Дэвид Балдаччи - Wish You Well

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Precocious 12-year-old Louisa Mae Cardinal lives in the hectic New York City of 1940 with her family. Then tragedy strikes--and Lou and her younger brother, Oz, must go with their invalid mother to live on their great- grandmother's farm in the Virginia mountains.
Suddenly Lou finds herself coming of age in a new landscape, making her first true friend, and experiencing adventures tragic, comic, and audacious. But the forces of greed and justice are about to clash over her new home . . . and as their struggle is played out in a crowded Virginia courtroom, it will determine the future of two children, an entire town, and the mountains they love.
### Amazon.com Review
David Baldacci has made a name for himself crafting big, burly legal thrillers with larger-than-life plots. However, *Wish You Well* , set in his native Virginia, is a tale of hope and wonder and "something of a miracle" just itching to happen. This shift from contentious urbanites to homespun hill families may come as a surprise to some of Baldacci's fans--but they can rest assured: the author's sense of pacing and exuberant prose have made the leap as well.
The year is 1940. After a car accident kills 12-year-old Lou's and 7-year-old Oz's father and leaves their mother Amanda in a catatonic trance, the children find themselves sent from New York City to their great-grandmother Louisa's farm in Virginia. Louisa's hardscrabble existence comes as a profound shock to precocious Lou and her shy brother. Still struggling to absorb their abandonment, they enter gamely into a life that tests them at every turn--and offers unimaginable rewards. For Lou, who dreams of following in her father's literary footsteps, the misty, craggy Appalachians and the equally rugged individuals who make the mountains their home quickly become invested with an almost mythic significance:
> They took metal cups from nails on the wall and dipped them in the water, and then sat outside and drank. Louisa picked up the green leaves of a mountain spurge growing next to the springhouse, which revealed beautiful purple blossoms completely hidden underneath. "One of God's little secrets," she explained. Lou sat there, cup cradled between her dimpled knees, watching and listening to her great-grandmother in the pleasant shade...
Baldacci switches deftly between lovingly detailed character description (an area in which his debt to Laura Ingalls Wilder and Harper Lee seems evident) and patient development of the novel's central plot. If that plot is a trifle transparent--no one will be surprised by Amanda's miraculous recovery or by the children's eventual battle with the nefarious forces of industry in an attempt to save their great-grandmother's farm--neither reader nor character is the worse for it. After all, nostalgia is about remembering things one already knows. *--Kelly Flynn*
### From Publishers Weekly
Baldacci is writing what? That waspish question buzzed around publishing circles when Warner announced that the bestselling author of The Simple Truth, Absolute Power and other turbo-thrillers—an author generally esteemed more for his plots than for his characters or prose—was trying his hand at mainstream fiction, with a mid-century period novel set in the rural South, no less. Shades of John Grisham and A Painted House. But guess what? Clearly inspired by his subject—his maternal ancestors, he reveals in a foreword, hail from the mountain area he writes about here with such strength—Baldacci triumphs with his best novel yet, an utterly captivating drama centered on the difficult adjustment to rural life faced by two children when their New York City existence shatters in an auto accident. That tragedy, which opens the book with a flourish, sees acclaimed but impecunious riter Jack Cardinal dead, his wife in a coma and their daughter, Lou, 12, and son, Oz, seven, forced to move to the southwestern Virginia farm of their aged great-grandmother, Louisa. Several questions propel the subsequent story with vigor. Will the siblings learn to accept, even to love, their new life? Will their mother regain consciousness? And—in a development that takes the narrative into familiar Baldacci territory for a gripping legal showdown—will Louisa lose her land to industrial interests? Baldacci exults in high melodrama here, and it doesn't always work: the death of one major character will wring tears from the stoniest eyes, but the reappearance of another, though equally hanky-friendly, is outright manipulative. Even so, what the novel offers above all is bone-deep emotional truth, as its myriad characters—each, except for one cartoonish villain, as real as readers' own kin—grapple not just with issues of life and death but with the sufferings and joys of daily existence in a setting detailed with finely attuned attention and a warm sense of wonder. This novel has a huge heart—and millions of readers are going to love it. Agent, Aaron Priest. 600,000 first printing; 3-city author tour; simultaneous Time Warner Audiobook; foreign rights sold in the U.K., Bulgaria, Italy, Germany, Denmark, Norway, Sweden, Holland, Turkey; world Spanish rights sold. (One-day laydown, Oct. 24)
Copyright 2000 Reed Business Information, Inc.

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“Call the next case,” said Atkins. It was his only case today, but the law court had its rituals.

Fred announced the pending matter of Commonwealth versus Louisa Mae Cardinal.

Atkins smiled broadly from his judicial perch. “Mr. Goode, I’m honored to have you in my courtroom, sir. Please state the Commonwealth’s position.”

Goode rose and hooked a finger in his lapel.

“This certainly is not a pleasant task, but one that the Commonwealth has a duty to perform. Southern Valley Coal and Gas has made an offer to purchase property solely owned by Miss Cardinal. We believe that because of her recent stroke she is not legally fit to make an informed decision on that offer. Her only relatives are both underage and thus disqualified from acting for her. And we understand that the surviving parent of these children is herself severely mentally incapacitated. We also have it on good authority that Miss Cardinal has signed no power of attorney allowing others to represent her interests.”

On this Cotton cast a sharp glance at Miller, who just looked ahead in his cocksure manner.

Goode continued, “In order to fully protect Miss Cardinal’s rights in this matter, we are seeking to have her declared mentally unfit, and to have a guardian appointed so that an orderly disposition of her affairs may be conducted, including this very lucrative offer from Southern Valley.”

