Karin Slaughter - Skin Privilege

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Skin Privilege: краткое содержание, описание и аннотация

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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This had to be Lena 's mother. She had the same olive skin and piercing eyes. She wore her hair a little shorter, but it looked almost the same as Lena 's did now. Her neck had that same swan-like curve and Jeffrey could tell from looking at her that she had that same attitude that some women took as threatening and most men took as sexy. Jeffrey imagined she'd been quite the draw to the locals. It would have taken a cop's arrogance to look past that haughty tilt to the woman's chin and the wry amusement in her eyes.

Jeffrey finally left the house, turning the thumb latch on the knob to lock the kitchen door. He'd left all the lights on in hopes of discouraging burglars, or maybe it was the thought of going back into the depressing house that made him not bother.

He was finished fucking around with this. A woman had been burned alive. Jeffrey had been shot at. A man had been stabbed to death and thrown through their window. Hank Norton was on his deathbed at the hospital.

It was time to find Lena.

Jeffrey sat on the front steps and studied the map until he found the route he was looking for. Sara had been right about the town being laid out in a large rectangle with a forest in the middle. There would be trails through the forest, shortcuts that had been used for years. Maybe even a fort or some kind of hastily built shelter where kids went to smoke pot and get laid. When Jeffrey was a teenager, he'd had a similar hideout. It wasn't a big stretch to think there was one in Reece, too.

Jeffrey had given Sara his cell phone because the battery on hers was dead. He went to the BMW and took her phone off the charger, slipping it into his pocket and locking the car before heading toward the end of the street. Given Hank's current condition, there was no way the old man had helped Lena in her escape from police custody. This left Lena on her own, which meant she had left the hospital by foot. Looking at the map, Jeffrey could see the path she might have taken from the hospital to Hank's house. He assumed she had come here first to search for money. The house had been turned upside down by somebody. That somebody could very well have been Lena.

Jeffrey doubted very seriously that the cruiser Jake Valentine had sent to the house the night of Lena 's escape acted as a deterrent. Hank's backyard connected to his neighbors'. Lena could have easily gone in through the back door without anyone on the street noticing. If Deputy Don Cook was in that cruiser, he was probably doing the crossword and eating some crackers while she ransacked the house.

He was losing what little daylight was left standing there thinking about all this. Jeffrey took off his jacket and rolled up his sleeves as he walked up the street. He passed the high school, and wondered where Lena was going to sleep now that the classroom wasn't an option. Hank's bar had burned down, but he remembered Valentine telling him that the police tape on the door had been cut. Jeffrey shook his head, thinking if Lena had been staying at the bar all this time while Jeffrey and Sara were next door at the motel, he was going to kill her.

There was only one certainty in all of this, and that was that Lena would have to go somewhere for shelter. She would need food, clothes, water. Jeffrey looked up at the sun, wishing he had brought some water with him. Of course, given the state of the house, it was probably wise he hadn't ingested anything there.

At the top of the hill, he took out the map again, checking to make sure he was still on the right route. He saw skid marks on the road where two cars had almost collided and figured a couple of kids had narrowly missed getting their cars totaled.

Jeffrey could hear traffic from the highway as he took the next left. A large field on his right led into a dense forest, and he wondered if this was the same forest that backed onto the motel. Jeffrey consulted the map again and saw that it was. Lena could have walked from Hank's to the bar. The hospital was just a few streets over.

As expected, there were all kinds of trails crisscrossing the field. It was colder inside the forest and he put his jacket back on. There were no signs of secret hiding places, no trash other than some cigarette butts and more empty beer bottles than he

could count. Jeffrey could still see the sun peeking through the limbs and he made sure to keep it on his right as he walked a straight line toward the motel. He kept checking his watch as he walked so that he wouldn't lose his sense of time, which always moved more slowly when you thought you were lost.

Jeffrey was starting to get a little nervous when he heard the stream that he'd seen behind Hank's bar the other night. Briefly, he had the entertaining idea that he might find whatever Boyd Gibson had dropped, but by the time he reached the bank of the stream, he'd pretty much given up on that miracle happening.

Jeffrey saw the room he and Sara had shared. Someone who wasn't exactly handy had nailed a large sheet of plywood over the broken window. The door was ajar, and Jeffrey poked his head in and checked to make sure they had gotten all of their things. The room looked exactly as they'd left it, but for some reason, Jeffrey didn't find the place as disgusting. Maybe it was because he'd spent a couple of hours in Hank's house. He didn't know how Lena had stood it.

'Shit,' Jeffrey whispered. Lena hadn't stood it. There was no way she'd stayed in that house. She wasn't exactly a neat freak, but no sane human being would sleep in that pigsty.

Jeffrey jogged to the front office. The night clerk was gone, but an orange-haired teenager was sitting behind the counter playing video games on the computer.

The kid didn't look up from the screen as he jabbed his thumbs at the buttons. 'What's up?'

'Was somebody, a woman, staying here last week about this tall.' Jeffrey held up his hand to indicate Lena 's height. 'Brown hair, brown eyes-'

'You mean Lena?' The kid kept his eyes glued to the screen.

Jeffrey reached over the counter and ripped the controller out of his hand. 'Give me the key to her room.'

'The sheriff's already checked-' The kid seemed to understand this didn't matter. He quickly handed Jeffrey the passkey, saying, 'Room fourteen. It's on the second floor.'

Jeffrey bolted up the stairs. He jammed the key in the lock and threw open Lena 's door as if he expected to find her standing there with a full explanation.

She wasn't.

He closed the door behind him and dropped the key on the plastic table. Lena 's toiletries were neatly lined by the sink, her clothes still folded in her suitcase. Jeffrey couldn't begin to know what, if anything, was missing because he didn't know what she had packed. Still, he opened all the drawers, checked the nightstand, even looked under the sink.

There was nothing except a rusted flathead screwdriver that had rolled under the air conditioner by the window.

Jeffrey sat on the bed, trying to think. He had never seen Lena carry a purse, but then carrying a bag wasn't conducive to the job. He would have to ask Sara about that. Or maybe Valentine would be the person to question since the sheriff had already checked the room. On second thought, there was no need to let the sheriff know he'd gotten one up on Jeffrey.

Jeffrey stood from the bed and lifted up the mattress, finding the remnants of what he guessed had been a couple of Cheetos but nothing else. He dropped the mattress, a rush of air blowing back on him. Jeffrey's olfactory system was understandably out of whack since his time at Hank Norton's, but he could have sworn he'd gotten a whiff of gun oil. He flipped the mattress off the bed and knelt down to examine the bedskirt that covered the boxspring. Glad that no one could see him, he sniffed around the thin cotton, stopping when he heard a key sliding into the lock on the door.

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