Karin Slaughter - Skin Privilege

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Skin Privilege: краткое содержание, описание и аннотация

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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'My pleasure.' The sheriff pushed open the door with a flourish.

Sara watched them through the glass door. The mist had turned into a spitting rain, but neither man seemed to care. Jeffrey stood on the curb while Valentine walked into the lot for yet another look at Sara's car. She felt shame mixing with anger that he was so focused on the damn thing. If the sheriff thought Jeffrey was on the take, he was more than welcome to look at their tax returns.

Behind her, the steel door slammed closed. Don Cook had made his exit. Lena and Sara were alone. Immediately, the walls felt as if they were closing in.

Lena 's tone was clipped, cutting. 'You need to get Jeffrey out of here right now.'

'That's not going to be a problem,' Sara returned, watching her stubborn husband standing out in the rain. 'Jeffrey's going to see Ethan.'

'You can't let him do that.'

Sara laughed, incredulous. 'I don't know if you remember your little tirade in the hospital a few days ago, Lena, but the best way to get Jeffrey to do something is to tell him not to do it. It helps if you make threats.'

Lena muttered something under her breath.

Sara heard plenty, but still, she demanded, 'What was that?'

'Nothing.'

'If you're going to try to mumble, you shouldn't do it so clearly.'

Lena walked toward her, stopping a few feet away. 'I said he's so pussy whipped he can't see straight,' she repeated. 'You need to get him the fuck out of here. Now.'

'How do you propose I do that?'

'Just tell him that he has to leave.'

Sara shook her head. 'God, you're so stupid about people.'

'You think insulting me is gonna fix this?'

'Fix what?' Sara demanded. 'Fix the woman who was burned alive? Fix the man who was stabbed in the back? Fix the fact that your uncle is at death's door?'

Lena pressed her lips together, stared all her hate into Sara.

'Save the theatrics. I get that same look at the clinic every time I give a toddler a shot.' Sara put her hands on her hips. 'Tell me, Lena, was Charlotte Gibson your friend?'

Lena kept glaring, but Sara could see the other woman's resolve was breaking.

'Was she?'

'Yes,' she finally answered.

'If she was your friend, then I fear for your enemies.'

Lena finally looked away, her tone softening. 'I'm trying to protect both of you. I need a day -just a day. Take me at my word and get out of town.'

'You've dragged us down here and gotten us mixed up in this… this… shit – for lack of a better word – and you think that a simple, "because I said so," is going to end it?' Sara looked back at the parking lot, saw that Valentine and Jeffrey were walking toward the door. 'Is Ethan mixed up in any of this?'

Lena stared at Sara as if trying to divine the best response to get her way.

'Quickly,' Sara snapped. Valentine was a few feet from the glass door, Jeffrey behind him. 'Is Ethan involved in this?'

'I don't know.' Lena shook her head and shrugged at the same time. 'Probably not. I don't know.'

'What will happen if Jeffrey goes to see him? What will change? Will it make anything better or worse?'

'I don't-'

Valentine opened the door. Jeffrey followed him inside.

Lena didn't waste her time. She told Jeffrey, 'Stay away from Ethan.'

He looked at Sara first, as if trying to decide which team she was on. Sara copied Lena 's earlier gesture, shaking her head and shrugging. Maybe Lena wasn't so stupid about people after all. Of course, Sara had basically drawn her a map: the best way to make Jeffrey do something was to tell him not to do it. If Lena wanted him out of town so badly, the trip to Coastal State Prison would eat up the entire day.

Lena told him, 'Ethan has nothing to do with any of this.'

He gave her that cocky smile that Sara despised. 'That so?'

'I'm taking care of things,' Lena told him. 'Just leave, Jeffrey. This is none of your business.'

He was still smiling, but his tone was a warning. 'Are you my boss now, Lena? Is that how it works when you've got a big-gun drug lawyer pulling your strings?'

Lena looked at the floor. Sara tried to change Jeffrey's focus, asking the sheriff, 'Is Lena's car still at the impound lot?'

Valentine nodded.

'Do you mind driving us there to pick it up?'

Valentine was obviously surprised by the request. 'I was… uh…'

Lena interrupted, 'I left Hank's car at his house this morning. We can take that. It's closer.'

Sara didn't wait for Valentine to come up with an excuse. She told Jeffrey, ' Lena and I will take Hank's car to the hospital. You can pick me up there when you're finished.'

Jeffrey's jaw worked. He nodded toward the door and Sara followed him outside. The mist was back, lending a solemn mood. Silently, he walked to the car. Her cell phone was in the glove box. He powered it on, staring at the screen as he told her, 'It'll take me a few hours to get there, probably another hour to fill out all the paperwork.' He handed her the phone. 'I'll call you when I'm on my way back, all right?'

Jeffrey wasn't one for public displays, but he kissed her cheek, then her mouth. She grabbed him by his collar, pressed her face in his neck.

He said, 'I don't know what's going on between you and Lena, but promise me that y'all are going straight to the hospital.' She nodded, but that wasn't enough. He tilted her face up to his. 'You're going to be the mother of my child, Sara. Promise me that you're going to keep yourself safe.'

'I promise,' she told him. 'We'll go straight to the hospital. I'll be there until you come to get me.'

He kissed her again before letting go. 'It's going to be fine, okay?' He walked around to the driver's side of the car. 'I'll see you in a few hours. We'll be home tonight.'

Sara watched him get into the car, remembering that morning six months ago when he'd left her standing in her parents' driveway. Lena had called minutes earlier and he was off to arrest Ethan Green on a gun violation. Now, standing outside the jail, Sara felt the same dread welling inside of her – the same uncontrollable fear that hovered like a dark shadow over her heart every time she found herself thinking about the misery of her life without Jeffrey.

As he reversed into the street, Sara prayed to God that this time would have the same ending. That tonight – just like that night – she would curl up in bed beside him and listen to the steady cadence of his breath as he fell asleep.

Sara and Lena rode in the back of Jake Valentine's squad car. He had offered the front seat, but Lena had said no and frankly, Sara did not want to sit by the man. What little respect she'd had for Valentine in the beginning was more than cancelled out by his relinquishing his badge over the threatening letter. The irony was not lost on Sara that, had she been in Myra Valentine's shoes, she would have begged her husband to quit. Sara wondered if there would ever come a day when she would not worry about the fact that Jeffrey was good at his job.

Probably the night of his retirement party.

The brakes squeaked as Valentine pulled to a stop in front of Hank's house. Sara frowned at the Mercedes in the driveway. The car looked older than Lena.

Valentine got out of the cruiser. He opened Lena 's door, then walked around to get Sara's. He seemed relieved to be leaving the job and getting on with his life. She wondered what Jeffrey had said to him out in the parking lot.

The rain had stopped, but the sky was still overcast. Lena stared at her uncle's house, asking, 'Why are all the lights on?'

'What's that?' Valentine asked.

'The lights are on,' Lena said, an edge to her voice. 'I didn't see them on this morning.'

Sara wondered why it mattered. She asked, 'Are you sure?'

'Yes,' she said, then, 'No. I don't remember.' She stared back at the house. 'Hank wouldn't want all the lights left on like that.'

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