Karin Slaughter - Skin Privilege

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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The man in the mask nestled the gun against Charlotte 's cheek. 'She likes that, don't you think?'

Lena felt tears stream down her face. How many kids did Charlotte have? She had seen one of them in the library the other day, a young girl, probably not even thirteen.

'Please,' Lena said. 'Just let her go.'

'Why don't you drive some more?' the man suggested. He nodded to his lackey and the door was slammed shut.

Lena put the car in gear and pressed her foot to the gas. She drove aimlessly, following the circle she'd made before, the Celica close behind.

Charlotte gave a deep moan. Her eyes rolled back in her head and she slumped against the door.

Lena demanded, 'What did you give her?'

'Something to take the edge off.'

'I don't understand,' Lena said. She was crying in earnest now. 'Why is this happening? What did Charlotte ever do to you?'

'Want me to tell you a little story, Lee?'

He used her familiar name, the one reserved for close friends and family. Lena turned the rearview mirror away from Charlotte and onto her abductor.

She could see his white teeth through the hole in the mask. 'You figuring it out, baby doll?'

She concentrated on his voice, desperately trying to place it. There was hardly any accent, and the tone was deep, almost as deep as Jeffrey's. Lena ran through her childhood, trying to think of the men she had known. Hank did not have friends. When he was using, he ended up screwing them or pushing them away. When he stopped using, he'd lacked the skills to make connections. There were people he knew from AA meetings and Deacon Simms, but that was it. He spent his nights at home or at the bar.

The man told her, 'You know, when I saw you at Hank's place the other day, I thought, "Now there's a good lookin' woman." '

Had he been in the Escalade outside of Hank's house? The SUV's windows were tinted. Lena had been so focused on the man with the swastika that she hadn't bothered to look for a passenger.

'You look a lot like your mama when she was your age. Did you know that?'

'I didn't even know my mother lived to be my age.'

'Oh, yeah, Angie lived a lot longer than she should have.'

Hank had said that the man. outside was the one who'd killed Angela Adams. Had he meant this man, the one who now held a gun to Charlotte Warren's head?

Lena asked, 'Did you kill my mother?' She turned around. 'Hank said that you killed her.'

He laughed. 'Hank says a lot of things. Not like he's gonna make it much longer doped up like he is. Tell me, honey, do you like to bet? Maybe you want to make a little wager on how long it takes for him to die?' His laughter was a dry-sounding noise devoid of any humor. 'Frankly, I'd be surprised if he was still breathing after that shit Clint gave him today.'

Clint, Lena thought. Now she knew the thug's name.

'Let me tell you about your mama,' the man in the mask said. 'Do you wanna know about your mama?'

'Yes.'

'Well…' He pretended to think back. 'Like I said, you're just like her. Same pretty hair, beautiful eyes. Her mouth was some kind of wonderful. I won't go into details seeing as you're her baby girl, but let's just say she could suck the leather off a baseball and swallow it whole.' He cackled. 'Angie wasn't always like that, of course. Tight as a damn drum in high school. Real religious, just like her mother. Would've taken a crowbar just to get her open. Up here.'

'What?'

'Turn up here,' he said, pointing to the grass beside the school.

'There's no road.'

I keep forgetting you're a cop,' he said. 'Come on, now, just turn onto the grass. Nobody's gonna arrest you.'

Lena held on to the wheel as the tires dipped into the shoulder off the road. Some of the water in the cup beside her splashed onto her leg as she steered the car to even terrain.

'Keep going.' He indicated that she should drive through the open gates to the football field.

Lena drove as slowly as she could without stalling the car. In the mirror, she could see the Celica pull into one of the spaces in the senior parking lot. Was this the plan, then? To kill Lena and Charlotte outside the school? She didn't understand why he was still talking if all he wanted to do was kill them.

'Little bit more,' the man said. 'Through the gates and onto the football field.' He leaned forward, his hand brushing Lena 's arm. 'Give me that cup, will you? All this talking is making me thirsty.'

She put her foot on the brake and did as he asked, careful not to let her hand touch his. As the cup passed between them, she got a whiff of the contents. It definitely wasn't water, but she could not place the odor. The cup felt heavier than it should've been.

'Thank you.' He sat back in the seat, holding the cup at chest level. 'You look like you've got a question for me.'

She cut to the heart of the matter. 'How did you know my mother?'

'She was just like Charlotte here,' he answered. 'Give them a little taste and they'll do whatever you ask.'

'Taste of what?' Lena asked. 'Drugs?' She looked back at Charlotte. The woman was slumped and silent, her lips slightly curled up as if she was hearing a different conversation. Had she lied about just being an alcoholic? Was she an addict, too?

'Stop on the fifty yard line,' the man told her.

Lena put the car in park but left the engine running. Ahead of her, she could see Clint making his way onto the field. He strained from what looked like a heavy bucket he carried in his hand, his body listing to the side. Instead of coming to the car, he put the bucket down on the sidelines then stood there, as if waiting to be called over.

In the rearview mirror, Lena watched the masked man tuck his gun into the waistband of his jeans. He held the cup in his right hand and kept his left wrapped around the back of Charlotte 's neck.

Lena could run now. She could bolt from the car. Clint was fat and out of shape. Lena could run through the woods on the side of the stadium and get lost in the darkness. She could pound on someone's door until they opened up and demand to use the phone.

'You gonna leave?' the man asked, as if he could read her mind. 'Or do you want to stay put and hear what I have to say?'

Her hand had been on the door, fingers wrapped around the handle. She let it drop and turned to face him. 'Tell me,' she demanded.

'If I had wanted to kill you,' he began, 'you would already be dead. You know that.'

'Yes.'

'Your friend here, now she's been a pretty good girl all these years, but when it's time, it's time.'

'Don't hurt her,' Lena pleaded. 'She's got children. Her husband-'

'Yeah, it's sad. But you make your choices.'

'You call that a choice?' Lena snarled. 'Having some asshole Nazi stick a needle in your arm is a choice?'

He was smiling again. 'You sound so much like her, Lee. That same sharp tongue and quick temper. Now, Sibyl, she was more like… well, I guess you know who your sister was like. Real quiet, always caught up in her thoughts. Hell if I know where she got her brains, though. You could've knocked me over with a feather when I heard she'd gotten a full scholarship to Georgia Tech.'

He seemed to know everything about their lives, yet Lena had never met him before.

What did he really know, though? Anyone who had followed Hank and Lena in a grocery store would know that he called her Lee. The newspaper had run a front-page story when Sibyl had gotten her scholarship. As for the details about Angela Adams's early life… those could be made up. The story she was hearing now about her mother could be just as false as the stories Hank had spun to her as a child.

'You working it out?' the man asked.

'Am I supposed to recognize you?'

'Honey, right now, all you need to do is watch and learn.' He held up the cup as if to toast her. 'I'm going to show you what happens to people who don't mind their own business.'

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