Atkins nodded as Goode sat down. “Thank you, Mr. Goode. Cotton?”

Cotton rose and stood before the bench. “Your Honor, what we have here is an attempt to circumvent rather than facilitate Miss Cardinal’s wishes. She has already rejected an offer from Southern Valley to purchase her land.”

“Is that true, Mr. Goode?” queried the judge.

Goode looked confident. “Miss Cardinal rejected one such offer; however, the present offer is for considerably more money, and thus must be separately entertained.”

“Miss Cardinal made it very clear that she would not sell her land at any price to Southern Valley,” said Cotton. He looped his finger around his coat lapel as Goode had done, then thought better of it and removed it.

“Do you have any witnesses to that effect?” asked Judge Atkins.

“Uh . . . just me.”

Goode immediately pounced. “Well, if Mr. Longfellow intends to make himself a material witness in this case, I insist he recuse himself as counsel for Miss Cardinal.”

Atkins looked at Cotton. “Is that what you want to do?”

“No, it’s not. However, I can represent Louisa’s interests until she’s better.”

Goode smiled. “Your Honor, Mr. Longfellow has expressed a clear prejudice to my client in full view of the court. He can hardly be considered independent enough to fairly represent Miss Cardinal’s interests.”

“I’m inclined to agree with him there, Cotton,” said Atkins.

“Well, then we contend that Miss Cardinal is not mentally unfit,” countered Cotton.

“Then we have ourselves a dispute, gentlemen,” said the judge. “I’m setting this for trial in one week.”

Cotton was astonished. “That’s not enough time.”

“One week’s fine with us,” said Goode. “Miss Cardinal’s affairs deserve to be attended to with all due speed and respect.”

Atkins picked up his gavel. “Cotton, I’ve been over to the hospital to see Louisa. Now, whether she has her senses or not, it seems to me those children are going to at least need a guardian. We might as well get it done as quick as possible.”

“We can take care of ourselves.”

They all looked to the back of the courtroom, where Lou was now standing. “We can take care of ourselves,” she said again. “Until Louisa gets better.”

“Lou,” said Cotton, “this is not the time or place.”

Goode smiled at them. “Well, you two sure are adorable children . I’m Thurston Goode. How y’all doing?”

Neither Lou nor Oz answered him.

“Young lady,” said Atkins, “come up here.”

Lou swallowed the lump in her throat and walked up to the bench, where Atkins peered down at her, like Zeus to mortal.

“Young lady, are you a member of the State Bar?”

“No. I mean . . . no.”

“Do you know that only members of the Bar may address the court except in the most extraordinary circumstances?”

“Well, since this concerns me and my brother, I think the circumstances are extraordinary.”

Atkins looked at Cotton and smiled before looking back at Lou. “You’re smart, that’s easy to see. And quick. But the law is the law, and children your age can’t live by themselves.”

“We have Eugene.”

“He’s not a blood relative.”

“Well, Diamond Skinner didn’t live with anybody.”

Atkins looked over at Cotton. “Cotton, will you explain this to her, please.”

“Lou, the judge is right, you’re not old enough to live by yourself. You need an adult.”

Lou’s eyes suddenly filled with tears. “Well, we keep running out of those.” She turned and raced down the aisle, pushed open the double doors, and was gone. Oz fled after her.

Cotton looked back up at Judge Atkins.

“One week,” said the judge. He smacked his gavel and returned to his chambers, like a wizard resting after throwing a particularly difficult spell.

Outside the courtroom, Goode and Miller waited for Cotton. Goode leaned in close to him. “You know, Mr. Longfellow, you can make this a lot easier on everybody if you’d just cooperate. We all know what a mental examination is going to reveal. Why put Miss Cardinal through the humiliation of a trial?”

Cotton leaned even closer to Goode. “Mr. Goode, you could give a damn whether Louisa’s affairs are accorded the respect they deserve. You’re here as a hired gun for a big company looking to twist the law so they can take her land.”

Goode just smiled. “We’ll see you in court.”

That night Cotton labored behind his piled-high desk. He mumbled to himself, wrote things down and then scratched them out, and paced like an expectant father. The door creaked open, and Cotton stared as Lou came in with a basket of food and a pot of coffee.

“Eugene drove me down in the car to see Louisa,” she explained. “I got this over at the New York Restaurant. Figured you probably skipped supper.”

Cotton looked down. Lou cleared a place on his desk, laid out the food, and poured the coffee. Finished, she made no move to leave.

“I’m pretty busy, Lou. Thank you for the food.”

Cotton went to his desk and sat down, but he moved not one piece of paper, opened not a single book.

“I’m sorry about what I said in court,” said Lou.

“It’s all right. I guess if I were you, I would’ve done the same thing.”

“You sounded really good.”

“On the contrary, I failed utterly.”

“But the trial hasn’t started yet.”

He took off his glasses and rubbed them with his tie. “Truth is I haven’t really tried a case in years, and even then I wasn’t very good. I just file papers, write up deeds and wills, that sort of thing. And I’ve never gone up against a lawyer like Goode.” He put his glasses back on, seeing clearly for perhaps the first time all day. “And I wouldn’t want to promise you something I can’t deliver.”

This line stood between them like a wall of flames.

“I believe in you, Cotton. Whatever happens, I believe in you. I wanted you to know that.”

“Why in the world do you have faith in me? Haven’t I done nothing except let you down? Quoted miserable poetry that can’t change anything.”

“No, all you’ve tried to do is help.”

“I can never be the man your father was, Lou. In fact, I’m really not good for all that much, it appears.”

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