Karin Slaughter - Skin Privilege

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Skin Privilege: краткое содержание, описание и аннотация

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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Jeffrey asked, 'Mr. Gibson, I don't mean to interrupt, but why did you take so long to report that she was missing?'

Larry blushed, looking down at his shoes. 'I didn't want to get her into trouble. First thing I thought was she was back on the drugs. I started looking around the house, trying to see if she'd taken anything. All her clothes were still there. She'd even left her purse.' He looked at Sara when he said, 'She always took stuff when she ran off before – usually stuff she could sell. TVs, DVD player, iPod… she never left her purse. Women don't leave their purses.'

Sara nodded, as if she could speak for the man's wife.

Larry turned back to Valentine. 'I called around, talked to her mama, her aunt Lizzie. I guess I was just waiting for her to come back home. She always came back. She didn't want to leave the kids. This drug-' He indicated the bag of dope in his hand. 'It does things to your brain. You don't think right. She didn't know what she was doing sometimes. That's all it was. She just needed to let it run its course and then she'd come back and everything would go back to normal.'

Valentine asked, 'Where's her car, Larry?'

'See, that's the other thing. Her car's still in the driveway. If she just took a walk…' He rubbed his face with his hands. I called into the school and told them to get a sub, that she had the flu. I don't think Sue believed me.' He gulped, tears filling his eyes. 'It can't be her in that car on the football field, Jake. I mean, she's run off before. It can't be her. I don't know what I'd do if…' his voice was high-pitched, pleading. 'We're gonna put Boyd in the ground tomorrow. I thought for sure she'd come back when she heard about him. Boyd had his problems, but he was taking care of himself. He helped Charlotte get through her bad times…'

'Mind if I look at this?' Valentine asked, but he was already picking up the box.

Carefully, the sheriff emptied the contents onto his desk blotter. He used the tip of his pen to push the hypodermics to the side, then the bag of meth and other paraphernalia. Sara didn't see anything of value unless you were a cop or an addict. Valentine obviously agreed. He tapped his finger on the inside of the box, then picked up his letter opener and used the edge to pry out the plastic lining. The box was so old that it came out in pieces.

'Well,' Valentine said. 'What's this?'

Sara couldn't tell what he had found until he pulled it out – two light blue sheets of paper that had been folded in two.

Valentine scanned the documents before handing them to Jeffrey, apparently unconcerned with fingerprints. Sara read the pages over Jeffrey's shoulder, recognizing them as old applications for birth certificates. Doctors handled the applications now, but back in the seventies, parents were still allowed to fill out all the pertinent information on their own. They were given six days to decide on a name, then were expected to file the application with the birth registration office at the hospital. The registrar would verify the information, then send it to the state.

Obviously, they were looking at the applications Lena 's mother had filled out for her twin girls; Angela Adams had signed her name at the bottom in a feminine cursive. Everything seemed normal to Sara until she noticed the section marked 'Father's Name.'

The woman had listed Henry 'Hank' Norton.

LENA

TWENTY-TWO

Lena lay flat on her belly, hidden by the grass, taking pictures of the dilapidated warehouse at the bottom of the hill. Over the last forty-eight hours, she had documented it all: the cars pulling up, the money going out the window, the dope coming back in. At night, it got downright congested. No one seemed afraid of getting caught. They kept their radios turned up, rap or country blaring from the speakers. Kids rode up on bikes. Couples strolled. One time, a sheriff's cruiser rolled by and there was a scrambling of bodies, a minuscule show of concern, but for the most part, the traffic in and out of the warehouse was pretty steady.

They might as well be printing money in there.

A white sedan pulled up and a man got out. His boots kicked up dust as he walked across the parking lot. Lena photographed every step until he went into the building, slamming the door closed behind him.

She put down the camera, checked the time and made another notation in the log.

10:15pm – CLINI arrives in white sedan. Enters building.

Lena had been lying on her back, waiting for Jeffrey to come, when she'd heard the men arguing at the end of the hallway. On the football field the night before, the man in the black ski mask had called the man with the red swastika Clint. Now, lying in the hospital bed, she instantly recognized Clint's harsh growl echoing up the hall. Black Mask wasn't too hard to peg down, either. His voice was soft, almost singsong, when he said, 'Clint, listen to me. We've got to get rid of her.' Clint had disagreed, said something about needing permission to kill a cop. In the end, nothing had been decided, though the two had gone at it for nearly ten more minutes, according to the clock radio beside her bed. Lena had lay there helpless, wrists chaffing from the restraints as she used every muscle in her body to try to break free.

Finally, the two men had walked toward the elevator, their heavy shoes scuffing the tile floor.

By then, Lena was in a full-blown sweat. What had Hank gotten himself mixed up in? These people had burned Charlotte alive. They had beaten Deacon Simms to death. It was only a matter of time before they decided that letting Lena live had been a big mistake. And who else would they take down in the process? Who else would Lena put in harm's way because of her inability to let things go?

Sara. Poor Sara. It had been absurdly easy to escape into the bathroom next to her hospital room. Clothes Lena found downstairs in the laundry, too-large tennis shoes in a nurse's locker. There was a wallet, a bunch of credit cards, but she left them, taking instead a screwdriver from a toolbox in the corner. Lena used the woods behind the hospital as a cut-through, running as fast as she could in the ill-fitting sneakers. She didn't know how much time she had other than very little.

The lock on her motel room door was easily jimmied with the screwdriver, which she tossed onto the table as she eased the door shut behind her. Lena was sweating from the run. She pulled off the scrubs and changed into her own clothes and shoes. She grabbed her cell phone and charger. Her Glock was under the bed where she had hidden it the day before. The keys to Hank's bar were on the dresser. The only time she hesitated was as she was leaving the room. Lena rushed back in before the door closed, grabbed one more thing that she needed.

She threw the scrubs and shoes into the hotel Dumpster en route to the bar. Hank's two thousand dollars was still tucked behind the cheap bottle of scotch. This time, she had no qualms about taking the money.

Another quick jog through the woods and she was back at Hank's house. The spare key to the Mercedes was on the key ring she had taken from his office. The engine cranked on the third try. An Elawah County sheriff's cruiser was making a right onto Hank's street as Lena made a left, heading in the opposite direction. She checked the clock on the dash as she put Reece in her rearview mirror. Only twenty-eight minutes had elapsed since she'd left the hospital. She was holed up in a roadside motel on the Florida side of the border by the time the sun rose in the morning.

She had fallen into bed but was too exhausted to sleep. Everything started to sink in – what she had seen, what she had done.

That was when the demons started eating her alive.

Lena stayed in bed for almost twelve hours, only getting up when nature compelled her to. Every time she closed her eyes, she saw Charlotte sitting in the back of the Escalade again, waiting for the flames to devour her. The way the woman's arms had flailed, her feet kicking the back of Lena 's seat like an animal trapped in a box… the thought of it was too much to bear.

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