Karin Slaughter - Skin Privilege

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Skin Privilege: краткое содержание, описание и аннотация

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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As quietly as she could, Lena made her way toward the old Chevy in the backyard. She slid underneath, the rusted floor of the cab scraping her back as the gate creaked open.

The motion light on the side of the house tripped on. Harley blinked up at the light, clearly annoyed. Clint came behind him, closing the gate.

'He wouldn't come back here,' Clint said, nervous. 'Just let the dope do its work. He's not gonna go far off the needle.'

Harley spoke with the clipped, nasally accent of a New Englander. 'That should kill him rather too painlessly, don't you think?'

Clint was obviously nervous. 'Let's just go, man. There's nothing in the house.'

'I would love to talk to him, see what exactly he thought he might accomplish.'

'I don't think that would be a good idea.'

'I don't think you were brought into this organization to think.' Clint was much stronger than Harley, but he flinched as the younger man grabbed him by the shoulder. 'You've known Mr. Norton for a while.'

Clint shook his head, obviously seeing where this was going. 'I did my job. I did exactly what you told me to do.'

'You've had a close connection to the family over the years.'

'No, sir. That don't matter. I don't play favorites.'

'Then why is Hank Norton's niece still alive?'

'You told us not to kill any cops.' Clint spoke carefully. 'You issued a standing order.'

'And now we've got two cops to deal with: one on the run and the other rather curious as to why.'

'I'm sorry. It was my call.'

'It's good of you to accept the blame, Clint, but your lack of initiative explains your lack of progress in the organization.' Harley turned back to Hank's house. 'Let's go see if you at least did this correctly.'

'I can't be responsible if-'

Harley didn't say anything, but his expression must have spoken volumes.

'I'm sorry, sir,' Clint repeated, fearful, respectful. 'We can go in through the back door.'

Both men went into Hank's house. Lena could hear furniture being knocked over, glass breaking, as they moved through the rooms. There was an old cliche that said there were two types of people: leaders and followers. Harley was a leader, but so was Ethan. There was no way the two of them could be working together. Neither man would take orders. Neither would put up with each other's attitudes. Put them in the same room, and you might as well sit back for the most violent cockfight of your life.

The kitchen door opened. Harley came out of the house and walked down the stairs with a spring in his step.

For his part, Clint was wiping his mouth with the back of his hand as if he had been sick.

'Find the cops,' Harley tossed over his shoulder. 'Both of them. Find out what they know, and if they give the right answers, find a way to persuade them to go on their merry way.'

'And if they give the wrong answers?'

'Initiative, Clint.' Harley clapped him on the shoulder again, bowed his head as if in prayer.' "O, God of vengeance, let your glorious justice be seen"!'

Clint seemed uneasy, but he stood there quietly until Harley raised his head. Still, he waited a few more seconds before leading Harley back toward the gate.

As soon as they were gone, Lena slid out from under the truck. She ran so fast out of the backyard that her heart felt like it was going to explode. She found the Mercedes and rolled down all four windows, listening for the motorcycle's pipes as she drove, having to backtrack a few times before she was able to find Harley stopped at a red light outside the library. A white sedan was in front of the bike, and she assumed that Clint was behind the wheel.

The light turned green and the sedan went to the left. Harley went straight, and she followed the bike. The Mercedes' headlights were off, and Lena slowed, hanging back so Harley wouldn't see her. Ideally, two cars were used in a tail, but Lena was hardly in a position to have such luxury. She just kept back as far as she could and hoped Harley wasn't the kind of driver who was constantly checking his rearview mirror. She sure as hell was checking hers. Clint could all too easily have looped around to see if Harley was being followed.

He hadn't, though, at least as far as Lena could see. The road behind her remained clear. When she saw the bike turn into what looked like an abandoned warehouse, she kept on going, steering the car up the hill and finding a spot where she could view what was going on below without being spotted.

She had spent two nights watching the warehouse, grabbing some sleep at the school before making the long journey back to the motel in Florida to regroup during the day. The second night back, she'd brought the camera. Through the lens, she'd been able to better see who was going in and out of the building – the usual suspects, plus a few surprises. It was the surprises that made her start to see her way out of this for the first time since she'd arrived in Reece. Lena just needed to get Jeffrey and Sara out of harm's way, then she would make her move.

Between the motel, the digital camera, and gas for the car, Lena had blown eleven hundred dollars of Hank's emergency cash. She figured she could find a twenty-four-hour Kinko's somewhere and make copies of the camera's flashcard. Photocopies were cheap, and her log of the comings and goings at the abandoned warehouse were meticulous.

Hank had obviously found out something about these guys and their operation. Harley had said as much that first time she had seen him at the house. He'd spoke about Hank's downward spiral in terms of vengeance, and you did not seek revenge on somebody unless they struck at you first. Hank must have tried to play the mother of all poker hands and got caught in a bluff – either that, or they had attacked him at his weakest point, his addiction. He must have fought them at first, but once he got hooked back on the dope again, the struggle was over.

Lena didn't share her uncle's weaknesses, at least not where drugs were concerned. All she wanted out of this was freedom – not justice, not money, not vengeance, though God knew Charlotte and Deacon deserved retribution. Lena couldn't think about either of them now because it was the living she had to protect. Charlotte still had a family. There was still Hank, Sara, and Jeffrey to think about. Lena couldn't afford to bluff. Whether Ethan was behind this or someone else, it didn't matter. First thing in the morning, she was going to lay all her cards on the table.

With the right hand, she might be able to win back some lives. If she lost her own in the process, so be it.

FRIDAY

TWENTY-THREE

Jeffrey had forgotten what it felt like to wake up feeling like a human being. While he was under no illusion that the Holiday Inn of Beaulah, Georgia, was a pantheon of hygienic bliss, all he cared about was that the place looked clean. The sheets were crisp white, the pillows fluffed and inviting. The carpet showed tracks from the rigorous vacuuming and didn't stick to the bottom of his feet when he walked across the floor. Room service came hot and fresh. The staff seemed happy to be there – at least none of the maids had cursed at him. Best of all, the bathroom was as close to heaven as he'd been in a while: the shower had been strong enough to take the hide off an ox and the toilet flushed without an ominous gurgle.

Sara must have felt the same way. She slept so soundly he had actually woken her up to make sure she was okay. And then, since she was awake, he'd persuaded her to stay that way a little longer. Then a little longer still. By the time the sun peeked in between the gap in the curtains, she lay spent, her leg thrown over his, her head resting on his chest. Jeffrey stroked her arm, his mind unable to stay distracted without Sara's help. He couldn't quite put his finger on it, but something had changed about her lately. Sex had turned much more intense, and at one point this morning he'd felt like she was holding on to him out of fear rather than passion.

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