hundred percent? Fifty percent?”

“Not a hundred percent.”

“But not fifty?”

“No.”

“Let’s whittle it on down now. Eighty? Ninety? Ninety-five?”

Ross thought for a few moments. “Ninety-five percent sounds about right.”

“Okay. Let me see now. I think that works out to be nineteen hundred out of two thousand. Lord, that’s a lot of crazy people, Dr. Ross.”

The crowd laughed and Atkins banged his gavel, but a tiny smile escaped him as well.

Ross glared at him. “I just call ’em like I see ’em, lawyer.”

“Dr. Ross, how many stroke victims have you examined to determine whether they’re mentally competent?”

“Uh, why, none that I can recall offhand.”

Cotton paced back and forth in front of the witness, who kept his gaze on the attorney as an even line of sweat appeared on Ross’s brow. “I suppose with most of the people you see, they have some mental disease. Here we have a stroke victim whose physical incapacity may make it seem like she’s not mentally fit even though she may very well be.” Cotton sought out and found Lou in the balcony. “I mean, just because one can’t talk or move doesn’t mean one can’t understand what’s going on around her. She may well see, hear, and understand everything. Everything!”

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