Karin Slaughter - Skin Privilege

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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Cook's cruiser was parked in a handicapped space, and he walked around to open the passenger-side door for her. The seat was filled with crumpled bags of junk food and several cans of Diet Coke.

'Sorry for the mess. You mind getting in the back?'

Sara felt the hair on the back of her neck stand on end. She was either being really paranoid or really smart. 'Do you mind if I get a ride in the ambulance?' She saw his surprised look and tried one of her more winning smiles. 'I'll just go with them.'

The ride was quickly negotiated with the paramedics. Sara had made their job a lot easier on the short trip to the hospital and the two men were more than willing to return the favor. Besides, the jail was only three minutes away. Sara felt silly as she rode between the burly paramedics, but she had learned a long time ago to listen to her instincts.

Don Cook was pulling into the parking lot as the ambulance pulled away. He scowled as Sara waved at the departing paramedics.

He got out of his car, mumbling, 'Car's not that dirty.'

Sara suppressed the urge to apologize. Instead, she followed him silently into the building.

'Sheriff's office is up there,' he told her, indicating a set of stairs. 'Unless you want someone else to tell you where it is.'

'No, thank you.' Sara took the stairs, feeling his eyes on her the whole time. She heard children talking as she climbed. In the lobby, three young faces looked up at her from their coloring books. They were on the floor, their legs splayed, faces intent, as they worked their crayons. A teenage girl was on the other side of the room. Her sullen posture indicated she was not pleased to be left in charge.

Sara looked around for their mother, but no one seemed to be in attendance. She was about to question them when Jeffrey opened the door.

'Back here,' he said. Then, noticing her concern, he assured Sara, 'They're okay.'

Sara stepped over one of the children as she walked toward Jeffrey. She whispered, I need to talk to you.'

He shushed her, indicating she should hurry. He didn't give her a chance to speak as the door closed. 'We've got a missing persons report.'

'A woman?'

'Her husband came in about twenty minutes ago. Larry Gibson.'

'Any relation?'

'Boyd Gibson's brother. Valentine says he's clean.'

Sara frowned, wondering when Jeffrey had started taking Jake Valentine at his word. She asked, 'How long has the woman been missing?'

'Since last Saturday.'

'I didn't find a wedding ring on the body,' Sara said, though she knew the metal could have melted off in the intense fire. 'If his wife has been gone for six days, why did he wait so long to come forward?'

'She's gone missing before,' he told her. 'Had a drinking problem, dabbled in meth for a while. She's a schoolteacher. Those are her kids in the waiting room.'

'Christ,' Sara whispered. A schoolteacher with three kids. What had Lena said? A mother. A wife. A friend. A lover.

Jeffrey took Sara's arm, concerned. 'Are you okay?'

'You got a call on your phone.' She pressed his cell phone into his hand. 'From an old friend.'

He scrolled through the various screens, saying, 'I had Frank do a trace.' He meant a trace on Lena 's phone. 'There's only been one call made from that number since Monday night – to me at the hotel.'

'She said…' Sara began, her throat going dry. 'She said that the same thing that happened to the woman in the car could happen to you.'

'She'd say just about anything to get us out of here.' Jeffrey frowned at the phone in his hand. 'Number withheld. It's probably listed on my call records, but it'll take a day or two for it to show up.'

'Jeffrey

'Let's deal with the missing schoolteacher first,' he suggested. 'It'll be fine. Okay?'

She nodded, though it was far from okay. Unbidden, that same flash of Jeffrey on an autopsy table came to mind. Her stomach twisted into a knot as she preceded him down the hallway, Lena 's words of warning ringing in her ears.

Do you want the same thing to happen to Jeffrey?

Back in Valentine's office, the sheriff was on the business side of his desk. He was writing on a sheet of paper, probably filling out the missing persons report, as the man in front of him gave the details.

'She's just average,' the man said, sounding frightened and angry at the same time. 'I don't know, Jake… describe your wife. I don't know her height. I don't know her weight. She's just average.'

'That's okay, Larry,' Valentine soothed. 'Listen, I've seen her at church about a million times. I could tell you blindfolded what she looks like. No offense, buddy, but she's a good-looking woman. Am I right?'

The man gave a surprised laugh, as if he'd forgotten that detail. With a pang, Sara recalled the autopsy she'd performed on the man's brother. What if the woman in the Escalade was Larry Gibson's wife?

'Guy can't help but notice a good-looking woman,' Valentine said. 'I'd guess she's around five-six in height. For weight we'll put one-twenty. License probably says one-ten, but you know how women are.' He looked up from his form, saw Sara was watching and winked at her. It wasn't a suggestive wink, more like his way of letting her know that he was just doing his job. Whatever he was doing, it was working. Larry Gibson seemed to be calming down.

Valentine asked him, 'That weight okay with you?'

Larry started to nod. 'Yeah, she's about one-twenty, I'd guess. And I remember now – last time I saw her was around two o'clock. She dropped off the kids at the movies, and when she came back, she got on the phone with her mama. I heard her say she needed to go check on her.'

'Well,' Valentine said. 'Sounds like we need to check with her mama.'

'She didn't go,' Larry countered. 'She was taking a bath, and I asked her was she going to her mama's, and she said no, that she'd told her she'd come by tomorrow.'

Valentine tsked, shaking his head. 'Can't make up her mind.'

'Right, that's what I said,' Larry agreed. 'And then she told me she might still go for a walk and I said maybe later because there was a game on at two-thirty and did she need me to do anything before because I wanted to watch the game.'

'Georgia-Alabama?' Valentine asked, probably to confirm the time. 'Man, that was a good game.'

'Yeah.'

'Did you hear her leave?'

'Yeah,' he repeated. 'Just before halftime I heard the door close. I figured she was going for her walk.'

'Couldn't have been the kids?'

'They were at the movies for that Halloween horror special they advertised in the paper last week.'

Valentine made a note on his sheet. 'Halftime, then. That'd put it at around four, don't you think?'

'Four. Yeah.'

Sara looked at Jeffrey, but he was intently following the interview. She wondered if he was as impressed as she was with Valentine's ability to draw out the details from the concerned husband. The sheriff certainly liked to keep his talents hidden.

'What's that you got there?' Valentine asked.

Larry put a small metal box on the desk. It was old, the cadet blue paint chipped off, showing the gray primer underneath. A rusty lock held the top closed, but Larry easily opened it. 'I wanted to show you,' he said, indicating the contents. Sara leaned forward, seeing a tarnished silver spoon with the handle bent and several unused hypodermics. Tin foil, a few cigarette filters, and a butane lighter rounded out the drug kit.

Larry turned around, as if he'd just realized that Sara and Jeffrey were standing there. He explained, 'She's been clean about six months now. I just brought this to show you' – he turned back to

Valentine 'to show you, Jake. If she was using again, if that's why she left, then she would'a taken this. There's a pack in here.' He reached in and held up a small jeweler's bag of dirty white powder. There's no way she would'a left this if she was using again. You know that.'

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