Karin Slaughter - Skin Privilege

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Skin Privilege: краткое содержание, описание и аннотация

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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He threw the contents of the cup at Charlotte, and Lena could smell it now.

Lighter fluid.

'What are you-'

He opened his door. There was a click, then a flame ignited from the silver lighter he held in his hand. He tossed the lighter at Charlotte as he left the car, and Lena lunged for it, screaming, 'No-' as she tried to catch it.

She wasn't fast enough. The lighter fell onto Charlotte 's lap, the flame ignited the liquid and Lena was blown back into the front seat as the woman caught fire.

Charlotte made an animal sound, her arms flailing as the flames began to consume her.

'No,' Lena gasped, unable to help, unable to do anything but watch Charlotte burn. 'No!' The car filled with smoke and the smell of burning meat. Lena clawed at the door, trying to get it open. Finally, she managed to find the handle and fell out of the car. She hit the ground hard, pain tearing through her shoulder as she scrambled to her feet.

Clint appeared. What she'd thought was a bucket was actually a gas can. He pushed past Lena and threw more fuel onto the SUV.

She pounced on him, flailing her arms wildly, scratching at his face, screaming gibberish as she took out her rage on him. Clint slammed his fist into the side of her head so hard that she reeled back, sick with pain. Hot bile roiled up her throat and Lena bent over, vomiting in the grass.

There was a small explosion as part of the SUV ignited. Lena rolled to her knees, trying to crawl away from the vehicle before the whole thing went up. The smoke and heat were too much. She fell onto her side, wheezing. She could hear a noise that could not be human: high-pitched screeching. Charlotte. She was still alive, still conscious of the flames that were devouring her.

Lena rolled onto her stomach, knowing it was too late for Charlotte, that she should get as far away from the car as possible. She tried to move, but her body gave out on her. Suddenly, she was scooped up by the waist of her pants, dragged toward the bleachers. The car exploded again, so loud that it must have been the gas tank. She was flung into the stands, her head banging against the metal. The thud vibrated in her ears; the gas can tumbled down beside her.

Clint was on top of her, his face inches from hers. 'You still alive?'

Lena coughed, feeling like her lungs had been burned. She could barely breathe with him on top of her. 'Why?' she managed. 'Why are you doing this?'

He sat back on his knees, brushing debris off his arms and legs, looking at it like he had just come home from church and couldn't understand why he'd gotten so dirty.

'Why?' she insisted, her voice thick with grief.

In the light of the fire, she could see his face, the way he looked down at her with something like pity. 'I can't tell you anything, Lena. You'll have to ask Hank.'

THURSDAY EVENING

TWENTY-ONE

Sara sat outside the Elawah County Hospital, the cold concrete of the bench penetrating her jeans. She was sick of hospitals, sick of the slow way everything moved in them. No wonder people were so furious at the healthcare industry. The tox screen, the blood work, the X-rays – everything had taken twice as long as it should have, and then a doctor had to be located, a pharmacist called in, a nurse found. All these slow machinations were designed specifically to cover everyone's ass in case a mistake was made; the wrong lab report delivered, the wrong drug administered, an incorrect diagnosis given. Meanwhile, the patient suffered in limbo. It was absolutely maddening.

The only saving grace was that Hank had not been aware of the wait; he had remained comatose during the short ride to the hospital and when they had triaged him in the ER and moved him to the ICU, not much about his condition had changed. Still, Sara did not hold out any great hope. His body was racked with infection. His heart was weakened from years of drug use and his lungs were showing mid-stage emphysema.

Sara's biggest concern was the burn marks around his wrists and feet. On first glance, they had seemed to match the other cuts and abrasions on Hank's body. Closer inspection proved that they were rope burns. She could tell from the sloping angle of the pattern on his wrists that his hands had been tied away from his body. His ankles had been bound together. What's more, he had been recently beaten. Two ribs were broken and there was a nasty bruise on his lower abdomen where someone had either punched or kicked him.

Surprisingly, the most immediate problem they'd had to deal with was drug withdrawal. For reasons of his own, Hank had stopped the meth cold turkey and his body's response had been to rebel completely. His organs were trying to shut down, to begin the cascade that would eventually lead to his death.

Working at Grady Hospital during her internship, Sara had seen her share of homeless addicts come through the emergency room doors. They were little more than the walking dead, their health so deteriorated that it was shocking that they were capable of standing upright. Pneumonia, hepatitis, scurvy, severe dehydration… Years had passed since she'd worked with these hopeless souls, and she had been so shocked to see Hank's condition when she'd first seen him lying in his backyard that for a moment, she hadn't been able to act.

The only thing she had been able to do for him tonight was help process him through the system. As long as he remained stable through the night, he would be transferred to a larger hospital first thing in the morning.

A silver car turned into the parking lot. Sara's heart sank when she saw it wasn't her BMW. Jeffrey should be here any minute now, and she was anxious to see him. He had called Sara at the hospital and told her about searching Lena's hotel room, the phone call she had made to Coastal State

Prison. According to the records, Lena had visited Ethan Green the same day the SUV was burned. There had to be a connection, but Jeffrey hadn't wanted to talk about it over the phone. He told her he would wait at the motel for the warden to call him back, then he would pick up Sara at the hospital.

She could tell just by listening to him that no matter what the warden said, Jeffrey had already decided to see Ethan for himself. He thought threats and intimidation would work on the con, but Sara knew better. Men like Ethan Green did not curl up into a ball when they were threatened. They coiled like rattlesnakes and prepared to attack.

Sara had made a pact with herself the night before that no matter what Jeffrey did, she was going to stand by him. After sixteen years, she knew that her husband was never going to see a person trapped in a burning building and sit back, leaving it to someone else to save them. Sara had to accept this facet of his personality and support his choice, because it was this goodness that had drawn her to him in the first place. It was against his nature to walk away.

The glass doors to the emergency room slid open and Fred Bart walked out, patting his pockets. 'Hey there, darlin',' he called, spotting Sara on the bench. He found his cigarettes, gave her a rueful grin and tucked them back in his pocket.

'Lost in your thoughts?' he asked, sitting beside her without waiting for an invitation. 'Looks like rain, don't it?'

Sara looked up at the night sky, realizing that he was right. 'Yes.'

'My sister's here.' He squared his shoulders, showed his straight, tiny teeth. 'I'm an uncle!' He bumped her on the shoulder, an overfamiliar gesture, but Sara didn't protest because he looked so happy.

'Your first?'

'Third!' he told her, exuberant. 'I guess you see little babies a lot what with being a pediatrician. Do you ever get over how teeny they are? I mean, just the teeniest things.'

'No,' Sara admitted, his happiness distracting her.

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