Karin Slaughter - Skin Privilege

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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Jeffrey stood up just as the door opened. The maid did a double take when she saw him, a scowl on her face.

She demanded, 'What the fuck are you doing?'

'Can you come back in ten minutes?'

'Can you put that mattress back where it belongs?' Jeffrey didn't snap to, and she tucked her hands onto her hips. 'I ain't got all day, mister.'

He took out his badge and showed it to her.

She squinted at the tiny letters, unimpressed. ' Grant County. Sounds like a real shithole. You with the mattress division, checking to see if people pulled off the tags?'

Jeffrey put the mattress back in place, hoping he could keep her talking. 'Did you ever meet the woman who was staying here?'

'The one what gave Jake the slip?' She chuckled, walking into the room. 'And to think I voted for that dipshit.'

' Lena 's a friend of mine,' he told the woman. 'I'm trying to help her out.'

'Ain't you the gallant knight.' She took a rag out of her pocket and started wiping down the phone on the bedside table, mumbling, 'Must've used the phone a lot. Damn greasy fingerprints are all over it,' Her head was bent, but she looked up at Jeffrey as if she was wondering why he was still here.

'Thanks for your help,' he told the woman, though the opposite was the case.

Jeffrey was halfway toward the stairs when he realized the maid may have been more helpful than she'd intended. He hadn't seen Lena 's cell phone in the hotel room, so it must have been in her car. Frank Wallace, his second in command, could run a records check to see who she had been talking to before the night the Escalade was torched, or maybe even after. He would also put out his own APB on Hank's Mercedes and maybe have Frank call in a few favors with the Highway Patrol to see if they could keep an eye out for Lena. As with Jeffrey's phone, Sara's couldn't get a cell signal at the hotel, so he would have to call Frank on the walk back.

Jeffrey stopped on the bottom stair. Christ, what an idiot. If he couldn't get a cell signal at the hotel, neither could Lena.

He jogged toward the front office again. This time, the kid was waiting at the counter, ready to serve. He asked, 'Find anything?'

Jeffrey shot back his own question. 'Did Detective Adams make any phone calls while she was here?'

'She made a long-distance one before she left.'

Jeffrey knew from his own bill that the motel charged fifty cents a minute for local calls and two dollars a minute for long distance. The calls were big money and the motel would keep exact records. 'Let me see all of her calls.'

The teenager pulled a stack of papers off the printer. 'There was only one,' he explained. 'Got a nine-one-two area code.'

The number looked familiar. 'That's Savannah.'

'Yeah, I think so.'

Jeffrey grabbed the phone off the counter and dialed the number.

LENA

TWENTY

Charlotte 's face was obscured by the duct tape covering her mouth, so that all Lena could see was a pair of bright, terrified eyes. The woman trembled with fear, her sobs muffled by the tape. Lena glanced in the rearview mirror as she drove the SUV down a dark road, trying to silently communicate to Charlotte to just hold on, that Lena would find a way out of this. Though, how she would manage their escape, Lena did not know.

The tattooed man who had hit Lena was behind them, driving her Celica. She had no idea where they were going or why. She just kept driving because even though she could not see the masked face of the man in the backseat, she knew that he was not fucking around. The way he held the gun told her all that she needed to know. The weapon was like an extension of his hand. He was not afraid to use it.

Lena thought about Evelyn Johnson, Ethan driving her in his truck to that clearing in the woods where she was murdered. Had Ethan looked in his rearview mirror and seen the fear in Evelyn's eyes, knowing there was nothing that he could do? Had he been just as afraid himself? Or had he been squirming in his seat, fighting the excitement building between his legs as he thought about what was to come?

'Turn here,' the man in the mask said, and Lena followed orders, turning onto Laskey Street, which ran behind the school. There was no urgency in his voice and he seemed to have no particular plan in mind. As far as she could tell, he was making her drive in a circle around the periphery of the high school.

'Next right,' he said.

Lena looked at Charlotte again. She asked the man, 'Why are you doing this?'

'Why do you think?'

'Did Ethan send you?'

'Who's Ethan?'

'If Ethan sent you, then this is between me and him. Charlotte doesn't have anything to do with this. I haven't even seen her since high school.'

'Honey, I don't know what you're talking about.'

She didn't know if he was telling the truth or playing with her. Had they followed her to Coastal State Prison or just waited for her to show back up in town? There was nothing in her motel room that would tell them where she had been. Ethan's arrest jacket was tucked back in its hiding place behind the CD changer in the trunk of her Celica. The only thing of value in the room was her Glock, and they obviously didn't need that.

Lena glanced over her shoulder. The man was small but well built. He sat casually with his legs spread apart, his left arm draped over the back of the seat, the gun in his hand pointing at Charlotte 's neck.

He said, 'What are you looking at?'

'Who are you?' Lena asked. Did the mask mean he was going to let them go? She had already seen his flunky's face, though maybe that didn't matter because his cover had been blown two days ago outside of Hank's house.

She looked around for something – anything -that could be used as a weapon. Other than the keys, there was nothing but a Styrofoam cup in one of the holders. She let her hand slide down the wheel and pressed her knuckles against the side of the cup. The contents were cold, probably water.

'Keep going,' the man said. 'Take another right up here.'

Lena ignored him, going straight. He clicked his tongue as if she were a rebellious child, but didn't say anything else.

Rule number one when faced with an abduction was to not let the perpetrator change your location. If he jumped you in a parking lot, then you fought tooth and nail to stay in that parking lot. You didn't get in a car with him and you didn't let him drag you somewhere else. Once he had control of you and the situation, he could do whatever he wanted. There was no going back.

Lena slowed the car, keeping her eye on the Celica behind them, wondering what she was getting herself – and Charlotte – into.

The man said, 'You really like pushing your luck, don't you?'

Lena stopped the car. She turned around to face him. 'What do you want from us? Why is Charlotte here?'

The back door beside Charlotte opened. The man with the red swastika stood there.

The man with the gun ordered, 'Give her a little incentive so she knows we're not playing around.'

The thug reached around to the back of his pants. Lena braced herself for him to pull a gun and shoot them both, but what he did instead was pull out a rolled-up plastic bag.

'What are you doing?' Lena asked, but she knew well enough when the man unrolled the bag and took out a filled syringe.

Charlotte knew what was coming before Lena did. She panicked, tucking her arms behind her back, struggling to protect herself as the thug tapped the side of the syringe, squirted some liquid out of the needle. She started to flail desperately when he grabbed her arm, then suddenly it seemed to Lena that something inside of the other woman just snapped. She simply gave up, holding out her arm, waiting for the needle to go in.

'No…' Lena said, but it was too late. The plunger was pressed. Charlotte closed her eyes, a soft sound like a sigh coming from her throat.

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